HERE COMES TROUBLE

He’s the most bodacious rebel to come out of Music City’s narrow corridors since David Allan Coe, but Travis Tritt has done one thing Coe hasn’t: sell millions of records, real quick. See, those folks in Tennessee don’t suffer independent insolents or musical infidels–and they certainly don’t cotton to those…

PROGRAM NOTES

On the morning two years ago when my father died, the music I immediately turned to was that of Sam Cooke. To me, that hypnotic voice and those tranquil ballads always seemed to come from a deeper well than most pop music. In its own way, Cooke’s music has, for…

NO MELLOW CELLO

Fans have dubbed him “the psychedelic cellist,” but he’s more aptly a guerrilla, tearing through the jazz/gospel/country-colored fabric of Lyle Lovett’s shows to lob a musical Molotov and then duck back into camouflage: starched and sober stage demeanor, painstaking posture, politely arranged face. Whatever the label, John Hagen has found…

LEAN AND SOBER

There’s no use mourning the Replacements. They were irreplaceable. They were the finest, most visceral example of that great staple of rock n’ roll: the bar band. But most of all, they’re history. As a white, male rock critic–a breed distinguished by its weakness for distorted guitars and suburban angst–I…

THE MOUTHS THAT ROARED

On a television screen in a quiet, north Phoenix home, a frightening scene is playing itself out. It’s a musical snuff film. The victim? Hip-hop. In the video, Phunk Junkeez, two local rappers with the same skin color as Vanilla Ice, is whipping a crowd of more than 1,000 white…

UNION OFFICERS HOLD THEIR SEATS

Although facing campaign allegations that she has used her powerful union position to sell out members, Karen Ortega has been handily reelected to the Executive Board of the International Brotherhood of Electrical Workers local that represents U S West Direct Yellow Pages salespeople in Arizona and six other states. IBEW’s…

USED CDS ON THE HIT LIST

The mother of all paranoias is whispering in the ears of MDRVfourMDNM of the six major record labels. With sirenlike tones, it’s convinced them that the used-CD market is killing sales of new CDs. It’s convinced them that a major chain like Wherehouse selling used CDs is a personal affront…

JAZZSCAM

You’re a quiz-show contestant asked to define the word “jazz.” Uh-oh. Is it the old-timey, street-marching, New Orleans music of Louis Armstrong, the squealing cacophony of saxman Ornette Coleman, or the big-band sounds of Duke Ellington? Does your definition also cover the slick, cool, West Coast 50s sounds of Chet…

SUEDE BY HYPE HEROES AT HOME, ENGLAND’S LATEST POP FAD TESTS AMERICA

Hype can be a beautiful thing. A peculiar beauty, to be sure, but perversely attractive in a variety of ways. Hype is especially awe-inspiring in the music business. An overactive promotions department, assisted by a fawning, wide-eyed media, can turn even the most pedestrian of poseurs into front-page news with…

THE ART OF NOISE IF MUSIC HAD A LOUVRE, AUSTIN’S ED HALL WOULD BE HUNG

Rock critics spend an inordinate amount of well-paid time discussing deep, defining issues such as “Independent Versus Major Label,” “Do It Yourself (D.I.Y.) or Have It Done to You” and “Seattle: The Next Liverpool?”. Only rock critics care about deep, defining issues, of course, and nothing ruffles a critic more…

PLAYINT THE SKIN GAME

Liars, Gods & Beggars eccentricities, idiosyncrasies & indiscretions (local CD) In musical terms, everything north of the dog track at Black Canyon City is Arizona’s musical wasteland. For some reason, residents of El Norte have a peculiar obsession with elevating musical mediocrity to ridiculous heights. Prescott’s Liars, Gods & Beggars…

RODGERS’ MUD

Earlier this year, MCA Records made a big media splash with the “news” that it had knighted itself lord-protector of the hallowed Chess Records catalogue that it owns. The pride of far-sighted Chicagoans Phil and Leonard Chess, the catalogue is the mother lode of rock n’ roll and the blues…

GEILS AND DOLLS

The J. Geils Band Anthology: Houseparty (Rhino) Back in the Seventies, I had a girlfriend who thought the J. Geils Band was the sexiest band alive. She and her normally sensible pals would get together and turn to meringue as they argued over personal minutiae (He looks cute in knee-high…

HIGH ON THE HUMAN TOUCH

Three photos of Kurt Ralske lay across my desk. The one on the left dates from 1988, around the time his one-man-band debut, Ultra Vivid Scene, was released by Britain’s 4AD Records. With an utter lack of guile, his gaze is directed straight at the camera. In his crew-neck sweat…