PLAYINT THE SKIN GAME

Liars, Gods & Beggars eccentricities, idiosyncrasies & indiscretions (local CD) In musical terms, everything north of the dog track at Black Canyon City is Arizona’s musical wasteland. For some reason, residents of El Norte have a peculiar obsession with elevating musical mediocrity to ridiculous heights. Prescott’s Liars, Gods & Beggars…

RODGERS’ MUD

Earlier this year, MCA Records made a big media splash with the “news” that it had knighted itself lord-protector of the hallowed Chess Records catalogue that it owns. The pride of far-sighted Chicagoans Phil and Leonard Chess, the catalogue is the mother lode of rock n’ roll and the blues…

GEILS AND DOLLS

The J. Geils Band Anthology: Houseparty (Rhino) Back in the Seventies, I had a girlfriend who thought the J. Geils Band was the sexiest band alive. She and her normally sensible pals would get together and turn to meringue as they argued over personal minutiae (He looks cute in knee-high…

HIGH ON THE HUMAN TOUCH

Three photos of Kurt Ralske lay across my desk. The one on the left dates from 1988, around the time his one-man-band debut, Ultra Vivid Scene, was released by Britain’s 4AD Records. With an utter lack of guile, his gaze is directed straight at the camera. In his crew-neck sweat…

MINGUS AMONG US

Arizona’s ties with the world of jazz are flimsy. Trumpeter Art Farmer was raised in Phoenix, and sax giant Charlie Parker probably spent the night in cactus country on his way to a lengthy stint in Los Angeles. And, uh, did I mention Art Farmer? At first, another Arizona jazz…

REPLACING THE MATS

Bash & Pop Friday Night Is Killing Me (Sire) Chris Mars 75% Less Fat (Smash/Island) How do we miss the Replacements? Let’s count the ways. Not to get gooey, but if you miss the Mats and are tired of playing “Bastards of Young” or “I.O.U.” to death, cheer up. Uncover…

BARTHOLOMEW’S RHYTHM AND BLUES CRUISE

Various Artists The Genius of Dave Bartholomew (EMI) Smiley Lewis The Best of Smiley Lewis: I Hear You Knocking (EMI) One listen is all it takes to understand why New Orleans music dominated the R&B charts in the mid-Fifties. With its steady backbeat, wailing sax breaks and bluesy vocals, it…

PLANETS OF THE APERS?THEY SOUND FAMILIAR, BUT RAPPERS’ ORBIT BY MILES

It is about five minutes into Digable Planets’ brand-new superstardom, and already there’s a small problem. It’s not the group’s backbreaking schedule, full of interviews and coast-to-coast spots on the Arsenio and Letterman shows. Nor is it the cold that Digable Planet Ladybug has developed from shooting the group’s video…

DESERT-COOKED SOUNDS

One Foot in the Grave Lookin’ Good! Who’s Your Embalmer? (Triple X) Move over, California, Arizona now has the dubious distinction of being the novelty-rock-act capital of the world. We’ve even got both ends of the age spectrum covered–tots (Litl’ Willie) and the tottering (One Foot in the Grave). In…

BARON THEIR FANGS

To guitarist Dave Alvin, the Pleasure Barons mean a brush with a deadly, communicable disease. “During the first Pleasure Barons tour in 1989, I drank out of somebody else’s beer bottle at an after party,” Alvin says from Village Recorders, where he is working on his next solo recording. “Next…

HO-HUM HIP-HOPME PHI ME’S FOLKSY RAP IS A CRUISE DOWN THE EERIE BANAL

Strict ethnomusicologists say that the first great musical innovation came from prehistoric men blowing on bugs’ wings. And to the cave men, that probably sounded fine. We know that later in human history, Chuck Berry and Elvis Presley and the rest were fairly inspired when they mated hillbilly music with…