Phoenix video artist Sloane McFarland is the first to admit that he’s not quite sure exactly what “PHACAEANS,” his laptop video installation at ASU Art Museum’s Experimental Gallery at Matthews Center, is about. A part of the extensive citywide programming for “Sites Around the City,” the museum’s current art exhibition…
The art market has done a fairly good job in the past 30 years of neutering terms like “revolutionary” and “avant-garde.” Yet the radicalism in “Painting Revolution: Kandinsky, Malevich and the Russian Avant Garde” at Phoenix Art Museum reminds us what those words meant in art before they became sales…
Artist Roger Shimomura’s earliest childhood memories are etched into his psyche. He is 3 years old and living in a U.S. government internment camp in a forlorn corner of Idaho — a camp set up to detain Japanese-Americans during World War II. Shimomura has drawn on those vivid, often poignant…
Loose brick and rubble lie scattered in the vacant lot next to the Modified gallery space on East Roosevelt Street near downtown Phoenix. The remains from a recent demolition create a fitting sidelight for the theme of the gallery’s current show, one installation in the Valleywide “Sites Around the City:…
“Any time you introduce a large body of water into an art museum, it’s a little hair-raising,” Heather Lineberry, senior curator at ASU Art Museum, confides with a nervous laugh. Lineberry is making uneasy reference to an expansive, 19-by-22-foot reflecting pool brimming with several inches of water, which was recently…
When fine woodworker Steve Makin became sufficiently frustrated by the lack of gallery and museum exhibition opportunities available to Arizona woodworkers, he decided to do something about it. The most recent fruits of Makin’s persistence can be seen in “Makin Furniture,” an exhibition of fine wood furniture and functional objects…
A hunger for the exotic is usually what stirs artists to jump past the humdrum of the “new and improved” to the rarer thrill of things “never before felt or seen.” But as the Phoenix Art Museum’s “Taos Artists and Their Patrons, 1898-1950” suggests, that hunger isn’t confined to the…
It is not your typical art opening. There are no paintings on the wall, no spotlighted sculptures on pedestals. The usual clusters of murmuring, wineglass-wielding museumgoers, clad in black and ignoring the artwork, are nowhere in sight at the kick-off of “Club Extra,” the ongoing performance/installation created by artist Angela…
One quick look at the huge mixed-media paintings of artist William T. Wiley — now on display in “Recent and Relevant” at Scottsdale’s Riva Yares Gallery — and it becomes crystal clear that Wiley is a man who must never sleep. That’s probably because, for 40 years, this consummate artist…
Little Black Sambo, Aunt Jemima, Uncle Ben — all that’s missing from this classic cast of racist stereotypes is a lawn jockey at the front door of Scottsdale Museum of Contemporary Art. No, SMOCA is not hosting a Ku Klux Klan convention or a twisted Antiques Roadshow episode. It’s just…
Every so often, America coughs up a hairball like Atlanta Braves pitcher John Rocker to remind itself of how far it has traveled from its past. In the 1950s and 1960s, when the civil rights movement was still being called a “struggle,” a white fool calling a black man a…
Forty years ago, a sculptor could stop almost any American museum crowd in its tracks by erecting an abstract tower of metal. But as times have changed, sculptural works in fabricated steel have steadily lost that allure. They haven’t suffered the infamy of collapsing on and killing college students for…
If the latest show in the back room of Lisa Sette Gallery reminds you of being hustled by souvenir vendors wielding lacy glass galleons and spray-painted plaster statues of the Sacred Heart of Jesus or Mickey Mouse at the Tijuana-San Diego border, you’ve actually gotten the real drift of “Nouveau…
Warren McArthur knows something about the tenacity of fiction. For the past quarter century, he has been trying to undo the popular one that presents America’s über-architect Frank Lloyd Wright as the designer of the Arizona Biltmore. “My uncle Albert [Chase McArthur] was the real architect, but I guess some…
Phoenix wouldn’t be Phoenix without its illusions about water. All its boats and pools and golf greens, all its fountains, irrigated farm fields and backyards have helped to turn some fairly extravagant wet dreams into everyday occurrences. That may be why last week’s formal opening of Tempe’s Rio Salado project…
It hasn’t always been easy to pare Claude Monet’s artistic achievements from his popularity. In the later half of his life (1840 to 1926), his paintings sold so well that the writer Emile Zola suggested that he might be unloading too many unfinished works that were barely dry. More recently,…
In a decade that has seen the mass market of the cellular phone and the emergence of the Internet, it’s hardly surprising that more artists than ever are turning to technology for expression. This new breed of artists comprises computer geeks, electrical engineers and quantum physicists. Two of these science…
Tempe photographer Bob Carey will do almost anything for art. He willingly shaves his entire body, slathers it with silver paint, tightly wraps his torso, thighs and head in fishing line, garrots his genitalia and pastes clear plastic dots over his skull (ears and lips included). He’s also photographed himself…
Every so often you overhear someone in an art museum or gallery wishing, “If only the art could talk.” Yet when contemporary art–thanks to electronic media–does pipe up, it often sounds like the cranky woman in Tony Oursler’s installation work Don’t Look at Me. Included in the Scottsdale Museum of…
Compared with its recent exhibitions of paintings on copper and works from ancient Egypt, the Phoenix Art Museum’s “Great Design: 100 Masterpieces From the Vitra Design Museum” is a welcomed dive back to the commonplace. Instead of rarities and treasures, it features objects familiar to just about everyone’s backside. It…
It’s tempting to say the Heard Museum’s new $18.1 million expansion has transformed the institution. But you don’t have to wander very far through its updated galleries and hallways to hear visitors saying the same old things about the art and artifacts they can’t readily identify. Down one corridor: “Is…
Mimes are usually mute and wave gloved hands in the air. Actors pretend to be someone–anyone–else. Yet you never know what to expect from performance artists. One day they’re masturbating in a gallery. Another, they’re having a friend shoot them in the arm with a gun, or ranting about their…
