BARK TO THE FUTURE

Early in Last of the Dogmen, Barbara Hershey and Tom Berenger are exploring the Montana wilderness when she tumbles down a bank to the edge of a cliff. He goes to help her and takes a spill himself. The two are clinging to a rope tied to Berenger’s horse, so…

BARD COMPANY

Grand Canyon University has launched a promising season of Shakespeare with a scintillating production of Tom Stoppard’s contemporary classical romp Rosencrantz and Guildenstern Are Dead. The sensation of the 1967 season on Broadway–it won the New York Drama Critics’ and Tony awards for Best Play–Stoppard’s witty deconstruction of Hamlet ran…

THE WITCHING HOUR

The Diviners came to my attention by winning the prestigious American College Theatre Festival Award at the Kennedy Center in Washington, D.C. I brought author James Leonard Jr. to New York to participate in the Circle Repertory Company Plays-in-Progress series that spring. Based on the success of that staged reading,…

KIN AND COUNTRY

The big summer studio releases of 1995 cost millions to make. Some low-budget films play at selected art houses. Then there is the no-budget film like The Brothers McMullen. Brothers cost only $20,000 to make, which is less than one wet second of Waterworld. It was filmed mostly on weekends…

DRAWN AND QUARTERED

Probably the first risqu material worthy of the term “art” that many American males of my generation ever saw was the work of Robert Crumb, king of the underground comics movement of the ’60s. The obsessions and family psychology of this prolific cartoonist, most famous in the mainstream for the…

THE YOUNG AND THE FECKLESS

Teenage Lust is the name noted photographer Larry Clark gave to one of the collections of his work published in book form. The title has the ring of a drive-in exploitation picture of the ’60s. One can almost see the breathless ad copy on the poster: “SEE modern youth driven…

TURKEY OF THE SEA

As with most science fiction, Waterworld requires a certain amount of ignorance of, or indifference to, science to enjoy the fiction. The film is an action-adventure set in the distant post-Apocalyptic future–a time when the polar ice caps have been melted by some cataclysm. Surviving humanity lives on skiffs and…

FLOPPY DESK

High school teacher LouAnne Johnson gave the title My Posse Don’t Do Homework to the 1992 book she wrote about her experiences teaching gifted but underachieving inner-city kids in California. The producers of the film version have changed the title to Dangerous Minds, which is meaningless, but somehow more painless…

QUASI-NO-NO

There have been many versions of Victor Hugo’s classic melodrama The Hunchback of Notre Dame, several of them captured on film. Most memorable is the 1923 silent film starring “the man of a thousand faces,” the legendary Lon Chaney as Quasimodo. The hunchback received a voice in the brilliant 1939…

IDYLL ROMANCE

The Postman, a film by a Brit director, based on a Chilean novel and starring an Italian, is an example of a genre that’s become highly popular on the art-house circuit. It might be called the Paradisaical Film, or the Vicarious Vacation Picture–an easygoing romantic period piece set in a…

HOUSE CREEPER

Sister My Sister is based on a celebrated criminal case from provincial France in the early ’30s–the same case on which Genet based his play The Maids. Scripted by Wendy Kesselman, adapting her play My Sister in This House, and directed by Nancy Meckler, the movie has plenty of lurid…

TO SERVE AND PROTEST

There is a certain kind of white-male face–leathery, long, hollow-cheeked and often mustachioed–that immediately suggests evil petty authority. Many such faces are in evidence among the actors who play the cops in The Glass Shield, a melodrama about police corruption from the unfortunately obscure writer-director Charles Burnett. The air in…

DEAD BIRDIE

Last summer, Davis Productions gave us the wonderfully polished, Broadway-quality Pirates of Penzance. This summer’s offering, Bye, Bye Birdie, falls far short of last year’s benchmark production. From sets that resemble three-year-old high school flats to dance numbers that involve more standing around than dancing, this summer’s musical leaves you…

BRIGHTON BEACH MISERIES

As Little Odessa has a topnotch cast and promising subject matter, there probably will be a few art-house masochists willing to convince themselves that it’s good. But it’s about as boring a movie as I’ve seen all year. It’s set among the Russian-Jewish gangsters in the title community in Brooklyn’s…

GRANT’S TOMB

Even without the indignity of having his mug shot taken wearing that wretched JC Penney shirt–which his fashion-model girlfriend probably regards as his most grievous transgression–there would be reason enough to feel badly for Hugh Grant these days. His new movie, Nine Months, though it appears to be chugging along…

SKELETON CREW

The French-Canadian Denys Arcand has been directing films since the early ’60s, but he first attracted the attention of this country in the mid-’80s with The Decline of the American Empire and Jesus of Montreal. Both were gab fests set among Canadian intelligentsia–academics in the former, avant-garde actors in the…

THEIR HEARTS WERE YOUNG AND GAY

The most subversive approach a progressive artist can take very well might be to present his or her beliefs in a mainstream form. No matter how alarming to the status quo your ideas are, if you can make a solid social drama–like, say, Priest–out of them, you’re on your way…

LEGENDS OF THE FALLS

Wigstock: The Movie is a filmed record of the New York City drag/lip-synch festival founded about a decade ago by a convivial drag diva known as the Lady Bunny. The film includes footage from both the 1993 and 1994 Labor Day weekend observances of the event, the former at Tompkins…

JEWISH WRY

Probably the best argument that can be made for continuing federal funding for the arts is to consider what kind of entertainment would proliferate if market demands become the sole influence on artistic repertoire. One measure by which we might gauge expectations for the theatre is to gaze into a…