Like American Sniper (2014), Clint Eastwood’s Sully is a movie of nightmares. In Sniper, Chris Kyle (Bradley Cooper) sits rigidly in the living room, imagining the gunfire, roaring helicopters and wailing bystanders of Fallujah playing out on a turned-off television as his children race through the house. In Sully, Chesley…
A decade after the fact, the scandal of JT LeRoy — the HIV-positive, young male (though gender-fluid) writer adored by scores of global alt celebrities who was revealed to be the creation of a woman named Laura Albert — is relitigated in Jeff Feuerzeig’s queasily absorbing documentary Author: The JT…
Christian Carion’s refugees-on-the-march World War II drama Come What May is the kind of old-fashioned war movie that’s crafted not just to emphasize history’s horror and brutality. Yes, Carion stages the occasional slaughter with heartsick brio, and sometimes can’t resist taking pleasure when the violence goes against the bad guys,…
Horror has in recent years been so informed by found footage, smartphones, and Skype that a trend toward folklore was probably inevitable. Far from trying to capture the moment, arthouse movies like The Babadook, It Follows, and now Demon aspire to a kind of timelessness — what was old has…
What happens when a director takes his own life before he’s able to see his work open in theaters? In the case of Marcin Wrona and Demon, his mesmerizing Polish art-horror film, Olga Szymanska, Wrona’s producing partner and wife, has pressed on. She has traveled with the film, watching the…
Eight minutes into the pilot episode of Cinemax’s new crime show Quarry — an uneven but largely rewarding translation of Max Allan Collins’ crime books into emotionally challenging, character-driven television — Marine Lloyd “Mac” Conway, Jr. (Logan Marshall-Green) returns home a day early from his second tour in Vietnam. By…
Here’s a gorgeous and audacious slice of East Bay life that’s dreamily attentive to Northern California sun and concrete, to the shambled beauty of a street couch under a BART station, to the slow thump of cruising stoned with hip-hop bumping, to the way suburb-city edges into city-city and the…
Before The Eric Andre Show came along, I always thought acting like a complete lunatic on television was mostly a white-people thing. As a culture, African Americans generally frown upon the idea of being unabashedly clownish for the masses — black folks call it “showing your ass.” All those years…
We’re recapping Difficult People, episode by episode. I hate having all these human emotions. Here we are at the end of Difficult People season two, and Billy and Julie are waiting for a ride-share car that wears a goatee. There was some sort of incident and the city’s on high alert, which…
The most destructive villain in this year’s summer movies isn’t some super-powered fiend. It’s us, the consumers of North America, whose desires shape the world. The U.S. looms over Jayro Bustamante’s patient, observant, exquisitely painful debut feature Ixcanul, just as it looms over the Guatemalan coffee plantation in which Bustamante’s…
Starting with 1985’s No End, composer Zbigniew Preisner served as one of Krzysztof Kieslowski’s closest collaborators — he worked on all of the director’s films until Kieslowski’s death in 1996, with several of their collaborations actually revolving around the world of music. (The duo even created a fake Dutch composer, Van den Budenmayer,…
“I don’t have any answers,” Krzysztof Kieslowski once said, “but [I] do know how to pose questions.” Not an uncommon stance for an artist, certainly, but perhaps surprising for one who made a massive, 10-part miniseries based on the Ten Commandments. Later, trying to explain why he and screenwriter Krzysztof…
New Times picks the best things to do in metro Phoenix from Monday, September 5, through Thursday, September 8. For more options, see our curated calendar of events. Labor Day Divas While yes, for most people, the Labor Day holiday means an extra day off work, if you’re planning on attending…
Every week, we’re recapping season two of Degrassi: Next Class, episode by episode . Three of the alumni from last week’s reunion make another appearance. Can you guess who? We reach the halfway point of this season similarly to how we began: with a sports montage. The episode starts off…
We’re recapping Difficult People, episode by episode. You feel fat. This post contains clowns, blood, Kubrick references, and Colombian shapewear. You’ve been warned. We begin in one of those mobile blood donation vans that give us the Scooby-style heebie-jeebies, where Julie is donating, perhaps because she’s trying to be a…
You can be forgiven for thinking that the new show from Dan Harmon, creator of Community and Rick and Morty, might come off as niche. Available on the new comedy streaming service Seeso, Harmonquest features comedians playing Pathfinder — a tabletop role-playing game similar to Dungeons and Dragons — in…
It’s hard to watch White Girl without experiencing a creeping sense of anxiety. Loosely based on the adolescent life of writer/director Elizabeth Wood, the film follows Leah (Morgan Saylor), a college student who parties all night and snorts prodigious amounts of cocaine. She and her roommate, Katie (India Menuez), live…
Were we wrong to root for Kevin Smith? When he burst onto the scene in 1994, it was the most improbable of rags-to-riches movie narratives: bankrolling Clerks by selling his comic book collection and running up thousands of dollars in credit card debt. Almost overnight, he joined the likes of…
Nepotism is occasionally a positive, and not just for the direct beneficiary. Ridley Scott gave us Alien, with heroine Ripley and a memorable cast of ne’er-do-wells and villains with defined personalities. And now Scott’s son, Luke, who’s been shadowing his dad on his last few big-budget films, has delivered unto…
Tension and release is the driving principle of a tearjerker, where every good fortune is countered by something worse. And as dismissive as critics often are of the genre, it’s actually quite difficult for a director to make people cry en masse and genuinely feel things. Derek Cianfrance’s foreboding melodrama…
Opening your film on the image of a child plummeting off a cliff, presumably to his death, is a fairly foolproof way of getting the audience’s attention. And Alexandre Aja’s hyper-stylized coming-of-age-movie-slash-fantasy-slash-psychological-thriller The 9th Life of Louis Drax excels at grabbing you with a steady stream of provocative and ornate…
So far, 2016 has been a pretty good year for, ahem, bad things. The addition of Netflix as a viable source for original television means that sex isn’t relegated to the premium movie channels and theaters. Now that we’re nearing the (alleged) end of summer, it’s time for a look…
