Just over a minute into the third season of the Netflix animated comedy BoJack Horseman, an entertainment-news interviewer asks our hero, “What would an Oscar nomination mean for BoJack Horseman?” The rest of the season is dedicated to answering that question, tracking BoJack (voiced by Will Arnett) from press junkets…
“The world changed when Superman flew across the sky,” Viola Davis’ Amanda Waller says early on in Suicide Squad. “And then it changed again when he didn’t,” she continues, over somber images of the Man of Steel’s funeral following his (non-)death at the end of Batman v. Superman. Luckily, that…
Every week, we will be recapping the second season of Degrassi: Next Class. Whatever it takes! Unlike most Netflix shows, we only had to wait from January until July for another season of Degrassi: The Next Class. Then again, Degrassi is unlike most shows, period. The cornerstone of the Degrassi…
Pete’s Dragon is as cuddly as the mountains of plush toys Disney hopes to sell from it. A disarmingly homespun blockbuster, this loose remake of the studio’s 1977 live-action/animation hybrid is perhaps best defined by all the things it’s not: It’s not a soaring action flick, nor an indulgence in…
We’re recapping Difficult People, episode by episode. Ooh, what about a gay Gremlins? Can a difficult person be a difficult person without also being a stagnant person? We ask because the beauty of Billy and Julie of Difficult People is that they have, find, and create opportunities for themselves only to…
Alec Baldwin is no Steve Harvey. Unlike Harvey, Baldwin seems diminished on the set of a retro ’70s game show dedicated to getting contestants to say gently dirty nonsense. On ABC’s baggy, boozy Match Game, Baldwin crabs into a skinny last-century microphone about how everything’s stupid: his celebrity panelists, the…
Patricia Rozema is what you might call a “working director.” Her first credit was Second Assistant Director on three episodes of the acclaimed children’s series, Sharon, Lois & Bram’s Elephant Show in 1984, and since then she’s written, directed and produced art-house shorts, film-industry docs, a music-and-dance film (Yo-Yo Ma…
Through six seasons of Game of Thrones, there’s been plenty of nudity to go around. But compared to the first few seasons, the three more recent ones have been fairly tame when it comes to portraying sex. Still, there’s been a serious amount of nakedness in most episodes (even by…
Allison Janney is deflecting questions about herself to proclaim the talent and intelligence of her Tallulah co-star Ellen Page, whom she already step-mothered onscreen in 2007’s Juno, when she suddenly interrupts herself. “Oh my god,” she says. “I’ve been talking since six this morning. I’m bleary-eyed from all the conversations…
Brady Corbet has emerged as the face of millennial malaise on the strength of roles in films like Simon Killer, Clouds of Sils Maria and Melancholia, but what he really wants to do is direct — and direct he does in The Childhood of a Leader, his ambitious behind-the-camera debut…
Writer Keith Gessen once said that Philip Roth wasn’t a misogynist and didn’t hate women because he spent all his time “thinking about fucking them.” But he did concede that Roth probably thought “women were a foreign country.” In James Schamus’ debut feature Indignation, an adaptation of a late Roth…
Ellen Page’s complicated onscreen relationship with children continues in Tallulah, which reverses the Juno dynamic — this time her title character wants a kid who isn’t hers. Orange Is the New Black scribe Sian Heder makes her directorial debut with the sympathetic indie, a maternal character study that loses its…
Can We Take a Joke? is a surprisingly self-righteous and unfunny documentary in which shelf-dated comedians spend 74 minutes misinterpreting the First Amendment to mean that behaving like an asshole should have no social consequences. The film and all of its subjects — including Penn Jillette, Lisa Lampanelli, Jim Norton,…
With unflagging honesty and compassion, Clay Tweel’s documentary Gleason charts the journey of former New Orleans Saints safety Steve Gleason as he copes with the ruinous nerve disease ALS, or Lou Gehrig’s disease. That description, however, can’t quite do justice to Tweel’s film, which is partly built around video journals…
The ludicrous but amusing teen social-media thriller Nerve is committed to pinning its characters into a world we understand as ours. It opens with Skype, Spotify, Gmail, and Chrome, all on the MacBook screen of a mousily beautiful teen, Vee (Emma Roberts), who you just know is one horrific adventure…
Anna Gunn actually gets to do things in Meera Menon’s expansive high-finance drama Equity, which is almost reason enough to recommend it right there. The Breaking Bad co-star tears into the role of a rainmaking banker taking a Silicon Valley company public. For once, it’s Gunn whose character gets to…
Jack Pettibone Riccobono’s The Seventh Fire opens on dark, grainy footage of a highway at dusk before cutting to an overhead shot of a long stretch of forest, and then to two Native American men in a canoe, harvesting worms from a quiet lake. They take the worms home, where…
In Patricia Rozema’s quiet, sci-fi-lite thriller Into the Forest, the power goes out pretty quickly, but the film itself is electric. Nell (Ellen Page) studies for the SAT and chats with her boyfriend on a futuristic floating computer screen, while her sister Eva (Evan Rachel Wood) twists her body into…
Barbara Kopple’s Miss Sharon Jones! tells the kind of true story that makes you want to kick creation itself square in the crotch. Here’s that firecracker soul singer, nearing her 60s, her boogie still majestic, her band still a tight retro marvel, her wail still the southern end of a northbound…
A more appropriate title for Jason Bourne might be Walking: The Motion Picture. This fifth entry in the franchise loosely (very loosely) based on Robert Ludlum’s best-selling novels brings back director Paul Greengrass and star Matt Damon to continue the tale of the good soldier-turned-amnesiac-assassin-turned-rogue agent doing battle against his…
We’re recapping Difficult People, episode by episode. Dear mom who art in heaven, thank you for this free student haircut I’m about to receive. “I’m just an in-between,” Judy Garland once sang, lamenting being stranded between childhood and adulthood, something that permanently dogged her and her career. In Difficult People’s “Italian…
25 years ago, Annie Leibovitz stunned America with her infamous portrait of Demi Moore — nude, bronzed, seven months pregnant — on the cover of Vanity Fair. The image of Moore’s proud, bare body, heavy with child and unmistakably erotic, meant that in some states the magazine had to be…
