Each week, we’re recapping the first season of Fuller House, episode by episode. Violin music not included. A subtle, but significant difference between Fuller House and its predecessor is the length of the episodes. The commercial-free oasis of Netflix allowed the premiere episode to clock in at a whopping 36…
For the protagonists of cable dramas, sex and death are twin forces of titillation, pressure valves for frustrated middle-aged men or steely-eyed careerists. That’s also true for the audience of cable dramas, of course, but there’s a reason we eagerly pursue onscreen what often makes us squirm in real life:…
The Pee-wee Productions logo that kicks off the new Netflix film Pee-wee’s Big Holiday trumpets comedian-turned-actor Paul Reubens’ comeback as the formerly ubiquitous man-child. Forget about The Pee-wee Herman Show, Reubens’ fan-service-intensive Broadway extravaganza. Big Holiday (which premieres March 18 on Netflix) plays like an un–self-conscious continuation of the character’s…
In Arnaud Desplechin’s My Sex Life… or How I Got Into an Argument, intimate relations with Marion Cotillard lead one character to a spiritual awakening. Later, protagonist Paul Dédalus (Mathieu Amalric) declaims on what he considers “the one pleasure” that will never go away in life: “the surprise when I…
Here’s a minor miracle. From tiny Lighthouse Pictures, which specializes in Hallmark Channel originals with Christmas in the title, comes Bob Nelson’s The Confirmation, a bittersweet comedy about family, faith and a young boy saving up all his minor sins so he’ll have something to dish at confession. The surprise?…
Nick Salerno liked to tell people he grew up in the dark. When he was a boy, Nick and his mother, a Sicilian immigrant, walked twice a week to the Cine Capri movie house together. She was there to improve her English by listening to American actors speak. Nick was…
Brash yet intimate, writer-director-editor Trey Edward Shults’ observant, unnerving first feature transcends the notion of a “promising debut.” Here, the promise is already fulfilled on the screen, which bustles with chaotic family life — and prickles with anxiety. Krisha is a heartsick family story that plays as psychological horror, its…
You’ve seen a lot of movies like Too Late, and yet you haven’t. Shot over several years on 35mm, Dennis Hauck’s neo-noir detective drama is only being shown theatrically in that increasingly rarefied format — a bold financial move for an independent film at a time when so many others…
In Jeff Nichols’ gripping domestic thriller Take Shelter, Michael Shannon played a family man convinced that Armageddon was upon us. But even as the character’s visions compelled him to take more and more extreme precautions, the film remained fixed in the world of the real. It was a portrait of…
The seemingly stark divide between sleep and wakefulness serves as the main motif in Apichatpong Weerasethakul’s Cemetery of Splendor, which allegorizes the history of Thailand as deepest REM slumber. Weerasethakul’s works are sensory delights, haunted, if obliquely, by Thailand’s violent political past and still fractious present. A film about the…
It may seem hard to believe, but Luck of the Irish premiered on the Disney Channel 15 years ago. It was part of the Disney Channel Original Movie renaissance, part of a slate of films targeted at teens. While many of them now exist only in our memory, this one,…
Ktown Cowboys indicates by its title both insider status and a desire to fit in. Ktown — short for Koreatown — refers to the Los Angeles neighborhood marked by art-deco buildings and Korean signage where the film is set. Though not actually known for cowboys, L.A. has for more than…
When everything’s a game, it’s easier to forget the wrongdoing perpetrated during play. We see this in sports, but we also see it in war, young men and women coping with stress by envisioning their targets as the bad guys in a first-person shooter. In Pablo Trapero’s bleak but occasionally…
This patchy comedy about a cossetted, obnoxious gymnast who has slid deep into sloth in the decade or so since her Olympic triumph gets an occasional laugh from the American ills it sends up: jingoism, the sports-industrial complex, home-schooling, fast-food gluttony. The scattershot jabs pepper the flaccid storyline of the…
Arizona’s own Analisa Marquez, 26, will appear across your TV/laptop/tablet or whatever preferred screen on Sunday, March 13, as she competes on the Steve Austin’s Broken Skull Challenge reality television program. Now, let’s back up for those who are unaware. Steve Austin’s Broken Skull Challenge is a reality show filmed at…
Each week, we’re recapping the first season of Fuller House, episode by episode. We’re certain this is what Al Gore had envisioned when he invented the Internet. Everywhere you look, nostalgia culture has dug its heels in, promising the kind of reboots that are relatively low-risk and will get its millennial targets…
The Brothers Grimsby is a movie for those who thought Kingsman: The Secret Service didn’t go far enough. If all the exploding heads and anal-sex jokes and creative impalements of Matthew Vaughn’s tongue-in-cheek spy thriller didn’t do it for you, rest assured: This time, we get to see British super-agent…
If you’re not watching Showtime’s Shameless, you’re missing out on some of the best, worst, and most awkward sex scenes anywhere on TV. Bad decisions occur in droves, and you’re left cringing more often than not, as nearly every character seems to be prone to ruining any decent relationship that…
In one key way, the kinda-maybe sequel 10 Cloverfield Lane might be the purest example yet of the J.J. Abrams house style. Directed by first-timer Dan Trachtenberg but produced by Abrams (Super 8, Lost, Alias, Cloverfield, etc.) the thriller is yet another of the fannish wunderbrand’s mystery boxes, a genre…
“Why did you let me film this?” filmmaker Josh Kriegman incredulously asks Anthony Weiner late in Weiner, a documentary about the former New York congressman’s failed 2013 mayoral run. The disgraced candidate doesn’t have a good answer, but the question hangs over this fascinating film, which plays like it started…
Julie Delpy’s Lolo is a maternal horror film in the guise of a light romantic comedy, and therein lies much of its charm. Delpy plays Violette, a fortysomething single mother who has long soured on dating when, during a getaway in Biarritz, she meets Jean-René (Dany Boon), a loyal, bumbling…
Willful ignorance as a character trait typically evokes annoyance in those who witness it — at least in real life. In many French films, however, a character who’s willfully ignorant is portrayed in the twee manner, encouraging us to believe it is their blissful view of the world we should…
