REMEMBERING DOUG HOPKINS

I first came to Phoenix in late September, and I had three days to find a place to live before returning back East to get my stuff and move out here permanently. I stayed with my friend, Wes, the only person in town I knew, in his apartment on University…

BOXING YOUR EARS

Good things come in small packages, as the saying goes, but at Christmastime, big packages look a whole lot better under a tree than little ones do. Back in the old days, when Santa left a 12×12 LP, it was a mouth-watering sight the next morning. Sure, CDs may sound…

TRICKLES OF RICKLES

The artistry of Don Rickles has spanned not only the decades, but virtually all mediums of entertainment. From the seminal years of the Hello Dummy album, to the film work (Kelly’s Heroes, Beach Blanket Bingo), to television’s lauded C.P.O. Sharkey and Kibbee Hates Fitch–the 1965 sitcom pilot that is now…

BUZZCOCKS RELOAD

Steve Diggle’s name-dropping again. The Buzzcocks’ guitarist is lounging around a Cleveland hotel room, telephone in hand, mentioning how he’s still “mates” with Clash co-founders Joe Strummer and Mick Jones. “I run into them in clubs now and then,” Diggle says, shrugging. “It’s always a pleasure to see em.” Diggle’s…

SUGAR HILL HAS A SWEET ACOUSTICAL SOUND

With names like Townes Van Zandt, Robert Earl Keen Jr. and Guy Clark signed to recording contracts, you might think Sugar Hill Records was housed next to some barbecue joint in Austin, Texas. It ain’t. And although it once harbored current Music City stalwarts like Ricky Skaggs and hillbilly rocker…

A ROSE BY ANY OTHER NAIL

Jim Rose was born and raised in Phoenix. Now he hammers nails into his nose and eats light bulbs for a living. Simple coincidence? Cause and effect? Maybe a little of both. Rose is the ringleader, the boss, the master of scarimonies of the Jim Rose Circus Sideshow, a group…

BAD TO THE BRAIN THEY’RE ON A MISSION FROM JAH

God is in everything, as the good book says, and He’s especially in the conversation of Bad Brains’ bassist, Darryl Jenifer. Strange as it may seem, the group that essentially created the punk/funk/ethno-metal/reggae sound 16 years ago has something in common with gleaming-white vocalist Pat Boone: an unfailing belief in…

CREME DE LA FEMMES WHEN THEY SUCK, IT’S ONLY ON CIGARS

Violent Femmes vocalist Gordon Gano is smoking something in a fancy hotel room somewhere in Cincinnati. His drags are too long for a cigarette, and it can’t be a pipe. Not enough sucking noises. One deep, long, exaggerated whoosh. “It’s a cigaaaar,” Gano breathes passionately. He’s sucking on an Ashton,…

PASS THE JAM

Pearl Jam Vs. (Epic) They’re back for round two, folks. Vs., the second album from Pearl Jam, finds the Seattle grunge men cranking it out in top form. Though Eddie Vedder’s voice has always been the band’s main feature–the vibrating, gut-driven growls of one white boy’s angst–the guitars of Stone…

UNCLE JAM’S ARMY

It’s hard to believe that in 1906, the term “funk” referred to sexual body odors, and only some 50 years later to a music that sounded just as dirty. No one in yer grandma’s lifetime has done as much as George Clinton, the Parliament/Funkadelic kingpin, to supply a soundtrack for…

DRE MATTER

The rules of music promotion force stars to help sell their products by declaring each new album to be a) a work of genius, or b) different from anything they’ve done before. Both are malarkey–but time-tested, effective malarkey–concocted to make record buyers feel better about paying for something their favorite…

BUFFALO TOM’S QUIET STAMPEDE

Bill Janovitz vividly remembers the night last summer when his band’s manager called with big news. “He said, ‘I’ve got good news and bad news. The good news is you got a five-page spread in Rolling Stone. The bad news is you guys have to do this fashion type of…