M83

As a nation, no one does much better at total sonic immersion than the French. In their soundtrack to Sofia Coppola's The Virgin Suicides and on the underrated 10,000 Hz Legend, Parisian down-tempo maestros Air created a world of luxe melancholy draped in moody prog-rock guitar; on their fine new...

By Mikael Wood

September 2, 2004

[
        {
          "name": "Air - MediumRectangle - Inline Content - Mobile Display Size",
          "component": "18478561",
          "insertPoint": "2",
          "requiredCountToDisplay": "2"
        },{
          "name": "Editor Picks",
          "component": "16759093",
          "insertPoint": "4",
          "requiredCountToDisplay": "1"
        },{
          "name": "Inline Links",
          "component": "17980324",
          "insertPoint": "8th",
          "startingPoint": 8,
          "requiredCountToDisplay": "7",
          "maxInsertions": 25
        },{
          "name": "Air - MediumRectangle - Combo - Inline Content",
          "component": "16759092",
          "insertPoint": "8th",
          "startingPoint": 8,
          "requiredCountToDisplay": "7",
          "maxInsertions": 25
        },{
          "name": "Inline Links",
          "component": "17980324",
          "insertPoint": "8th",
          "startingPoint": 12,
          "requiredCountToDisplay": "11",
          "maxInsertions": 24
        },{
          "name": "Air - Leaderboard Tower - Combo - Inline Content",
          "component": "16759094",
          "insertPoint": "8th",
          "startingPoint": 12,
          "requiredCountToDisplay": "11",
          "maxInsertions": 24
        }
      ]

As a nation, no one does much better at total sonic immersion than the French. In their soundtrack to Sofia Coppola's The Virgin Suicides and on the underrated 10,000 Hz Legend, Parisian down-tempo maestros Air created a world of luxe melancholy draped in moody prog-rock guitar; on their fine new Alphabetical, stylish pop-rockers Phoenix evoke a totally inhabitable Miami Vice of the mind. Dead Cities, Red Seas & Lost Ghosts, the second album by Antibes' M83 -- bedroom producers Anthony Gonzalez and Nicolas Fromageau, with occasional help from assorted friends -- belongs to this tradition, too. It's an album of formless but gorgeous post-shoegaze atmospherics: synths that crinkle like guitars, guitars that ooze like synths, disembodied vocal oohs and aahs, digital percussion less committed to timekeeping than storm-centering. If it's songs you're after here, bring your binoculars. But as Fromageau's name suggests, Dead Cities offers some of the creamiest textural cheese this side of Jean Michel Jarre.

KEEP NEW TIMES FREE... Since we started New Times, it has been defined as the free, independent voice of Phoenix, and we'd like to keep it that way. Your membership allows us to continue offering readers access to our incisive coverage of local news, food, and culture with no paywalls. You can support us by joining as a member for as little as $1.