Poor Ben Harper. No matter where he goes, no matter what new songs he brings, he always gets slapped with either the “poor man’s Lenny Kravitz” or the “thinking man’s Lenny Kravitz” tag (depending on the graciousness of the critic). Of course, that’s probably what Harper deserves for so similarly…
Once upon a time, you had to go to New Orleans to see many of the Crescent City’s jazz fusion bands. Then, a big hurricane named Katrina destroyed the city, and the Big Easy’s bands were forced to embark on fund-raising tours ever after. Such is the case with E.O.E…
There comes a time in every band’s career when an overwhelming sense of fear and dread of failure begins to creep in, especially for groups that have the fortune to make a big splash right out of the starting gate and then face the daunting task of a follow-up. But…
The Phenomenauts could be the most inspired shtick-rock band to hit the scene since the day someone brought a Mexican wrestling mask to a Los Straitjackets practice. Hailed as California’s “Best Live Band” by the East Bay Express, The Phenomenauts’ shtick is simple yet effective. Bearing costumes, props and helmets,…
Had Shakira Isabel Mebarak Ripoll (yeah, truncating it, Cher/Madonna-style, was probably a good idea) — the 29-year-old, Colombian-born singer who’s been making albums (mostly sung in Spanish) since she was 15 — broken through in the U.S. at the height of the late ’90s, Ricky Martin-led Latin-pop explosion, she’d be…
Ever since local DJ William Fucking Reed debuted his “motherfucking rock and roll dance party” Shake! last year, Saturday nights at The Rogue East, 423 North Scottsdale Road in Scottsdale, have never been the same. Every weekend, hipster hotties crowd this East Valley punk mainstay to bust and bop to…
The Valley’s underground hip-hop scene is blooming, and the latest names to spring to production are Jelts and Idolize of the Wild Life Refuge Crew. The duo’s first collaboration is full of funk, jazz, blues and pop culture samples that infuse the album with humor, drama and a sense of…
Reprieve is the most intimate album that Ani DiFranco’s ever delivered. It’s also the most quiet, with a jazzy, late-night feel, enhanced by the impressive acoustic bass work of Todd Sickafoose and DiFranco’s understated acoustic picking. Standouts include “Subconscious,” a bouncy folk tune that explores the ambivalent feelings that are…
While he’s been circulating on the Austrian DJ circuit since ’97, Paul Nawrata has been tooling around with various projects, most notably alongside Thievery Corporation and DJ Chaoz. His throwback style pays homage to film noir à la Serge Gainsbourg and Ennio Morricone, wrapping light electronica around heavy jazz to…
Solo album number four from New York singer-songwriter Adam Green is pleasant Sunday afternoon pop in the vein of Roy Orbison or Leonard Cohen; clean string arrangements overlay acoustic guitar and warm electric piano while Green’s sonorous baritone swings with elegant panache through the lower registers. His delivery is reminiscent…
e(v)olocity’s done something smart with its debut CD that every band trying to get on the radio should do: packed its four best songs onto the front end of the album. Once the first two tracks — including the mediocre single “Too Far” — are out of the way, the…
AZ homeboy Dave Insley used to be a Nitpicker and a Trophy Husband. He was even in a Chaingang, but those days — and bands — are behind him. Insley went solo with Call Me Lonesome in 2005, distilling his years of honky-tonking around Arizona into pure country, which befits…
Although the band shields it with an expanse of black eye makeup and gothic imagery, the argument that AFI has become a pop band is rather irrefutable. With a new album, Decemberunderground, that has elevated the Los Angeles foursome to MTV stars, and more than a decade of touring under…
The Young Dubliners developed a reputation early on for high-energy gigs fueled by musicianship, pints o’ bitter, and the thrill of a good Celtic-rock mash-up. Drawing on obvious influences (Waterboys, Pogues, U2), the group began as a musicians’ “revolving door” in the early ’90s, but finally hit its stride with…
They look a little dirty, and after spending the summer on the road, they probably smell a little dirty, too. But they definitely don’t sound dirty. The Brooklyn four-man band Dirty on Purpose has a self-described “emotional space-rock” style. All four members are songwriters who seem to be trying to…
Annalee Fery has the perfect voice to get across the brooding indie pop she and her bandmates in Monsters Are Waiting traffic in for much of their album Fascination — just blasé enough to bring some much-appreciated Debbie Harry to the mix without suggesting that she doesn’t really mean it…
There’s plenty to love about female DJ Jen Lasher. The saucy 24-year-old spinstress siren and fashion plate is not only easy on the eyes, she’s also a classically trained pianist, a gifted singer-songwriter, a fan of the metaphysical realm, and a topnotch turntablist. For the past few years, she’s been…
This CD is like an old, crusty friend who jams safety pins through his nostril, shaves his pubic hair into an anarchy symbol, and makes coffee with the water from hot dog packages — it’s just so inane and fun. Let’s get something straight about Numbers on Napkins — this…
Tramps & Thieves’ first full-length release (with a whopping 16 tracks) is a lot more rockin’ than the band’s 2004 Mill Avenue Cowboys EP, with fewer acoustic moments and more straight-up shit-kickin’ songs that address issues like the Iraq war, outlaw hippies, and hallucinating in the desert. Songs like “Sidewinder”…
Bad Religion singer Greg Graffin gets old-timey on Cold As the Clay, an unplugged sophomore solo LP that mixes original songs with similar Deadwood-era tunes like the finger-picked murder-hoedown “Little Sadie.” Graffin plays traditional music as convincingly as he handles punk. He’s no Mike Ness, though the disc will probably…
“We ain’t no Harajuku Girls/We just straight-up rock ‘n’ roll,” Puffy AmiYumi sings on “Call Me What You Like,” the opening track from their eighth studio album. The song primarily expresses the female Japanese duo’s desire to be taken seriously as “rockers” — a tall order given the kiddy-fluff nature…
You could do a lot worse than to listen to this trio of DJ/producers from Holland all summer. After a string of sought-after 12-inch singles on London’s Jalapeno Records, Kraak & Smaak (the name is a Dutch saying, not a drug reference) makes its U.S. debut with a tasty full-length…
