In October, 200 coffee shops across the United States and Canada were made into Luke’s Diner for a day to promote the new revival of Gilmore Girls. No special signings or souvenirs — just the regular drink in a commemorative sleeve, served by the usual barista in a branded apron,…
Pablo Larraín is having a good year. The Chilean director, Oscar-nominated a few years ago for his 2012 political drama No, has just released Jackie, featuring a striking Natalie Portman as Jackie Kennedy in the immediate aftermath of her husband’s assassination. He is also about to release Neruda, a complex,…
It’s December, which means it’s time to curl up in front of the TV in a fetal position and pray for 2017. Since this year has been Satan’s masturbatory fantasy, we deserve to glue our eyelids open and soak in the sweet, sweet escapism. And on January 1st, fortified by…
Oh those last four words.
A Bowie tribute, Die Hard, and Anne Rice.
#TeamJess. Yeah, we said it.
There’s a grand concept to Seasons, the mostly terrestrial animal-observation doc from the creators of Winged Migration and Oceans, but in practice the film, a beauty, is about animals surprising you. You’ll be pleasantly engaged in observing a bird standing there after a snowfall, and then a snowbank will shudder…
Alia Shawkat’s great comic skill is for the continually fresh expression of a determined disgust. That eager face of hers, beneath its constellations of freckles and her great Harpo-frizzed curls, is forever souring up with disappointment, even as her characters strive not to let this on. To feel let down…
Look, Shia LaBeouf was approximately the 27th worst thing in that last Indiana Jones movie, and his intense-yet-distracted turns in the Transformers series aren’t legit strikes against him. Would you have turned down all that money to be posed by Michael Bay for a couple months every few years? Now,…
Or, Is Rory Even Good at Anything?
Welcome back to Stars Hollow.
Naughty, nice, and somewhere in between.
If you’re at least mildly interested in skiing or snowboarding, you probably know Warren Miller’s handiwork. Every year since 1949, his company, Warren Miller Entertainment, has put together the biggest and best snowports film of the year and shown it in halls and venues all over the world. Although Miller…
Anna Biller’s ripe, vibrant The Love Witch is an act of reclamation — and love. In this out-of-time extravaganza of feminist-satanist serial-killer erotica, the writer/director/producer — plus editor and set and costume designer — has crafted the best kind of homage or parody, the kind that honors every thrill and…
Eventually, there will be so many films about a sullen or damaged man returning to his provincial town to face the demons of his past that Netflix will make a separate category for them. At their worst, these movies are navel-gazing vanity projects for their writers and directors (Cameron Crowe,…
As Allied opens, Brad Pitt parachutes so gently and quietly onto a stretch of Moroccan desert that at first you think he might be dead. And maybe he sort of is — maybe he has to be. Pitt’s Max Vatan is a pinched, terse figure in the first act of…
Maybe it was the agitated, election-induced state of mind I was in when I saw it, but Disney’s Moana feels like a movie about how easy it can be to give up, and how important it is not to. It’s funny, joyful, and sweet, and yet down below, running beneath…
Oh man, are we in a backlash on liberal, PC culture right now. I mean, if you can call electing the KKK’s and Nazi party’s greatest white hope to the highest office in the world a backlash. I can’t even count how many people — strangers, family, trolls — have…
A French Village starts off on June 12, 1940, with a premiere that includes a German fighter plane shooting at children on a school trip. The scene is suspenseful but also staged with deliberate restraint, like a dream slowly turning into a nightmare before anybody quite realizes it. The series…
When last we saw Howard Hughes onscreen, Leonardo DiCaprio was repeating “the way of the future” ad infinitum as he gazed into the mirror. Warren Beatty’s long-in-the-making Rules Don’t Apply isn’t nearly as concerned with the future as Martin Scorsese’s The Aviator was, looking instead to the past and all…
Here’s a first look inside.
