Audio By Carbonatix
Keep Phoenix New Times Free
We’re aiming to raise $10,000 by April 26. Your support ensures New Times can continue watching out for you and our community. No paywall. Always accessible. Daily online and weekly in print.
Expectations are dangerous beasts; anyone expecting an update of Brazilian vocalist Cibelle’s debut is in for a shock. Fortunately, no one will feel let down — The Shine of Dried Electric Leaves proves as ingenious as the title. Whereas the killer Cibelle was the very definition of post-Suba electronica, The Shine borrows from 50 years of Brazilian stylings in the creation of something utterly unique. The fun, wistful “London, London,” a call-and-response English track with Devendra Banhart, is reminiscent of the bossa nova Gilberto made famous; “Arrête là, Menina,” with Seu Jorge, is equally impressive. And a distorted, Mutantes-esque “Mad Man Song” features the most luscious hook imaginable. However, Cibelle’s true depth arises in balladry: “City People,” a slow acoustic number blossoming into well-articulated crescendos, and “Phoenix,” The Shine‘s most heartfelt, heartbreaking number. With all the tasteful buzz and crackle throughout the record, the most basic still matters most: a guitar, voice, and passion for music.