Small Black Frees Itself From Its Bedroom Beginnings

“Free at Dawn,” the opening song of Small Black’s second full-length album, is the sound of a band reclaiming itself at the start of a new day. Gone is much of what characterized the band’s eponymous 2008 EP and 2010 debut album New Chain — the chill synths and preset…

iTunes Radio Is Really About Buying Music, Not Streaming It

After an unpleasantly long stretch on the rumor mill–even by Apple standards–complicated by a hard-bargaining Sony Music, iTunes Radio finally exists. For the most part, the rumor mill got it right: It’s a lot like Pandora, it has text and audio ads (which feel strange on an Apple product), and…

Is The New ’90s Nostalgia Good For Rock and Roll?

We all have bands that defined our youth–that made us love music, that maybe even introduced us to a new feeling that we didn’t know existed. Whether it’s the psychedelic rock of the ’60s, punk of the ’70s, thrash of the ’80s, or grunge of the ’90s, every generation has…

Four Years Off Gave Fall Out Boy Some Perspective

Fall Out Boy is to blame for a lot of what was bad about the middle of the last decade: The broad acceptance of 19-word song titles; males wearing the jeans that inspired Kanye West to rap, “They just buy tight jeans ’til they nuts hang all out, boy”; even…

How Jeff Gonzales’ First EP Followed Him Back to Arizona

Mesa-based songwriter Jeff Gonzales knows how to write a love song. Midway through his debut solo EP, the six-song The Lights Just Went Out. . ., he drops an openhearted doozy, the lilting country shuffle “Midday Epilogue.” “Well, I gave up my family for you,” he croons, a light drawl…

Why Mumford & Sons Deserves The Backlash

[We’re not sure a seemingly uncontroversial band has ever generated as much controversy as Mumford and Sons have in their brief stint as folky chart-toppers. To celebrate their show tonight at Desert Sky Pavilion, I asked representatives from both sides of the (surprisingly heated) Mumford & Sons debate to argue…

Mergence Explains Why They Wrote “White Bark” In The Desert

The atmospheric, bluesy local rockers in Mergence may already be known for keeping it weird with communes, nomads and robots with the release of their first album, Those Vibrant Young People Are Dead–but with their upcoming EP they are taking it to an entirely new level. It makes sense, since…

Steve Wiley: How Much Money Is Music Worth To You?

How much is music worth to people? This isn’t a new question for me. For the past 25 years I’ve fed my family by selling the stuff. And even though I haven’t operated a brick-and-mortar record store for almost a year now, I’m still as curious about it, and as…

Authority Zero Brings a Little Bit of Mesa to Moscow

Authority Zero just finished a lengthy European tour, but no amount of international success would make them leave the Valley behind. The boys from Mesa now find themselves back home preparing for the Summer Sickness Tour to promote their fifth album, The Tipping Point. Not that Europe wasn’t great. “We…

Indie Punk Band Parquet Courts Cares a Lot

It’s a little too early to crown 2013 the “Year Of” anything in particular, but you might be able to make a strong case for 2013 as the “Year of the Musical Manifesto.” Observe Daft Punk’s calculated marketing buildup toward Random Access Memories, with tales of organic music-making on the…

Cheap Trick Celebrates At Budokan at Wild Horse Pass

If the food is bad backstage when Cheap Trick plays Wild Horse Pass on May 31, this reporter isn’t to blame. In any case, after criss-crossing the globe for 40 years and playing enough exotic locations that anything from sushi to fried cassava to bull testicles could appear on the…

MC Magic: Why I Signed Arizona’s MOB FAM

This week I’d like to talk about one of the hardest working, up-and-coming hip hop squads from the streets of Arizona: MOB FAM. This three-member group is made up of real-life brothers Arturo, Javier, and Steve Campos, better know as TS, Young Javi, and SC! These boys have been pounding…