Along with B.B. King, George “Buddy” Guy is perhaps the quintessential modern blues singer/guitarist. Born in 1936, Guy came from the original wave of Chicago blues players who made a major impact on rock ‘n’ roll, establishing himself with Howlin’ Wolf, Koko Taylor, and Muddy Waters before going solo —…
Although Army of Anyone features half of Stone Temple Pilots as well as former Filter lead singer Richard Patrick, the whole isn’t greater than the sum of its parts. None of the tracks on the group’s debut smolders quite like Filter’s mid-’90s breakthrough, “Hey Man, Nice Shot,” nor does any…
Ben Folds plays the ivory keys like an 11-fingered man suckled on Elton John records. The former front man and namesake of the Ben Folds Five has a clamant, albeit sometimes goofy, presence and an overwhelming talent that at times makes it hard to distinguish his solo work from his…
Pitbull’s newest CD, El Mariel, includes lines like “Welcome to the real Dade County/Where we’re soldiers from birth to the hearse/That’s why my childhood included a bulletproof vest,” and “Welcome to the real Miami/Where we live to die.” Typical rapper throw-down boasts, yes, but that’s the only thing that’s typical…
When DJ Astonish isn’t busy dropping the hip-hop hotness over Valley airwaves every Saturday night from 9 to 11 on KISS-FM 104.7, the banging beatmaster can be found at the new nightspot John Q’s, 7000 East Shea Boulevard in Scottsdale, presenting Naked Wednesdays. While, sadly, no one actually drops trou…
These days, NYC ain’t the only hip-hop haven bustin’ out lyrical clicks and renegade rappers. Straight outta Boston, Mr. Lif is bringin’ back that ol’ Beantown rap sound with Mo’ Mega, a politically charged followup to his highly praised 2002 album, I Phantom. The pseudo-optimistic dread-head is keepin’ it real…
Either Andy Partridge has way too much time on his hands or he’s simply too prolific to be reined in by the confines of XTC, the proto-punk band-turned-Beatles/Beach Boys disciples he founded nearly three decades ago. It’s likely a bit of both; after all, it has been practically 25 years…
Thursday 30Bunkhouse: DJ Doom (dance) Cat Eye: DJ Diesel (rock, punk) Club Central: DJ Luis (salsa, merengue) Coconut Club: DJ Coolstylz (Top 40, dance, rock, hip-hop) The Crown Room: DJ Gable (rock, house, hip-hop) Dos Gringos: DJs Benjamin Cutswell & Kid Vicious (rock, ’80s, old school hip-hop) Grilled Expedition: DJ…
1. Jay-Z, Kingdom Come (Roc-a-Fella) 2. Brand New, The Devil and God Are Raging Inside Me (Interscope Records) 3. Killswitch Engage, As Daylight Dies (Roadrunner Records) 4. Snoop Dogg, Tha Blue Carpet Treatment (Geffen Records) 5. Tenacious D, The Pick of Destiny (Sony) 6. The Game, Doctor’s Advocate (Geffen Records)…
Jared and Michael Bell are the Lymbyc Systym Jared and Michael Bell, the brothers who make the pretty noises in Lymbyc Systym, are about to drop the band’s first album on the influential Mush Records label, home also to avant-beatmakers and MC’s like cLOUDDEAD, Aesop Rock, Jel, Odd Nosdam, and…
Scary Kids Stealing Names I usually find it pretty goddamn annnoying when bands take their names from other band’s song titles. This was the case when I first heard about Scary Kids Scaring Kids – especially since the band’s name is copped from one of my favorite bands, the Chicago-based…
Sweetbleeders Just received a missive and a new song from Robin Vining of the Sweetbleeders (and Colorstore) yesterday, asking if I’d let y’all know about the listening party for the band’s upcoming new album, Bzzzz. No problem; the Sweetbleeders make some of the prettiest little piano-laced pop songs aroud the…
Pokafase It’s been a while since I last checked in with Pokafase, the ‘Nix’s long-suffering aspirant to establishing PHX hip-hop as a west coast powerhouse. His latest album The Martyr is due out any time, so I grabbed a couple of his tracks (one off of Mastermind, and one off…
Yolanda Bejarano A few bar nights back I went out with my old friend Yolanda Bejarano, who’s not only a swell girl but an incredible musician, and who’s been cranking out music since I moved here eleven years ago, in bands like Slugger, the Slowdown, and a mariachi band that…
The Phoenix indie crowd has a new pit stop on their Friday-night boozing agenda. Glam (formerly Ky’s Place), at 32nd Street and Indian School Road, is a perfectly petite dance club stuck in a strip mall. The place goes nuts after midnight, when the pre-drinking is over and an ass-shaking…
Walk into Trax on a Monday night, as I did recently to grab a beer, and you’ll run into a strange amalgamation of sonic styles emanating from the outdoor stage in the back, courtesy of the Dave Wade Trio. I saw the Dave Wade Trio accidentally the first time, and…
Face it, you haven’t lived until you’ve seen your friends make asses of themselves at karaoke. On a Saturday night in mid-November, I’m about to launch an alcohol-fueled audio assault on the croaky-oke crowd, along with my friends Bones, Chazz, Toxic JuJu, and JuJu’s dad Papa JuJu, who’s visiting P-town…
Joe Pernice has published a book of poetry, a popular novella based on The Smiths’ Meat Is Murder for the 33 1/3 series, and “B.S. Johnson” — the most anthemic offering on the Pernice Brothers’ latest, Live a Little — pays tribute to a little-read English writer who died by…
. . . And You Will Know Us by the Trail of Dead may be a victim of its own success. The Austin-based post-rock group’s ragged and glorious indie-punk albums, like 1999’s Madonna, and 2002’s brilliant Source Tags & Codes, didn’t make it onto the Billboard charts, but the latter…
Kurt Cobain loved The Melvins. Without that band’s influence, there would be no grunge. The outfit un-cheesed Sabbath and created truly evil-sounding metal that directed future generations toward methodical bass lines and sick distortion. Cobain (the band’s most tragically beloved roadie) tinker-punked The Melvins’ sounds and made them palatable to…
Somewhere, “power-pop” sticklers are brooding that these Oklahomans can’t possibly apply that mantle to what it is that they do. According to most universally accepted theorems, most power-pop bands are in their late 30s and early 40s, unless they had some estimable RIAA success in the ’70s — then they’re…
Piano rock, schmiano rock. What Copeland produces is something much more than the recycled Ben Folds schmaltz typical of most ivories-oriented groups. Both Beneath Medicine Tree, the quartet’s 2003 debut, and In Motion, its 2005 breakthrough, were awash in lush, dreamy indie pop that eschewed irony for introspection. The guitar…
