Arts & Culture

Get schwifty.

We sat down with its stars Blessin Giraldo, Cori Grainger, and Tayla Solomon.

In the 1980s, four-quadrant studio comedies (i.e. for the whole family) peddled in relentlessly dark premises that directors then brightened up with wholesomeness: Three Men and a Baby features an orphaned infant who is mistakenly given away to drug dealers; Ghostbusters boasts multiple fatalities at the hands of an accountant…

The dictates of Hollywood screenwriting can’t quite constrain the wildness of Jeannette Walls’ family and her best-selling memoir. Despite a tidy resolution, too many scenes whose shapes are immediately familiar from other movies, and an absurd climax that dramatizes the conflict between a daughter and her father through the wheezy…

Taylor Sheridan isn’t afraid to embrace genre. His Wind River plays more like an unusually well-made episode of CSI: Wyoming than the highly anticipated directorial effort from the screenwriter of Hell or High Water (which may well have been last year’s best-written film). Set in the desolate, snow-covered Wind River…