Sure, Hardcore Henry Bombed, but You Would Love It at Midnight

Hardcore Henry screened as a midnight movie at last September’s Toronto Film Festival, and was so ecstatically received that a distributor bidding war ensued. Six months later, the film has hit theaters nationwide and fallen flat, thanks to intensely negative reviews from critics upset by its unceasing violence. It didn’t…

Brazil’s Neon Bull Is Frank and Gorgeous

Stately, earthy, graphic, riveting: Gabriel Mascaro’s Neon Bull is one of those art-house studies that plops the camera down someplace far from us and, in exquisite long takes, examines the lives that almost seem to just be happening there anyway. No matter how rigorously worked out each shot and its…

In The Jungle Book, Disney Builds a Better Blockbuster

Here’s about as convincing an argument as I can imagine for the existence of the modern Hollywood blockbuster. Disney and Jon Favreau’s The Jungle Book reinvigorates an oft-told tale with star power, technology and calculated charm. It’s been billed as a live-action remake (it’s too good to be called a…

Rwanda and Juliet Sees Hutu and Tutsi Teens Through Shakespeare

To create his film Rwanda and Juliet, Canadian filmmaker Ben Proudfoot traveled to Kigali with a movie crew and a plan. There, they followed Andrew Garrod, a former Dartmouth College professor and the co-founder of a decades-old group called Youth Bridge Global that mounts Shakespeare productions in hopes of inspiring…

Supergirl Proves Comic-Book Adaptations Can Soar Rather Than Punish

Here’s a question faced by the creators of almost every superhero adaptation: How do do you pull this off without copying Frank Miller’s Batman? Too many modern superhero dramas — including the Dark Knight films, Arrow, Daredevil and Batman v Superman: Dawn of Justice — either ape the dour realism…

Phoenix Lights Thriller The Phoenix Incident Doesn’t Shine Very Bright

These days, any new found-footage horror film inherently fights an uphill battle to distinguish itself. It’s been almost 7 years now since Paranormal Activity inspired renewed interest in the genre, and few of the imitators in its wake have managed to recapture its critical or financial success. These low-budget thrillers now…

Fuller House Episode Five: Coachella or Bust

Each week, we’re recapping the first season of Fuller House episode by episode.  Hurry, Coachella needs you on the main stage! In a world where Fuller House has dropped the Tanner clan into 2016, we can’t even with this episode. Any illusions you may have had about this being a more…

The Boss Isn’t on Melissa McCarthy’s Level

A she-wolf of Wall Street with a spiky ginger Suze Orman shag, Michelle Darnell, the anti-heroine of fitfully funny The Boss, is the latest of the Rabelaisian wonders played by Melissa McCarthy. The actress specializes in characters with indestructible bravado, no matter where they stand on the socioeconomic ladder; Michelle,…

Mr. Right Shows How Rom-Com Heroes Are Pretty Much All Psychopaths

Clowning, bullet-riddled rom-com Mr. Right is awfully charming in the best and worse sense of the phrase. It’s often kind of awful but also weirdly, effervescently charming, a movie that salves, with its stars’ radiance and charisma, even as it grates. What hurts: lots of vaguely comic hitman drama, with…

Fuller House Finally Starts Acting Its Age in Episode Four

Each week, we’re recapping the first season of Fuller House, episode by episode. Time to make some volcanos erupt. Up until this point, our main grievance with Fuller House has been the preemptively desperate cameos of the Elder Tanners. This was most notable in the last episode, when Joey traveled…

New Zealand Chess Drama The Dark Horse Wins Out Over Familiarity

The main attraction in the engaging, largely predictable chess drama The Dark Horse is the gripping lead performance by Cliff Curtis, a part-Maori actor from New Zealand who has spent more than two decades doing notable character parts in big films. You’ll likely recognize his face: His look suggests, at…