Lita Ford Crosses the Generation Gap with a Diverse Live Show

Keep New Times Free
I Support
  • Local
  • Community
  • Journalism
  • logo

Support the independent voice of Phoenix and help keep the future of New Times free.

Lita Ford is a bitch.

Her words, not ours: She's touting the title track of her new album, The Bitch Is Back . . . Live.

"I heard [the original song] on the radio, and it just came tumbling down on me like a ton of bricks: 'Hello! Please record me, you dumb bitch. This is your song!'" she says from her Los Angeles home. "It was a no-brainer."

The Elton John song — revved up with nasty guitar power chords — in place of John's boogie-infused piano — opens the album. Ford says she typically opens shows with it, as it helps bridge the generation gap in her audience.

"A lot of people from the older generation are familiar with 'The Bitch Is Back.' I see it in their faces. They sing along," she says. "The younger generation have never heard it before and are hearing my version for the first time. I've got this whole group of people from different generations latching on to this song. It works."

What also works is the method employed for the live album. Unlike most live albums, pieced together from the best moments of a tour, Ford's first is a single concert recorded at the Canyon Club in Agoura Hills, California, in October 2012. It's a full-force Lita Ford showcase, warts and all.

"We recorded it all in one go because we wanted the listeners to feel like they were there," she says. "If you put on the headphones, you can hear stuff in the background — people talking, stuff dropping, people walking across the stage. You're really there.

"We just came off tour and into a little club in our hometown and just decided to record it. It was really a spur-of-the-moment, last-minute decision," she adds. "We just did it as a dedication to the fans — one show recorded all the way through in one shot."

If the live album title is at all autobiographical, one can only hope the name of her previous album, Living Like a Runaway, isn't. In the 34 years since her first group, the seminal all-girl hard-rock band The Runaways, also featuring Joan Jett and singer Cherie Currie, disbanded, Ford has built a solid career. Yet it's clear she remains somewhat bitter about her early experiences.

"Did being in the Runaways live up to my expectations? No, not really. I didn't realize the shit we'd have to eat being in a young rock band just starting out," she says. "The Runaways didn't make that much money — at least not the girls. The money was in the hands of the managers."

When differences over musical direction broke up the band in 1979, Ford looked to her musical idols — Jimi Hendrix, Ritchie Blackmore, and Johnny Winter — for inspiration. She wanted to make a statement as a solo artist and believed the only way do that was sing and play guitar.

"There was no way I was going to put down my guitar," she says. "When I couldn't find a singer to sing the way I had hoped a singer would sound like, I had to teach myself to sing. Singing and playing guitar, man, that's a lot of weight to carry."

But could she break through in a genre dominate by male acts?

"It was a man's world — still is," she says flatly. "I think the breaking point was when I released my first album [1983's Out for Blood]. There were no female guitar players fronting a three-piece band [back then]. It drew a lot of attention. I was off and running."

Keep Phoenix New Times Free... Since we started Phoenix New Times, it has been defined as the free, independent voice of Phoenix, and we would like to keep it that way. Offering our readers free access to incisive coverage of local news, food and culture. Producing stories on everything from political scandals to the hottest new bands, with gutsy reporting, stylish writing, and staffers who've won everything from the Society of Professional Journalists' Sigma Delta Chi feature-writing award to the Casey Medal for Meritorious Journalism. But with local journalism's existence under siege and advertising revenue setbacks having a larger impact, it is important now more than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" membership program, allowing us to keep covering Phoenix with no paywalls.

We use cookies to collect and analyze information on site performance and usage, and to enhance and customize content and advertisements. By clicking 'X' or continuing to use the site, you agree to allow cookies to be placed. To find out more, visit our cookies policy and our privacy policy.


Join the New Times community and help support independent local journalism in Phoenix.


Join the New Times community and help support independent local journalism in Phoenix.