It’s difficult to make a convincing case for the comforts of things you can’t touch. Yet there’s clearly a physical ease about the fashions and furnishings in Phoenix Art Museum’s exhibition “Sophisticated Moderns: Claire McCardell and Edward Wormley.”Both were masters of the kinds of material subtleties that are often better…
For years, I’ve harbored two secret but obsessive desires. The first is to furnish an entire house solely with swap meet treasures in truly terrible taste — you know, resin-on-wood wall clocks decorated with praying hands, garish orange floral crushed velvet couches, faded plastic flower arrangements, glitter-splashed plaster of Paris…
It’s tough to name the feeling you get being rolled, head first, into James Turrell’s Gasworks — maybe a little anxious, maybe a little silly. Yet when the friendly attendant in a white lab coat reminds you not to sit up once the light show begins inside the spherical chamber,…
Artist Joy Episalla is a student of the past. The history that she documents through the lens of her trusty 35mm camera isn’t one of political turmoil, international conflict or even the lives of great figures. In fact, people don’t show up in her work at all. Rather, the history…
If you need an antidote for the diabetic coma you may have fallen into after seeing Phoenix Art Museum’s syrupy “Norman Rockwell: Pictures for the American People” exhibition, we suggest hightailing it — stat — to Bentley Gallery in Scottsdale. The gallery’s current group exhibition, which includes recent work by…
Considering what’s now on display in “Swans and Portraits” — an exhibition of screen prints and two large paintings by Julian Schnabel at AZ/NY Gallery in Scottsdale — the New York artist better not be giving up his film directing day job anytime soon. AZ/NY Gallery, new to the Scottsdale…
Pornography. Say the word out loud — do you spit it out with disgust or roll the syllables off your tongue gently, dreamily? Does the mere thought of pornography revolt you, make you muse about the decline of Western civilization in the 21st century? Does it weigh you down with…
To look at her, Phoenix painter Sue Chenoweth — an indefatigably cheerful 47-year-old married mother of two teenagers — doesn’t strike you as a stereotypically introspective, visionary artist type. But the frenzied mixed-media paintings of this Valley artist, now on exhibit through February 27 at Modified in central Phoenix, underscore…
“Craft” has proven to be a remarkably elastic term. Once a relatively taut label for useful objects made by hand, it has been stretched by artists in the past half-century to cover an ever-widening array of things made mostly to be seen. Just how wide an array is apparent in…
A heart. A bathrobe. A Greek statue.Pretty simple objects for the large job of redefining the notion of art in the latter half of the 20th century. But Jim Dine is hardly a student of conventional wisdom: The artist once performed in the basement of a New York church by…
It took artist Merrill Mahaffey 20 years to realize that the art he thought he liked painting was actually just the art he thought he was supposed to be painting.”When I was in college and graduate school, the common teaching was that a painter was supposed to end up as…
No modern artist made more of normality than Norman Rockwell did. “I do ordinary people in everyday situations, and that’s about all I can do,” he once wrote. Yet Rockwell had a highly theatrical and romanticized sense of the ho-hum. The more than 70 paintings and several hundred magazine illustrations…
The general trend in contemporary art galleries these days is that a certain exclusivity can be achieved through sparse offerings. You won’t find that at the Udinotti Gallery — it’s done little to change its look and feel in 20 years in downtown Scottsdale. At this gallery, the art is…
The irony of most travel is that no matter how far you go, you end up in a place that’s not so different from home at its core. For Bronx-born artist Elias Rivera, it took trips to Mexico, Guatemala and even Peru for him to realize that any global search…
Even before the lights dimmed, it was apparent that this was no ordinary movie première. Held in the recreation center — down the path toward the boccie and shuffleboard courts — of the La Posada retirement community in Green Valley, the screening of a documentary about two of La Posada’s…
If you are un patron des arts, hip to the street-artist-cum-gallery-phenom tip, you’ve probably seen Basquiat five times and even own a Keith Haring tie you picked up at the Museum Store at Scottsdale Fashion Square. You may have even heard of “Lalo Land,” the installation at Thought Crime Gallery…
Linda Lewis apparently has a little trouble with authority.In her solo show at the Burton Barr Central Library and group show at Mesa Contemporary Arts, she uses old historical texts and documents to wage an arty war against history’s multitude of oppressive forces. Her weapon isn’t the heady philosophical discourse…
This is a city of ghosts. Like an ancient necropolis unearthed from beneath the desert, Phoenix is a place of the dead. You see them caught in mid-scream in front of the bronze dome of the State Capitol, wandering eyeless across the dirt mounds of Pueblo Grande on Washington Street…
Philip Curtis, the Scottsdale painter who died November 12 at age 93, would have loved the Phoenix Art Museum’s farewell to him last week. He always liked a good party. And this one included some of his favorite things: a few hundred of his closest friends praising him and his…
In our daily physical world, “Sustained,” the new installation by Gene Cooper, is located at the Lisa Sette Gallery in downtown Scottsdale. The installation also exists in the cyberworld of technology and virtual reality, over a tangled web of fiber-optic cables. And on yet another level, the work exists literally…
Gardens have been a source of contemplation and inspiration ever since we were booted out of the first one for bad behavior. These havens give us order and perfection within the otherwise untamed chaos of the natural world. In the solace they provide, some religious scholars have argued, we are…
If “No Absolutes” — ASU Art Museum’s group exhibition showcasing artists working today in the Southwest — is any indication of what is truly being produced in the region, maybe it’s time to pack it up and move to Minnesota. Jointly curated by the museum’s director, Marilyn Zeitlin, senior curator…
