GIMME SHELF LIFE

It seems like only yesterday that the once-rebellious Mick Jagger uttered those portentous words, “I don’t want to be doing this when I’m 40.” Or was it 50? Either way, Jagger was speaking about music, of course, not business. Because when it comes to business, the Stones will never retire…

RUSHIN’ HOMETHE VULGAR BOATMEN HAVE A DOMESTIC POLICY ON ROCK

You and Your Sister, the first album from Gainesville, Florida’s Vulgar Boatmen, typified an emerging new movement in American alternative rock. Like New York’s Silos and Canada’s cult faves the Odds, the Vulgar Boatmen played music that had more in common with traditional rock ‘n’ roll than most 1980s pop:…

NO MORE HIDING IN THE HERD

Someone smart once said that the most courageous act an individual could make was to change his mind. Consider Buffalo Tom a courageous act. The Boston-based Buff Toms have a four-year rø¡esumø¡e of hard-charging guitar songs ranging in texture from crunch to grunge. The band’s 1989 debut was appropriately released…

TEXAS RIBBER

In lyric and life, on stage and in stereo, Robert Earl Keen Jr. is a very funny fellow. However, the Houston-born-and-bred musician with the cool, slightly quirky Southern tones and clever lyrics found nothing humorous about a poster heralding his appearance at one of his 150 road shows in 1991…

EVER ON SUNDAY

Remember Mork and Mindy? On that TV series, writers used Robin Williams’ alien to make trenchant observations about American culture. Because the lines came from Mork, they seemed amusing and thoughtful, not threatening. Several years ago, my wife and I hosted our own Mork. Only his name was Moulaye and…

THE BIRDS ARE THE WORD

Art and Aaron Neville were standing in the tunnel leading to the Celebrity Theatre stage. Like most headliners who take on local bands to fill out the bill, the Nevilles rarely know, let alone watch, their openers. But this night, the brothers had been drawn out of their dressing room…

COVER ME

Yo La Tengo does a cover of Fleetwood Mac’s Dreams” that’s so loving, so unexpectedly true to the spirit of the original that probably even Stevie Nicks would approve. The band also does a version of Lou Reed’s It’s Alright (The Way That You Live)” that bests the Cowboy Junkies’…

HOME BREW IIMORE SIPS FROM THE OVERRUNNING LOCAL CUP

As promised, here is the second half of the local tape and CD roundup, the first installment of which ran in February. Given the volume of local music we’ve been receiving, this feature may have to become a continuing series. To those bands wondering where the reviews of their cassettes…

HOME BREW

It’s time for a long-overdue look at what kind of “product” is coming out of the local music scene. The number of tapes submitted was so large this time that one week won’t cover them all. Be prepared for a second installment to run soon. The variety of local music…

SOULED AMERICANSWERVEDRIVER MOVES TO THE SONG OF THE OPEN ROAD

Adam Franklin, singer/guitarist for Swervedriver, remembers the last time he and his band encountered America. Swervedriver flew across the pond a few months ago with fellow Brits Ned’s Atomic Dustbin for a five-show, five-city tour stretching from New York to L.A. “We were constantly flying from zone to zone,” says…

OUT OF THE REAL AFRICA

In 1986, as American singer/songwriter Paul Simon was about to release his Afro-pop manifesto Graceland, one of Simon’s inspirations was about to hang it up. Born Simon Nkabinde, but known by his stage name Mahlathini, this spry, 55-year-old Zulu is to African popular music what Dylan or the Beatles are…

LONG LIVE THE DUKE

It began when Elvis Presley became Mr. Sex” by humping the air on The Ed Sullivan Show. It spread when the Rolling Stones secured their bad-boy image by grinning through drug arrests, and when John Lennon declared himself a saint through his more popular than Jesus” pontificating. Shock value and…