Arts & Culture

Each week, we’re recapping the second season of Unbreakable Kimmy Schmidt episode by episode. By the standards of modern television, Unbreakable Kimmy Schmidt doesn’t brand itself a particularly groundbreaking or boundary-pushing show. Instead, it typically falls into the “fun” and “easy to watch” categories of TV despite its heroine’s dark backstory. But it…

An inevitability as harsh as an Arizona winter, TV show cancellations are upon us. Like the leaves changing or avoiding the flu shot, finding out your favorite show won’t get another season is another annual tribulation. But we have hope, everybody, in the form of sweet, clickable lists such as…

Has Paul Rudd become Hollywood’s idea of the face of economic insecurity? There his handsome mug was, in Ant-Man, beneath a Baskin-Robbins ball cap, his character making do behind an ice-cream counter while Marvel made bank in promotional tie-ins. And now, in The Fundamentals of Caring, Rob Burnett’s alternately winning/cloying…

Let me tell you all the good things about Nicolas Winding Refn’s high-art, lowbrow horror film The Neon Demon before I tell you what I will not tolerate. After Drive, Refn seems obsessed with his idea of Los Angeles, one where there’s always a full moon, no traffic and everyone…

Woodrow Wilson described D.W. Griffith’s notorious Civil War epic Birth of a Nation as “writing history with lightning.” Gary Ross’ Free State of Jones, which covers roughly the same period as Griffith’s film, is more like writing history with index cards. Diligent and informative but also fragmented and inert, it…

Steve Allen didn’t know what to make of Frank Zappa. The clean-cut young musician was promising to “play the bicycle” on the set of The Steve Allen Show in 1963, spinning the wheels and tapping on the spokes. The result, with the help of a tuneless orchestra behind him and…

People made a stink about the walkouts during the Sundance premiere of music-video-and-advertising geniuses the Daniels’ first feature film, Swiss Army Man. It stars Daniel Radcliffe (Manny) as a farting, rotting corpse with superpowers and Paul Dano (Hank) as a sad-sack suicidal stalker trying to get home through a forest…

A wiener dog is the perfect mascot for Todd Solondz’s films. Dachshunds are ridiculous, funny without trying, but that zero-dignity waddle belies a much fiercer purpose: to hunt and kill small prey. Solondz’s body of work, stretching from coming-of-age cringefest Welcome to the Dollhouse to his newest, Wiener-Dog, has the…

Here’s an experiment. Tonight, after midnight, haul yourself out of bed and into the street and, for a minute or two, scream bloody murder. What would happen? Would neighbors call the cops? Would patriots dash out locked and loaded? Would anyone even hear you over their earbuds and white-noise machines?…

This sadistic pulp-revisionist Western starts so well that you might feel something like loss as it ends: The Duel could have been something. The opening is all evocative mud and blood as a pair of knife-fighters, their left arms tied together, stab in a downpour. Cut to two decades later,…

The most surprising thing about the new buddy action-comedy Central Intelligence is the sight of Kevin Hart playing straight man to another actor’s antics. In previous comedies, Hart has been the pint-sized, fast-talking dynamo at the center of the action. Even in movies where he’s the guy in over his…