SUEDE BY HYPE HEROES AT HOME, ENGLAND’S LATEST POP FAD TESTS AMERICA

Hype can be a beautiful thing. A peculiar beauty, to be sure, but perversely attractive in a variety of ways. Hype is especially awe-inspiring in the music business. An overactive promotions department, assisted by a fawning, wide-eyed media, can turn even the most pedestrian of poseurs into front-page news with…

THE ART OF NOISE IF MUSIC HAD A LOUVRE, AUSTIN’S ED HALL WOULD BE HUNG

Rock critics spend an inordinate amount of well-paid time discussing deep, defining issues such as “Independent Versus Major Label,” “Do It Yourself (D.I.Y.) or Have It Done to You” and “Seattle: The Next Liverpool?”. Only rock critics care about deep, defining issues, of course, and nothing ruffles a critic more…

PLAYINT THE SKIN GAME

Liars, Gods & Beggars eccentricities, idiosyncrasies & indiscretions (local CD) In musical terms, everything north of the dog track at Black Canyon City is Arizona’s musical wasteland. For some reason, residents of El Norte have a peculiar obsession with elevating musical mediocrity to ridiculous heights. Prescott’s Liars, Gods & Beggars…

RODGERS’ MUD

Earlier this year, MCA Records made a big media splash with the “news” that it had knighted itself lord-protector of the hallowed Chess Records catalogue that it owns. The pride of far-sighted Chicagoans Phil and Leonard Chess, the catalogue is the mother lode of rock n’ roll and the blues…

GEILS AND DOLLS

The J. Geils Band Anthology: Houseparty (Rhino) Back in the Seventies, I had a girlfriend who thought the J. Geils Band was the sexiest band alive. She and her normally sensible pals would get together and turn to meringue as they argued over personal minutiae (He looks cute in knee-high…

HIGH ON THE HUMAN TOUCH

Three photos of Kurt Ralske lay across my desk. The one on the left dates from 1988, around the time his one-man-band debut, Ultra Vivid Scene, was released by Britain’s 4AD Records. With an utter lack of guile, his gaze is directed straight at the camera. In his crew-neck sweat…

MINGUS AMONG US

Arizona’s ties with the world of jazz are flimsy. Trumpeter Art Farmer was raised in Phoenix, and sax giant Charlie Parker probably spent the night in cactus country on his way to a lengthy stint in Los Angeles. And, uh, did I mention Art Farmer? At first, another Arizona jazz…

REPLACING THE MATS

Bash & Pop Friday Night Is Killing Me (Sire) Chris Mars 75% Less Fat (Smash/Island) How do we miss the Replacements? Let’s count the ways. Not to get gooey, but if you miss the Mats and are tired of playing “Bastards of Young” or “I.O.U.” to death, cheer up. Uncover…

BARTHOLOMEW’S RHYTHM AND BLUES CRUISE

Various Artists The Genius of Dave Bartholomew (EMI) Smiley Lewis The Best of Smiley Lewis: I Hear You Knocking (EMI) One listen is all it takes to understand why New Orleans music dominated the R&B charts in the mid-Fifties. With its steady backbeat, wailing sax breaks and bluesy vocals, it…

PLANETS OF THE APERS?THEY SOUND FAMILIAR, BUT RAPPERS’ ORBIT BY MILES

It is about five minutes into Digable Planets’ brand-new superstardom, and already there’s a small problem. It’s not the group’s backbreaking schedule, full of interviews and coast-to-coast spots on the Arsenio and Letterman shows. Nor is it the cold that Digable Planet Ladybug has developed from shooting the group’s video…

DESERT-COOKED SOUNDS

One Foot in the Grave Lookin’ Good! Who’s Your Embalmer? (Triple X) Move over, California, Arizona now has the dubious distinction of being the novelty-rock-act capital of the world. We’ve even got both ends of the age spectrum covered–tots (Litl’ Willie) and the tottering (One Foot in the Grave). In…