Curtains: Mesa Encore Theatre’s Leading Ladies

No one really doubts that professional entertainers are as maddeningly human as the rest of us. Nevertheless, the nostalgic farces of contemporary playwright Ken Ludwig mine comic gold from pondering that mystery. Typically, two groups of characters bump both literally and figuratively into each other: talented, worn-out, disillusioned “stars” and…

Curtains: Camelot at Theater Works in Peoria

The theater season has officially begun in our little cultural sweatbox, and that means more of the musicals have live orchestras again. This is great news, and it makes Theater Works’ current production of Camelot just that much less dreary. The score has great, popular, memorable songs that audience members…

Midlife: The Crisis Musical’s Jokes Seem a Little Old

The funniest thing I saw the other night at Broadway Palm Dinner Theatre wasn’t up on stage, but rather in the men’s room. As I stood in the lavatory stall, relinquishing the two gin-and-tonics that had made getting through another cheeseball musical slightly less painful, I noticed a butter knife…

Curtains: Talk Radio at Chyro Arts in Scottsdale

It’s been 25 years this summer since Denver talk-radio host Alan Berg was murdered in his own driveway by one of his white-supremacist anti-fans. Eric Bogosian’s 1987 play Talk Radio, partly based on Berg’s career, just opened at Chyro Arts Venue, serving an unsettling blend of nostalgia, activism, and respectable…

Curtains: The Fantasticks at Scottsdale’s Desert Stages

Oh, my. 1960 (and what passed for groundbreaking then) was a very long time ago, wasn’t it? The longest-running musical ever in the whole world, The Fantasticks, manages to make that very clear while still demonstrating what made it so popular. (Some of that success has got to be mere…

Does Nearly Naked Theatre’s Rent Live Up to the Musical’s Hype?

I’m not a big Rent fan. I know: It’s a musical theater milestone; it single-handedly revived the sung-through musical; its monster success here and abroad introduced a whole new generation to musical theater. It won the Pulitzer Prize, four Tony awards, and a half-dozen Drama Desk Awards. Blah blah blah…

Curtains: Copperstate Dinner Theater’s Trust Me, I’m a Doctor

Man, if I  had to choose between: a. making a living in the arts by presenting plotless musical revues and exploitive, offensive, witless bedroom farces andb. not making a living in the arts at all, I’d probably sit up a lot with insomnia. To be fair, audiences who love this stuff skeeve me out way…

Desert Stages’ Jekyll and Hyde Is a Monstrously Powerful Performance

Terry Helland, director of Desert Stages Theatre’s Jekyll and Hyde, took the stage just before curtain. “This show is the most difficult I’ve ever worked on,” he announced cheerfully. “But I think I got a handle on it.” That didn’t seem likely, somehow. Directors typically produce crap and think it’s…

Curtains: Bye Bye Birdie at Arizona Broadway Theatre in Peoria

Martha J. Clarke and the costume shop of Arizona Broadway Theatre have done it again. From the cowboy-print pajamas on little brother Randolph to the huge, crinolined confections on the wives and mothers, ABT’s Bye Bye Birdie is a vinyl overnight bag crammed with the ginchiest Barbie and Ken outfits…

Curtains: Hale Centre Theatre’s April Ann in Gilbert

You may not realize it, but we have a Hale Centre Theatre in the Valley because a nice young couple, Ruth and Nathan Hale, moved from Salt Lake City to the L.A. area in 1943 and discovered they could get more acting work if they opened their own theater. The…

Curtains: Sondheim’s Into the Woods at PV Community College

Stephen Sondheim is not America’s most hummable, road-trip-sing-alongy composer (unless you run with a really esoteric crowd). He’s known for polyphony, occasional purposeful dissonance, and using meter and rhythm to reinforce subject matter and plot developments — sometimes even writing songs that sound like a pointillist painting (Sunday in the…

Curtains: Chitty Chitty Bang Bang at Gammage

For every person who claims that Tempe’s Gammage Auditorium is a marvel of acoustic excellence, you can probably find one who’s been subjected to plays that sound like talking mud. Apparently, it has to do with where you’re sitting and what kind of performance it is — whether it’s instrumental…

Curtains: Childsplay’s Rock Paper Scissors in Mini-Revival

By the end of the summer, a lot of parents will probably be thinking, “The last thing my kid needs is more creativity and self-esteem.” But you know that’s just the vacation desperation kicking in; really, we all need to be dragged away from our glowing screens, and Childsplay’s little summer revival of last season’s…

Blood Brothers Proves Nearly Naked Can Do More Than Alternative Theater

It seems Nearly Naked Theatre has been doing “naughty” plays for so long now that the company can appear subversive only by presenting a traditional musical. But the 10-year-old troupe isn’t pulling a stunt with its production of Blood Brothers, Willy Russell’s celebrated smash hit about twins separated at birth…