Critic's Notebook

Bob Ravenscroft Trio

Bob Ravenscroft's latest, Intersections I, finds the accomplished pianist resting comfortably in what intimidates so many jazz cats: space. This modern-jazz album begins with "Dreams," a 14-minute tune that sets the moody formula for the Ravenscroft originals and rests between the stretched-out grooves of Keith Jarrett's famed trio and free-jazz...
Carbonatix Pre-Player Loader

Audio By Carbonatix

Reader support matters more than ever

We're in the final stretch of our summer campaign. Our goal is to raise $15,000 by August 9 to support the journalism our community relies on. Reader support is helping shape the future of local news.

$15,000

Bob Ravenscroft’s latest, Intersections I, finds the accomplished pianist resting comfortably in what intimidates so many jazz cats: space. This modern-jazz album begins with “Dreams,” a 14-minute tune that sets the moody formula for the Ravenscroft originals and rests between the stretched-out grooves of Keith Jarrett’s famed trio and free-jazz cramming assassins. Ravenscroft’s bold, full passages on his custom nine-foot piano — an instrument designed and built by Scottsdale’s Spreeman Piano Innovations and aptly named the “Ravenscroft” — are never short of passion and energy. And with the help of Steve Millhouse’s rich, heavy bass lines and percussionist Rob Schuh (who explores the contours of his kit with various drum whackers), the disc retains a spontaneity despite the minimalism — especially on “Velocities” — that’s perfect for the ponderer. From pleasing beginning to savory end, the Scottsdale-based musician demonstrates that space really is the place.

Never miss another concert announcement

Sign up for our free music newsletter. We’ve got the latest on the artists you love.

Loading latest posts...