LOCAL RELEASES

This installment in New Times’ occasional review of local music product could be called “The Young and the Restless.” Along with a couple of debut tapes by young bands, we also take a look at a tape and a single by the recently split Cryptics, led by Valley music veteran…

FULL HOUSE, FIVE-SONG STUD

It was old hat and new house in downtown Phoenix this past Saturday night as neocountry godfather George Strait inaugurated the fresh, flashy digs at the new America West Arena. The young crowd, clad mostly in multigallon brims, achingly tight Wranglers and dead reptile and bird boots, began gathering in…

FATAL REFRACTION

The concept of a series of pop songs concerning the cancer deaths of two friends is dubious at best–likely to succeed neither as philosophical exploration nor as enduring pop. On his new album, Magic and Loss, however, Lou Reed, still one of rock’s most contradictory figures, comes impressively close to…

NOT EXACTLY EASY LISTENINGMETALLICA IS STILL HARD TO TAKE

Although he’s being diplomatic, Jason Newsted is thinking something a little more pointed about people who say Metallica’s gone soft. Part of his frustration comes from having to answer questions about how big the band has become, how tunes like “Enter Sandman” are pop and why the band that defined…

GIMME SHELF LIFE

It seems like only yesterday that the once-rebellious Mick Jagger uttered those portentous words, “I don’t want to be doing this when I’m 40.” Or was it 50? Either way, Jagger was speaking about music, of course, not business. Because when it comes to business, the Stones will never retire…

RUSHIN’ HOMETHE VULGAR BOATMEN HAVE A DOMESTIC POLICY ON ROCK

You and Your Sister, the first album from Gainesville, Florida’s Vulgar Boatmen, typified an emerging new movement in American alternative rock. Like New York’s Silos and Canada’s cult faves the Odds, the Vulgar Boatmen played music that had more in common with traditional rock ‘n’ roll than most 1980s pop:…

NO MORE HIDING IN THE HERD

Someone smart once said that the most courageous act an individual could make was to change his mind. Consider Buffalo Tom a courageous act. The Boston-based Buff Toms have a four-year rø¡esumø¡e of hard-charging guitar songs ranging in texture from crunch to grunge. The band’s 1989 debut was appropriately released…

TEXAS RIBBER

In lyric and life, on stage and in stereo, Robert Earl Keen Jr. is a very funny fellow. However, the Houston-born-and-bred musician with the cool, slightly quirky Southern tones and clever lyrics found nothing humorous about a poster heralding his appearance at one of his 150 road shows in 1991…

EVER ON SUNDAY

Remember Mork and Mindy? On that TV series, writers used Robin Williams’ alien to make trenchant observations about American culture. Because the lines came from Mork, they seemed amusing and thoughtful, not threatening. Several years ago, my wife and I hosted our own Mork. Only his name was Moulaye and…

THE BIRDS ARE THE WORD

Art and Aaron Neville were standing in the tunnel leading to the Celebrity Theatre stage. Like most headliners who take on local bands to fill out the bill, the Nevilles rarely know, let alone watch, their openers. But this night, the brothers had been drawn out of their dressing room…

COVER ME

Yo La Tengo does a cover of Fleetwood Mac’s Dreams” that’s so loving, so unexpectedly true to the spirit of the original that probably even Stevie Nicks would approve. The band also does a version of Lou Reed’s It’s Alright (The Way That You Live)” that bests the Cowboy Junkies’…

HOME BREW IIMORE SIPS FROM THE OVERRUNNING LOCAL CUP

As promised, here is the second half of the local tape and CD roundup, the first installment of which ran in February. Given the volume of local music we’ve been receiving, this feature may have to become a continuing series. To those bands wondering where the reviews of their cassettes…