The Roots

If The Tipping Point, the sixth studio album by Philadelphia hip-hop crew the Roots, sounds like it lacks the genre-busting centerpiece each of the band’s previous albums has featured, it’s because it does. There’s nothing here as instantly ear-catching as “You Got Me,” the svelte hyperballad from 1999’s Things Fall…

Joe Myers

For his long-awaited follow-up to Under the Crazy Hat, Tempe guitar virtuoso Joe Myers, his artist/writer wife Casebeer and their two children set up shop in a legendary New York landmark for little more than a year, until the events of 9/11 cut short their stay. It’d be hard to…

Sloan, and The Reflection

Great music is often born in obscurity, and, at least in this country, that’s where it usually dies. Thankfully, the members of Sloan reside in Canada (where they’re stars), which has afforded savvy Americans the opportunity to enjoy their steady stream of great albums. While united by rich melody and…

The Velvet Teen

It’s hard to avoid words like “somber” and “melancholy” when describing the Velvet Teen’s music. The band brought in a string quartet for its latest album, Elysium, and the symphonic swelling behind singer Judah Nagler’s winsome falsetto makes the band sound rather like the bastard child of Pachelbel and Jeff…

Various Artists

But will I be lost if I haven’t heard volumes 1 through 9? Unlike most compilations, which serve as little more than friendly handshakes with a dozen unfamiliar artists, King Size Dub is better taken as a cohesive whole than as a patchwork collection of tracks. Boiling electronic music down…

Black Dice

There’s the “space-rock” of Pink Floyd, Mogwai, and Flying Saucer Attack, and then there’s the music of instrumental-experimental Brooklyn trio Black Dice that very literally sounds like it comes from the cosmos — something the microphones onboard the Cassini Saturn probe might pick up if it discovered a well-stocked zoo…

What’s Selling

Top 10 sellers at Swell, 414 South Mill, for July 3-9: 1. Z-Trip/Jim Mahfood, For Those About to Vote (Atak) 2. Oddio Audwell, Brainstorming (Mind Spit) 3. John B, In Transit (Beta Recordings) 4. Cut Throat Logic, The Mixtape (Self-released) 5. Anthony Rother, Popkiller (Datapunk Recordings) 6. Various Artists, Amalgam…

Sonic Youth

The East Village bar I used to frequent during my New York City days had a copy of Sonic Youth’s 1995 disc Washing Machine in the jukebox, and it was usually entertaining when the epic 20-minute closer “The Diamond Sea” would come on. (In my opinion, it’s one of the…

Braid

Before the pop punk wing took control of emo, the genre was influenced by the churning, contrapuntal guitar acrobatics of math rock and post-core vets such as Jawbox and Fugazi. In Braid, you can hear this uneasy clash of styles in songs such as “Never Will Come For Us” and…

The Fall

Mark E. Smith: What a grouch. The grizzled limey bastard has already laid off two of the four musicians responsible for the creation of The Real New Fall LP, and is no doubt throwing the stink eye at the remaining pair. Historically, the dismissal is barely even a footnote. Smith…

Sparta

When At the Drive-In, the greatest multiracial post-punk band ever from El Paso, Texas, broke up three years ago, half of its members formed Sparta and began ambling down a road from Over the Top Town to Well-Meaning Dullsville. Wiretap Scars, Sparta’s 2002 debut, was At the Drive-In with none…

Goodie Mob

After helping create the genre-busting Southern hip-hop that fellow Georgian pioneers OutKast would ride to superstardom, Goodie Mob’s third album, 1999’s World Party, sounded like a discouraging dead end. The content-free rhymes were poorly received and led to the departure of the Mob’s most formidable weapon, the crooning, keening rapper-singer…

These Arms Are Snakes

If you’re still in mourning over the demise of the mighty Jesus Lizard (five years removed, I know I am) and, to a lesser degree, At the Drive-In, then let the frenetic post-punk roar of Seattle’s These Arms Are Snakes salve some of those wounds. Like the former, these guys…

Sarah McLachlan and Butterfly Boucher

The voice that launched a thousand careers (from ATB to Paula Cole and dozens of other imitators), Lilith Fair founder Sarah McLachlan took “Possession” of the female singer/songwriter crown in 1993 with her third album, the multi-platinum Fumbling Toward Ecstasy. One can hardly blame her that so many less talented…

John Mayer and Maroon 5

For pop acts John Mayer and Maroon 5, touring together is like a class reunion. Mayer and Maroon 5 guitarist James Valentine met while attending a summer music class at the Berklee College of Music in Boston. “They became friends and started jamming together and that kind of thing,” says…

DJ Doc Martin

He probably won’t be sporting yellow stitching, but Los Angeles-based house DJ Doc Martin is indeed the genuine article. Martin started spinning records back in ’86 — nearly two decades ago — and in the interim he’s held court at practically every legendary venue on both sides of the Atlantic,…

Method Man

Of the seven trillion (and counting) members of the Wu-Tang Clan, Method Man always has shown the most promise. From the get-go, the sandpaper-throated roughneck dazzled, with an exuberant flow and one head-spinning turn of phrase after another. His debut solo outing was a stunner, but Meth has never recovered…

The Ponys

The title of the Ponys’ debut, Laced With Romance, is as accurate as that Spears girl is chaste. With lines like “I only love ya ’cause you, ’cause you look like me,” the band is like that disheveled boyfriend who drinks too much at parties and never says he loves…

The Concretes

Disappointed by the Cardigans’ swerve from disco-flecked fizz-pop into touchy-feely roots-rock on their new Long Gone Before Daylight? Don’t turn to these fellow Swedes for comfort. This self-titled album, the follow-up to a CD released to the sound of crickets in 2000 by the Seattle indie Up, is a relaxed…

Drunken Immortals

Looking for some raw, underground sounds? Scrape the polish off the wax — the Tempe-bred Drunken Immortals take an organic approach to hip-hop, crafting inventive, socially conscious songs layered with live instrumentation and lyrical insights. The eight members of Drunken Immortals — Brad B, Tony Love, Professional, Crow, Mic Cause,…

Clutch

Clutch is one band that music listeners either love or hate, and lead singer Neil Fallon admits that it has to do with his sense of humor. Fallon has this innate ability to meld humorous and intelligent lyrics over a bed of guitar-driven, funk-laden rock, something he established on Clutch’s…

What’s Selling

1. Authority Zero, Andiamo (Lava) 2. The Cure, The Cure (Geffen) 3. Velvet Revolver, Contraband (RCA) 4. Atreyu, The Curse (Victory) 5. Lloyd Banks, Hunger for More (Interscope) 6. Beastie Boys, To the 5 Burroughs (Capitol) 7. Slipknot, Vol. 3: Subliminal Verses (Roadrunner) 8. Breaking Benjamin, We Are Not Alone…