Can profundity be accidental? Marshall Curry’s documentary Point and Shoot is a study in naifdom that seems to think it’s about something else: masculinity, honor, war. But it’s mostly about the way Americans of means see the wider world as a self-help proving ground, an exotic backdrop against which to…
Over the first two Hunger Games films, we’ve watched coal miner’s daughter Katniss Everdeen become the pawn, then the pest, of the Capitol, whose President Snow (Donald Sutherland) has enslaved the adults of the 12 poorer Districts and annually commanded that they together sacrifice 24 of their children to likely…
Minor spoilers for the second episode of The Comeback’s sophomore season. It’s no mystery why The Comeback, which returned for its second season this past Sunday after a nine-year hiatus, never became a big hit for HBO. Other mockumentaries like The Office, Parks and Recreation, and Modern Family have thrived,…
Tales of the Old West continue to make up a significant portion of our cultural narrative, mostly because we still like to comfort ourselves with stories showing that ours is a land of opportunity. Making the trek to the American frontier promised a new life, or at the very least…
Christopher Nolan’s space epic Interstellar is a big, ambitious picture but it didn’t connect with our critics. We discuss the film at the top of this week’s podcast before moving onto a few other notable films on screens large and small this week…
There’s more television today than at any other point in the medium’s history, but there’s a good chance you’re stuck in a TiVo rut. That’s because, with a handful of exceptions, this fall has delivered a truckload of mediocrity and dead-on-arrival trends. (Goodbye, “rom-sit-coms” like the already canceled A to…
During a 2009 Daily Show interview with Maziar Bahari, the Canadian-Iranian journalist who, earlier that year, had been imprisoned in Iran for 118 days on espionage charges, Jon Stewart said, “We hear a lot about the banality of evil, but so little about the stupidity of evil.” Or about its…
If the universe is infinitely finite, an entity whose mystery is knowable only through an evolving progression of theories and equations, it’s nothing compared to a marriage. Every marriage or long-term partnership is knowable only to the people inside it — and sometimes not even then. The Theory of Everything…
Tales of fame and its trappings — and the way they’re never enough to build a life — are as old as show business itself. Maybe for that reason, almost any story about discovering the hollowness of fame is often written off as a cliché. But what’s the difference, really,…
Happy November, movie lovers. It’s going to be a busy month for you full of intense dramas, artsy thrillers, and riveting documentaries. Don’t get overwhelmed, though. Despite the rapidly approaching Oscar season rush of films, we have five movies that you can’t miss this month — including one for the…
Keanu Reeves in John WickOn this week’s Voice Film Club podcast, we welcome Village Voice contributor and filmmaker Zachary Wigon, who tells us about his paranoid thriller The Heart Machine (iTunes). We also scoop out some time for John Wick, which helps restore our faith in violent movies, Horns, Nightcrawler…
With the first two documentaries in her post–9-11 trilogy — My Country, My Country, a portrait of Iraq under American occupation, and The Oath, which focused on two Guantánamo Bay prisoners — Laura Poitras seemed to be making a bid for the title of film’s most vigilant observer of American…
This essay contains a spoiler or two for John Wick. There’s too much violence in movies today — too much of the wrong kind, though if you asked me what the “right” kind is, I would only be able to tell you that I know it when I see it…
When we first meet the title character in Olive Kitteridge, she considers the revolver in her hands and looks up at the cloudless sky above the woods one last time. The 25-year journey (and the accumulation of mistakes and bad luck therein) that leads the elderly Olive to that moment…
There’s so much space in Christopher Nolan’s nearly three-hour intergalactic extravaganza Interstellar that there’s almost no room for people. This is a gigantosaurus movie entertainment, set partly in outer space and partly in a futuristic dustbowl America where humans are in danger of dying out, and Nolan — who co-wrote…
Imagine if nerdy Clark Kent didn’t have to remove his glasses and pocket protector to save the world. Then imagine him as fat and sweet as a marshmallow. Meet Big Hero 6’s Baymax, Disney’s new cuddly champion: a waddling, inflatable healthcare companion who can sense your pulse, diagnose disease, and,…
It’s an unwritten rule that we’re supposed to feel most in step with people our own age, as if sharing the same cultural and historical references somehow enables our ability to look into each other’s hearts. So why do we sometimes tumble into deeper friendships with people who are 10…
Jake Gyllenhaal is used to exhaustion. During his research for the LAPD drama End of Watch, he spent five months patrolling the streets with real-life police officers until 7 a.m. It was good preparation for his new movie Nightcrawler, a blistering portrait of a morally corrupt crime-scene videographer who works…
Seeing a living legend laid up in an oxygen tent shouldn’t be fun. But in Alan Hicks’ doc Keep On Keepin’ On, it somehow is. Now in his 90s, diabetic and facing the possible amputation of a leg, the great jazz trumpeter Clark Terry lies there jamming. He doesn’t have…
Director Laura Poitras’s Citizenfour boasts an hour or so of tense, intimate, world-shaking footage you might not quite believe you’re watching. Poitras shows us history as it happens, scenes of such intimate momentousness that the movie’s a must-see piece of work even if, in its totality, it’s underwhelming as argument…
Jake Gyllenhaal, not a particularly bulky guy to begin with, dropped 20 pounds or so to play a Los Angeles misfit who finds his calling as a freelance crime videographer in Dan Gilroy’s nervy thriller Nightcrawler. Even when Robert De Niro does it, weight change isn’t acting — it’s the…
Let’s get this out of the way now: Kristen Stewart is fine in Camp X-Ray, the tough-minded/soft-hearted drama that packs America’s sweetheart off to Guantánamo Bay. The fact that such casting seems unlikely might be part of why she succeeds. Tasked with patrolling a cellblock of detainees for 12 hours…
