This patchy comedy about a cossetted, obnoxious gymnast who has slid deep into sloth in the decade or so since her Olympic triumph gets an occasional laugh from the American ills it sends up: jingoism, the sports-industrial complex, home-schooling, fast-food gluttony. The scattershot jabs pepper the flaccid storyline of the…
Arizona’s own Analisa Marquez, 26, will appear across your TV/laptop/tablet or whatever preferred screen on Sunday, March 13, as she competes on the Steve Austin’s Broken Skull Challenge reality television program. Now, let’s back up for those who are unaware. Steve Austin’s Broken Skull Challenge is a reality show filmed at…
Each week, we’re recapping the first season of Fuller House, episode by episode. We’re certain this is what Al Gore had envisioned when he invented the Internet. Everywhere you look, nostalgia culture has dug its heels in, promising the kind of reboots that are relatively low-risk and will get its millennial targets…
The Brothers Grimsby is a movie for those who thought Kingsman: The Secret Service didn’t go far enough. If all the exploding heads and anal-sex jokes and creative impalements of Matthew Vaughn’s tongue-in-cheek spy thriller didn’t do it for you, rest assured: This time, we get to see British super-agent…
If you’re not watching Showtime’s Shameless, you’re missing out on some of the best, worst, and most awkward sex scenes anywhere on TV. Bad decisions occur in droves, and you’re left cringing more often than not, as nearly every character seems to be prone to ruining any decent relationship that…
In one key way, the kinda-maybe sequel 10 Cloverfield Lane might be the purest example yet of the J.J. Abrams house style. Directed by first-timer Dan Trachtenberg but produced by Abrams (Super 8, Lost, Alias, Cloverfield, etc.) the thriller is yet another of the fannish wunderbrand’s mystery boxes, a genre…
“Why did you let me film this?” filmmaker Josh Kriegman incredulously asks Anthony Weiner late in Weiner, a documentary about the former New York congressman’s failed 2013 mayoral run. The disgraced candidate doesn’t have a good answer, but the question hangs over this fascinating film, which plays like it started…
Julie Delpy’s Lolo is a maternal horror film in the guise of a light romantic comedy, and therein lies much of its charm. Delpy plays Violette, a fortysomething single mother who has long soured on dating when, during a getaway in Biarritz, she meets Jean-René (Dany Boon), a loyal, bumbling…
Willful ignorance as a character trait typically evokes annoyance in those who witness it — at least in real life. In many French films, however, a character who’s willfully ignorant is portrayed in the twee manner, encouraging us to believe it is their blissful view of the world we should…
Why is it that little movies about being out of step so often wind up feeling the same? Not long into Michael Showalter’s Hello, My Name Is Doris, a comedy about a misfit frump pining for a much younger hunk, the unlikely target of the heroine’s affections muses to his…
Drone warfare is a moral grey area, and this movie is on it. Gavin Hood’s Eye in the Sky stands alongside Drones and Good Kill as the cinematic equivalent of online commenters shouting “First!” on on a hot topic but not bothering to say anything new or insightful about it…
The third season of Broad City (Comedy Central) opens with a toilet-centric montage that already feels like one of the year’s TV highlights. At once exuberant, absurd and all-too-real, a split screen reveals besties Ilana (Ilana Glazer) and Abbi (Abbi Jacobson) living their best lives in their respective bathrooms. They…
Be still your beating hearts, ladies. The Internet’s imaginary boyfriends and Making a Murderer’s real life superheroes are coming to Phoenix. In the frenzy that followed the Netflix documentary, viewers were as gripped with defense attorneys Dean Strang and Jerry Buting as they were with the man they were hired to defend. Their bold crusade for Steven Avery went…
Two movies, same scenario: Moments before a scheduled execution, just as the blade or gas pellet is set to deliver its fatal blow, the hero bursts into the room and carries the victim to safety. Banter is exchanged: “What took you so long?” “Traffic was a bitch.” “What took you…
Let’s give Gods of Egypt this much: An hour in, a giant cobra crashes and explodes like a bad guy’s car in a dumb movie from the ’70s. That snake, one of two in Alex Proyas’ film, is wide as a locomotive and long as a parade. It’s also straddled…
What if Terrence Malick directed an episode of Entourage? Well, we’re about to find out, sort of. In Knight of Cups, the director of Days of Heaven, The Thin Red Line and The Tree of Life turns his roaming camera and ruminating voiceovers toward Los Angeles and the movie business,…
In Zootopia, animals do a lot of the things that animals in Disney movies usually do: They speak, to begin with; they walk upright and wear funny clothes; they exhibit attitudes that align or ironically misalign with their species’ appearance and reputation; they hold jobs; they experience outsize emotion and…
The title of Glenn Ficarra and John Requa’s strained dark comedy, in which the War in Afghanistan serves as the backdrop to an American woman’s self-actualizing journey, is the military phonetic-alphabet rendering of WTF. The mild Islamophobia and highly questionable casting choices in the film call to mind other texting…
Fans of local talent, Saturday Night Live, and Phoenix’s SAS Fabrics store at long last have a cinematic place to meet: Aidy Bryant’s new short film, Darby Forever. Phoenix native Bryant, now in her third season as an SNL regular, plays Darby, a winsome loser who clerks in a sleepy,…
We’ve all been there. You finally get around to watching this year’s nominees, and you think, “Didn’t I see pretty much this same Oscar-bait movie last year?” You probably did, thanks to the McKee/Weinstein-driven formula behind most Best Picture noms. You can even build your own! Just mix and match…
As the brilliant and bespectacled Liz Lemon once said, “Leap Day is not a thing.” Oh, but it is. February 29 may only come but once every four years, but it’s something worth celebrating. Since real life is for March, and nothing that happens on Leap Day counts (according to…
At first blush, the least Romanian of the Romanian New Wavers, Radu Jude’s new film is in no way a steely-eyed, ultra-realist, uninflected working-class trudge, and the cranial wounds of Eastern European Communism are yet a gleam in the characters’ eyes. Rather, more acutely than The Hateful Eight, Aferim! is…
