Film

Abel Ferrara’s movies combine self-conscious tawdriness with unconscious tawdriness. He’s fascinated by self-destructive excess, by obsessive, addictive behavior, by characters who willfully wreck themselves with drugs and booze and sexual degradation. Like many filmmakers with an attraction to this subject matter–the early Scorsese, for instance–Ferrara insists that such behavior has…

THE RAGE OF INNOCENCE

Daniel Day-Lewis is one of those rare actors who might be called consummate, yet he is not visibly self-congratulatory while working. He’s created a gallery of characters–the crippled, cosmically outraged Christy Brown in My Left Foot, the tuxedoed waxwork Cyril in A Room With a View, the fairy-tale hero Hawkeye…

Film

Abel Ferrara’s movies combine self-conscious tawdriness with unconscious tawdriness. He’s fascinated by self-destructive excess, by obsessive, addictive behavior, by characters who willfully wreck themselves with drugs and booze and sexual degradation. Like many filmmakers with an attraction to this subject matter–the early Scorsese, for instance–Ferrara insists that such behavior has…

Film

Abel Ferrara’s movies combine self-conscious tawdriness with unconscious tawdriness. He’s fascinated by self-destructive excess, by obsessive, addictive behavior, by characters who willfully wreck themselves with drugs and booze and sexual degradation. Like many filmmakers with an attraction to this subject matter–the early Scorsese, for instance–Ferrara insists that such behavior has…

THE RAGE OF INNOCENCE

Daniel Day-Lewis is one of those rare actors who might be called consummate, yet he is not visibly self-congratulatory while working. He’s created a gallery of characters–the crippled, cosmically outraged Christy Brown in My Left Foot, the tuxedoed waxwork Cyril in A Room With a View, the fairy-tale hero Hawkeye…

THE RAGE OF INNOCENCE

Daniel Day-Lewis is one of those rare actors who might be called consummate, yet he is not visibly self-congratulatory while working. He’s created a gallery of characters–the crippled, cosmically outraged Christy Brown in My Left Foot, the tuxedoed waxwork Cyril in A Room With a View, the fairy-tale hero Hawkeye…

SEE MINUS

Blink is a thriller of that minigenre of disabled-women-in-peril, to which belong Wait Until Dark and last year’s lame Hear No Evil and Richard Fleischer’s hair-raising See No Evil. This time the differently abled damsel in distress is Madeleine Stowe as a Chicago woman, blind since childhood, who receives a…

SEE MINUS

Blink is a thriller of that minigenre of disabled-women-in-peril, to which belong Wait Until Dark and last year’s lame Hear No Evil and Richard Fleischer’s hair-raising See No Evil. This time the differently abled damsel in distress is Madeleine Stowe as a Chicago woman, blind since childhood, who receives a…

SEE MINUS

Blink is a thriller of that minigenre of disabled-women-in-peril, to which belong Wait Until Dark and last year’s lame Hear No Evil and Richard Fleischer’s hair-raising See No Evil. This time the differently abled damsel in distress is Madeleine Stowe as a Chicago woman, blind since childhood, who receives a…

EROS IN JUDGMENT

Recently, the Tucson Police Department’s child-abuse detail confiscated artwork by local artist-photographer Robyn Stoutenburg from the city’s downtown Gallery Six & 13–without a validly executed search warrant. Twelve of the artist’s photographs were seized after the principal of an adjacent middle school complained of the propriety and accessibility of the…

TRUTH OF DARE

I’ll be honest. “Too Late for Goya,” the multimedia exhibition of Spain-born artist Francesc Torres currently showing at ASU Art Museum, is not for the politically or philosophically impaired. If the only thing you know about Hegel is that it rhymes with “bagel,” if the only Marx you’re familiar with…

SCENT OF AN ARTIST

If artist Frances Whitehead had lived in 16th-century Europe, she probably would have been burned at the stake for being a witch. Whitehead’s sculptural installations, which can be seen at Scottsdale’s Lisa Sette Gallery in an exhibition titled “The Dream,” use unorthodox botanical materials classically associated with ancient divination and…

CLEAN, SOBER AND STANGE

You can’t miss the funky, Thirties motor court next to Shep’s Liquor on Main Street in downtown Cottonwood. Hallucinogenic folk art on its front porch makes your head swirl and throb, like a recurrent acid flashback. Someone has turned the first four units into an artist’s studio, but often, there’s…

RED-LIGHT SPECIALCHRONIC SHOPLIFTER ORDERED TO INFORM MERCHANTS OF HABIT

If a part-time Maricopa County judge has his way, chronic shoplifter Rhonda Mecham will have a much harder time satisfying her confessed “habit” in the future. That’s because of an unusual sentencing provision that pro tem Superior Court Judge Joel Thompson says he designed to notify area retailers about Mecham’s…

THE BOB CRANE MURDER CASE PART THREE

The man in the Mazda RX-7 pulled over to the side of the road and waited. For almost 14 years, John Carpenter had prayed this day wouldn’t come. It was about 6 a.m. on June 1, 1992, in the south Los Angeles suburb of Carson. Carpenter, then 63, had been…

GLAZE OF GLORY

Always borrowing, American artists are the greatest cultural debtors on Earth. And few among them owe the world more than potters do. Over the years, potters have rummaged the cupboards of virtually every mud-baking civilization–often extending their slippery reaches overseas and into the grave–to come up with what we like…