Critic's Notebook

Jason Mraz

Admittedly I'm a little bit behind on my Dave Matthews clones -- once he quit the Blues Traveler harping of his earlier hits, I couldn't even tell the DMB from Hootie. Then came that John Mayer guy who performed at the Grammys honoring James Taylor, mumbling his hit "Your Body...
Carbonatix Pre-Player Loader

Audio By Carbonatix

Independent Journalism in Phoenix Needs You

We need to raise $15,000 by August 9 to support the reporting our community depends on. Reader support keeps us independent and is playing a larger role in funding local journalism and shaping what comes next. If you believe independent local journalism matters, make a contribution today.

$15,000

Admittedly I’m a little bit behind on my Dave Matthews clones — once he quit the Blues Traveler harping of his earlier hits, I couldn’t even tell the DMB from Hootie. Then came that John Mayer guy who performed at the Grammys honoring James Taylor, mumbling his hit “Your Body is a Rollercoaster” (or whatever that soggy-ass song was called), and it seemed a complete affront to Taylor, who articulates every syllable like he’s sipping a mint julep. Now there’s this Jason Mraz (pronounced morass) guy whose hit “Remedy (What Me Worry)” (or something like that) had me saying something about white skinny folkers making everything sound like it’s a UB40 song. With no end of hubris in sight, Mraz has not only a new album called Mr. A-Z, where he’s trying to be synonymous with our home state, but also a sophomore-jinx-breaking single, in which he insists he doesn’t mumble and also crowns himself “the Wizard of oohs and aahs and fa la las.” Has no one consulted Smokey Robinson? Jeez, demand a recount!

Never miss another concert announcement

Sign up for our free music newsletter. We’ve got the latest on the artists you love.

Loading latest posts...