Critic's Notebook

Of Montreal

As you've undoubtedly heard, now is a good time to be of Montreal -- just ask such critically slurped bands as the Arcade Fire, Stars, and Broken Social Scene. It's also a good time to be Of Montreal, the colorful Athens, Georgia, psych-pop band fronted by ever-clever songsmith Kevin Barnes,...
Carbonatix Pre-Player Loader

Audio By Carbonatix

Advertising Can't Do It Alone

The challenges facing local news organizations are very real. That's why reader support matters more than ever. If you believe independent journalism matters, make a contribution today and help us reach our summer fundraising goal of $15,000 by August 9.

$15,000

As you’ve undoubtedly heard, now is a good time to be of Montreal — just ask such critically slurped bands as the Arcade Fire, Stars, and Broken Social Scene. It’s also a good time to be Of Montreal, the colorful Athens, Georgia, psych-pop band fronted by ever-clever songsmith Kevin Barnes, a Willy Wonka-like figure who easily draws you into his musical world, alive with kaleidoscopic Ray Davies/Andy Partridge-style melodies and arrangements, but whose surreal twinkle reveals something vaguely unsettling behind all that unbridled giddiness. The Sunlandic Twins — Of Montreal’s seventh studio album — is one of the group’s best and most addictive, benefiting from both that happy/malevolent juxtaposition and a sparkling instrumental palette, diverse enough to include jangly guitar fuzz, flanged-out disco-pop grooves, akimbo rhythms, George Harrison-worthy slide solos, big-top-organ interludes, and blippy nu-wave synth doodles. Judging by that, something wickedly good this way comes, as Of Montreal plays in the Valley this weekend.

Never miss another concert announcement

Sign up for our free music newsletter. We’ve got the latest on the artists you love.

Loading latest posts...