Like the rambling fixer-upper at its heart, Merchant Ivory’s Howards End has aged quite well, and not just because of the brightened-up 4K restoration from Cohen Media Group. It’s brisk and funny, prim but open-minded, testy about pomposity even as it exemplifies what once was the most pompous of all…
Don’t ever make the mistake of dismissing James Ivory’s E.M. Forster adaptation Howards End as a mere “costume drama.” Yes, the characters wear corsets and evening suits and talk through manners and inheritance. But in its own way, Ivory’s film — which has been newly restored and is being re-released…
Name a Phoenix-area family that’s competing on Family Feud this week. Stumped? Survey says it’s time to meet the Saretskys. Cave Creek residents Marilyn and Robert Saretsky along with their daughters Erika and Randi — and Randi’s husband Vade Pierce — will appear on a new episode of the long-running game…
Horror movies and sexuality go together like peanut butter and jelly (or blindfolds and fuzzy handcuffs, depending on who you ask). Although there have been plenty of truly terrible nudity-laden slasher movies, there are also more than enough great ones to keep the combination alive for many movie-going generations to…
WARNING: Spoilers for both the book and film versions of The Girl on the Train ahead. Get off at this stop if you want to avoid the surprises. In 2015, Paula Hawkins released the wildly successful novel, The Girl on the Train. Millions of copies were sold of the psychological…
“As it always happens in the Chris Guest movies, we really don’t talk to each other before we get to set,” Jane Lynch says, explaining how she creates her menagerie of characters, specifically Gabby Monkhouse from Guest’s newest mockumentary, Mascots. “A couple months before, I got a call from Chris,…
Christopher Guest’s films mostly deal with passionate but ordinary people who aspire to positions of status within strange little subcultures: mid-century folk music, dog shows, community theater or, in the case of his new mockumentary, Mascots, the world of sports-mascot competitions. In the alternate universe of Guest’s first film in…
There’s plenty of time to wonder, as J.K. Simmons narrates page after page of backstory, whether the creators of The Accountant realized that their dutifully twisty R-rated thriller was actually another superhero story. Yes, it’s got trappings of psychology and adult thoughtfulness, speeches about the mysteries of the brain and…
Here’s what matters most: You will laugh. Kevin Hart on a stage before thousands, yapping for more than an hour? I don’t care what kind of miserable killjoy you are, you’re going to laugh. There are two reasons you might be offended — you may find the material either too…
When a quiet film is set outside of the big cities, it’s often called a “slice of life.” But that’s ultimately a condescending designation; to the millions of people residing on the prairies and in the small towns dotting the throughways, it is simply life, with a capital “L.” In…
As has been widely noted, Woody Allen’s Crisis in Six Scenes isn’t really a television series; its six episodes are not particularly self-contained, and plot developments crest and climax willy-nilly regardless of where each segment ends. It’s a two-and-a-half-hour movie, the longest one Allen’s ever made, and with the option…
Fred Armisen and Bill Hader are a rarity in the comedy world: funny people with hearts of gold. It was obvious all those years when they were cast members on Saturday Night Live. They handled their characters — whether living, dead or purely fictional — with a visible sweetness. Think…
There’s little in the way of setup or explanation for what the “bad batch” is or how the members of such a motley, unfortunate tribe of humans were banished to a desert wasteland in Ana Lily Amirpour’s post-apocalyptic action dramedy. Instead, Amirpour just lets the camera linger on a sign…
I want to take a moment to apologize to Anne Hathaway. Ms. Hathaway, as you’ve grown from precocious princess (The Princess Diaries) and embattled intern (The Devil Wears Prada) to destitute prostitute (Les Misérables) and back again to Disney royalty (Alice Through the Looking Glass), I’ve sometimes judged you unfairly,…
The month before Fish Tank writer/director Andrea Arnold premiered her film American Honey at this year’s edition of the Cannes Film Festival (where it won the Jury Prize), she spoke before an audience with director Ira Sachs as part of the Tribeca Film Festival. The following are excerpts of her remarks, edited for clarity…
Forgiveness is tricky and personal, and you can’t be blamed for not offering it. Buying a ticket to Nate Parker’s slave-revolt drama The Birth of a Nation demands at least some measure of it. As you’ve probably heard, while a student at Penn State, Parker — the film’s star, director,…
When Relativity Media — the production company/distributor behind Masterminds, the newest vehicle for Zach Galifianakis to do his painfully committed schtick — started getting press, co-founder/co-CEO Ryan Kavanaugh boasted of his secret sauce for success. A proprietary risk-evaluation algorithm that crunched variables like cast, release date, relative examples in the…
Here’s a great example of how not to open your documentary. “After releasing my film in 2012 about marriage equality, I was at a loss of what topic to explore next,” says Cassie Jaye in the halting tones of a hostage reading her captors’ statement to the world. That comes…
They say there’s no accounting for taste, and here to prove it is The Greasy Strangler. A fringe-inhabiting genre provocation destined for a self-selecting audience with strong stomachs, co-writer/director Jim Hosking’s feature-length whatsit tests sensibilities, but Hosking forgets that oddity isn’t a substitute for quality. The film offers a chance…
Outside of dudes killing dudes, there’s little the moviegoers seem to love more than weddings, a truth that Elite Zexer’s heartsick desert drama Sand Storm exploits for a first-act sucker punch. The nuptials that teen Layla (Lamis Ammar) is driving her father Suliman (Hitham Omari) toward, the frame of a…
Voyage of Time: The IMAX Experience might be the most narrative film of Terrence Malick’s career. The enigmatic director’s recent work has been marked by a turn toward elliptical, stream-of-consciousness meditations, pretty much discarding any semblance of conventional storytelling. But going as far back as Badlands (1973), he’s had a…
You might have let yourself act surprised as the waters have risen and the floods have come. But you can’t anymore, not after 13th, Ava DuVernay’s miraculous cine-history of the criminalization of American blackness. Few films shake and astonish like this one, even though nothing in it should be a…
