Other songs tackled by Dawson share a strange trait: Having the same name as other, much better, songs. "Crazy" by Kenny Rogers makes a showing, but when I first read it I thought I was in for the Willie Nelson classic of the same name. "Love Song of the Year" shows up, too, but it's not the Elvis Presley song of the same name, it's a tune of unknown origin. Even the Dawson penned album-opening zinger, "Let Your Fingers Do the Walking," shares its title with a Black Flag spoken word piece, released one year before Love Letters.
All tracks are performed in the same chintzy manner. Glossy 80's production means tinny drums, synth-doubled pedal steel, and tacky keys, all of which mar any of the emotional content Dawson was reaching for. It literally sounds like he's singing along with a karaoke machine. But Dawson's voice is actually pretty stellar, even against such an uninspired backdrop. His vocals on album closer "Crazy" are inspiring, hinting at a depth previously not displayed on the record.
If the man had a decent back-up band and broader distribution coupled with the chiseled good looks of, say, George Strait, or even the kind of weird looks of an Eddy Raven, Dawson could have been a contender. Alas, it wasn't in the cards for him, but then again, Dawson probably didn't play cards much. Too seedy, he'd say. Guess his Obscuro status was just part of the Big Man's plans.
Details: Lane Dawson, Love Letters; released in 1985 on Shalom Productions. Recorded & remixed at Oak Valley Sound in Nashville, Tennessee.
Google Search Reveals: According to U.P. Grooves, a Michigan based blog that attempts "to chronicle every commercially-released record, pre-1987, with a connection to the Upper Peninsula (U.P.) of Michigan," Lane released other solo album, Sings More Songs of Praise, and a couple of singles with a band called "The Dawson Boys," which included Jim DeClaire, who went on to form Da Yoopers, who blessed the world with this hilarious Christmas tune and video :
Shalom Productions, meanwhile, doesn't bring up any discernible results, and its doubtful that this Shalom Productions, a South-Florida production company that creates shows about Jewish life and culture has anything to do with the Christian/Gospel label that released Love Letters.
Who Bought This?: While I'm sure the need for squeaky clean Country music existed in the 80s, I don't see this one flying off the shelves at Christian bookstores, as there are few overt references to God or Christianity. I imagine those who picked this up were into the country scene in Michigan, who no-doubt listened to this one by the fire with a warm mug of cider.
But maybe I'm wrong! Did you ever hear Love Letters? See Lane Dawson perform? Have a copy of Lane Dawson and the Lawson Boys' b-side "By the Time I Get to Phoenix" (one of my all-time favorite cuts, especially as performed by Issac Hayes)? Please leave any available info in the comments section. In the mean time, enjoy "Crazy" by Lane Dawson.
Keep Phoenix New Times Free... Since we started Phoenix New Times, it has been defined as the free, independent voice of Phoenix, and we would like to keep it that way. Offering our readers free access to incisive coverage of local news, food and culture. Producing stories on everything from political scandals to the hottest new bands, with gutsy reporting, stylish writing, and staffers who've won everything from the Society of Professional Journalists' Sigma Delta Chi feature-writing award to the Casey Medal for Meritorious Journalism. But with local journalism's existence under siege and advertising revenue setbacks having a larger impact, it is important now more than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" membership program, allowing us to keep covering Phoenix with no paywalls.