When Scottsdale began talking about developing a new downtown transit center several years ago, urban-design junkies had plenty of cause to roll their eyes and mutter, “Here comes more Frontiertown.” The doodads the city had added to its downtown streets in the early 1990s had only bolstered its reputation for…
Not long into a tour of Sky Harbor International Airport’s Terminal Four (T-4), Lennee Eller changes from the curator of the airport’s art program into a disconsolate housekeeper. She can’t believe the dust accumulating in the display cases; the chocolate, chewing gum and worse ground into the carpet nearby; the…
Ron Carlson steps to the lectern at Changing Hands Bookstore. The podium sits beside the store’s “writing” section, next to the books designed to instruct and inspire budding authors. Copies of Carlson’s own new volume, The Hotel Eden Stories (Norton), are stacked nearby. The new book is a collection of…
There was an angry one in Boston harbor, a Mad one in Alice’s wonderland. Now comes the Tempe Tea Party–a diverse assembly of artworks related to tea. It is the third such bash hosted by the Tempe Arts Center in the past six years. Its cups, saucers, jewelry, books, sculpture…
By almost any measure, “An Excess of Fact,” Lee Friedlander’s photographs of the Sonoran Desert at the University of Arizona’s Center for Creative Photography, is an extraordinary event. It pairs one of the nation’s most distinctive photographers with a subject that’s relatively new to him and consistently elusive to most…
Impressionism has become so lovable and precious ($78.1 million for a Renoir painting in 1990) that we tend to forget what a poke in the eye the paintings of Monet, Renoir, Degas, Pissarro, Cezanne, Sisley and friends once seemed to be. Or that the movement’s name was coined by a…
Beyond sex, drugs, Top 10 marketing and the self-indulgences of youth, it’s hard to name many lasting cultural associations with rock ‘n’ roll. Politics, maybe, but only from time to time. Satan, I suppose, if embarrassment doesn’t keep you from saying so. Yet one rarely thinks of fine art. With…
For the past 16 years, the Arizona Museum for Youth in Mesa has thrived on the fact that children would rather “just do it” than listen to or watch grown-ups tell or show them how to do it. The museum averages about three major exhibits a year, and its hands-on…
With the Kennedy reference in its title and its promise to choreograph “the hits of a generation,” Ballet Arizona’s new work–“Ask Not . . .”–could easily have been a shameless grab at baby-boomer bucks. “There’s a generation out there who should have very vivid memories, who are the new powers…
As luck would have it, my epiphany about “Art on the Edge of Fashion,” a show of some 30 works by eight artists at ASU’s Nelson Fine Arts Center, came last Saturday night in the museum’s men’s room. I was taking care of some personal business when a woman’s voice…
When the King of Spain sent Christianity to the New World in the 1500s, he hardly counted on finding heathens living as well as the ones Hernan Cortes, conqueror of Mexico, first met in 1519. Cortes reported the ancient Aztec capital, Tenochtitlan–now Mexico City–to be filled with “large and beautiful…
The case of Andres Serrano, whose photographs are on view at the Bentley Gallery, suggests that your household variety of aversion doesn’t get artists anywhere anymore; that it takes a downright revulsion to make their careers. Up until 1989, when his photograph “Piss Christ,” depicting a crucifix immersed in two…
Not many people are familiar with the sculptor Lawrence Tenney Stevens, who lived and worked in Tempe from the 1950s until his death at age 76 in 1972, but those who are all take the same sobering gulp of air before exhaling, “Ohhhhh, he was a character, all right.” Irascible,…
The subject of illness blips onto the cultural radar screen with regularity, but usually under the aegis of fund raising. Formal balls, dinners, 10K races–those are the public faces of disease in the Western world. Lately, however, an art/illness hybrid seems to be, if not blooming, at least growing. The…
German choreographer Pina Bausch came to our own Arizona desert several times looking for material for her latest work, Nur Du, whose Arizona premiere is Thursday night at Gammage Auditorium in Tempe. Translated into German from the 1955 Platters hit “Only You,” the title song, one of 34 blues, pop…
In the bumpy 1960s, a number of irascible artists reached the neo-Dada conclusion that an “installation” could be something other than a military depot with radar, missiles and rusting weapons from earlier wars. It could be a room filled with unlikely materials and even more unlikely experiences in the arts…
“When the Unabomber’s in his cabin, he’s thinking about blowing people up, not about making the bomb,” says Al Price. Four of Price’s kinetic sculptures–which he calls “Traps”–are on display at Scottsdale Center for the Arts until September 1. They are carefully balanced, welded steel structures, mounted on Swiss watchlike…
In the 20 years that Mark Klett has been making pictures of the American West, his photographs have come to symbolize its ongoing revision in the American mind. No longer an eternal paradise of opportunity and natural splendor, it has become a lesson in the rub between the two. Take…
Diane Upchurch sees considerably more in shopping bags than “paper or plastic.” Just how much more is apparent in the 80 or so examples dating from 1985 that she has assembled into “Portable Design: A Selection of Shopping Bags,” an ASU College of Architecture show highlighting the ingenuity and marketing…
Kate Millett hadn’t heard much about the uproar her artwork “The American Dream Goes to Pot” had caused in Phoenix. The piece shows an American flag stuffed into a toilet basin in a wooden cage. Speaking by phone from her home in upstate New York, she chuckled to hear that…
Jose Benavides spent almost a year begging or buying the 500 license plates that he has since pounded into a gigantic depiction of the Virgin Mary attached to the chassis of a 1979 Datsun pickup truck. Benavides’ “Madonna” is a 17-foot-tall, fully drivable shrine to Our Lady of Grace–a sort…
‘The sign posted on the door of Tempe Arts Center warns that the center’s current ceramics exhibit, “Master’s Touch: Akio Takamori,” contains images of adult themes. What it doesn’t tell you, however, is that the work within is a poetic paean to the myth and magic that have always surrounded…
