Hou Hsiao-hsien’s The Assassin is the Taiwanese director’s first foray into the martial arts genre. It may also be his most resplendent film yet: Watching it is like floating along on a sumptuous gold-and-lacquer cloud. Hou favorite Shu Qi (who also starred in Millennium Mambo and Three Times) plays Nie…
Before Anthony Bourdain published Kitchen Confidential, in 2000, mere mortals who simply eat in restaurants had little idea about the drinking, debauchery, and drug use rampant among the folks responsible for getting their fettuccine alfredo to the table. The book was eye-opening if true, and a rambunctious, vicarious pleasure even…
Sure, you can blame the aliens, the gophers, the monkeys, and the fridge. But even without all those, 2008’s Indiana Jones and the Harrumphing of the Whatsit likely wouldn’t have worked. Its director, you see, no longer finds it edifying to dream up new ways to kill America’s historical enemies…
We’d encourage you to see as many of the movies at this year’s Scottsdale International Film Festival as you possibly can. Once again, festival director Amy Ettinger has put together a fantastic lineup of intriguing documentaries and narrative films that will challenge, inspire and entertain you. If you have to…
Celebrity memoirs tend to be a carefully curated exercise in name-dropping and selective memory, chronicling a rise to stardom but rarely acknowledging the pitfalls (save for certain addictions). Tend to, but not always. Such is the case with The Bassoon King: My Life in Art, Faith, and Idiocy, a breath…
This Jem is less a movie than an open-source brand launch: If you’re young and down or bullied or disconnected from the life around you, you could always slap on some glitter and film yourself singing as the cartoon-rock queen Jem. Aubrey Pee ples, playing the singer, even gets a…
When Drake premièred his video for “Hotline Bling” through Apple Music on October 19, a lot of things happened. The Internet exploded with memes of his questionable dance moves. The fashion-conscious debated whether chunky knit turtlenecks are poised to make a comeback. And the art world reacted, too. Because the video features…
Critics lampoon him as a fast/furious lug nut, a hunk of well-oiled meat who doesn’t so much act as ka-thunk his face and body through its limited gears. To hell with them. Vin Diesel may not run smoothly, but he runs with purpose and conviction, and any line of dialogue…
In his 2014 book Difficult Men, journalist Brett Martin identifies bad-boy antiheroes as the defining feature of our current “Golden Age” of television. Tony Soprano, Don Draper, and The Wire’s Omar Little dazzle with their multifaceted complexity: How deep the furrow in Tony’s troubled brow! How pensive the trail of…
Quick! Name the movie where Bill Murray plays a proudly shabby dude who acts like a prick for an hour and then, for reasons of narrative convention rather than character-based truth, shambles toward either heroism or some vague be-nicer enlightenment. Maybe a tougher challenge would be to name the Bill…
Aaron Sorkin opens up a new desktop icon with Steve Jobs, a briskly busy, talkative companion piece to the Newsroom and Moneyball writer’s Mark Zuckerberg-centric The Social Network. Adapting Walter Isaacson’s biography of the Apple innovator — and covering much of the same ground as Alex Gibney’s documentary Steve Jobs:…
The most effective scene in James Vanderbilt’s brisk, outraged Truth is one that will be familiar to anyone who has ever sat in a room where editors and reporters are breaking down an investigative story. The reporters — here, 60 Minutes researchers played by Dennis Quaid, Elisabeth Moss, and Topher…
Lenny Abrahamson’s shattering drama Room borrows its fictional plot from the tabloids and strips it of sensationalism. Seven years ago, a man (Sean Bridgers) snatched 17-year-old Joy (Brie Larson) and stashed her in his backyard shed. Two years later, she bore their son. The door stayed locked. Now 5, Jack…
Twenty-year-old Josh’s (Josh Thomas) world explodes twice in the Please Like Me pilot: first when he realizes he’s gay and again when his bipolar mother, Rose (Debra Lawrance), attempts suicide. Josh takes both revelations in stride, though he dreads having to inform his mom, whom he’ll be living with and…
A documentary about a magazine is doomed never to capture the thing it’s documenting. The best that can be said for Douglas Tirola’s Drunk Stoned Brilliant Dead is that it captures, at times, the heady disbelief of paging through its subject, the National Lampoon, the headwaters of much of American…
Mia Wasikowska is proof of reincarnation. The Australian actress must be possessed by the spirit of Lillian Gish. At 22 — the same age that Gish starred in Birth of a Nation — Wasikowska became a bankable name playing the lead in Tim Burton’s garish Alice in Wonderland. In the…
Steven Spielberg’s true-story Cold War procedural Bridge of Spies has a wintry chill. The colors are gray and green, the skin tones pale as frozen fish, and the film stock fuzzed and snowy. Our protagonist, James Donovan (Tom Hanks), spends half the movie waylaid by a cold and takes his…
Here’s a scary story for you. Somewhere in Hollywood, a cabal of producers are forever zombie-ing up the corpses of long-dead licensed properties, ever hopeful that you will continue to throw your money at familiar trademarked characters even as they eat your brains. Sometimes, when a silver moon shines just…
Corpses putrefying, the social order gutted, bands of flesh-cravers roaming the countryside: Our pop apocalypses look a lot like life during wartime, which goes to show that Americans do have an interest in the suffering of refugees — just so long as it’s sugared up with zombie thrills. A mean…
In the Golden Age of scripted television, reality TV is supposed to be dying, but you wouldn’t know it from Survivor’s tenacious resilience — or its just-debuted 31st season. The show that launched reality TV as mainstream programming at the turn of the millennium returned two weeks ago with an…
Michael Shannon isn’t a stickler for rules. In his career, he’s ignored most of them, especially the mandate that a theater-trained, Oscar-nominated actor should shun the large roles in dumb movies that let him afford the smart ones. (See: Kangaroo Jack, Bad Boys II, Premium Rush, Man of Steel.) Shannon’s…
You’d have to be a monster not to be sniffling by the end of Peter Sollett’s Freeheld, a weepy/rousing retelling of real-life gay rights triumph that serves as a helpful reminder that the dark ages were just, like, 10 years ago. It’s love that lights up that darkness, of course,…
