Details about each of these shows can be found below in our list of the best concerts happening in the Valley this weekend. And for even more live music happening around town, hit up Phoenix New Times' online concert calendar.
ForeignerFriday, June 7
The Pool at Talking Stick Resort in Scottsdale
The criticism that Foreigner have to face is much the same as that fielded by Journey and Boston: The current lineup touring under the classic band name bears little resemblance to the group of people responsible for recording the hits that created the brand in the first place. At least Foreigner, unlike both Journey and Boston, didn’t find its new singer online. But still, guitarist Mick Jones is the only member who was in Foreigner prior to the 1990s, and guitarist/saxophonist Thom Gimbel is the only other one there prior to 2000.
Those sorts of wholesale changes will inevitably lead to some “glorified tribute band” claims that are tough to debate. In defense of Mick Jones, he has assembled a band that has retained the spirit of the original group. Foreigner will be at Talking Stick Resort on Friday night for an outdoor show by the pool. It starts at 8 p.m. and tickets are $25 to $125. Brett Callwood
Snow Tha ProductFriday, June 7
Despite the success of artists like Cardi B, female rappers are still rare in the current hip-hop landscape, and LGBT ones even rarer. But times are changing, which we hope means talents like Snow Tha Product will finally see more success. Born Claudia Feliciano, Snow was a social work student before she began to pursue music in the late 2000s. She’s known for her rapid-fire rapping style and for performing in both English and Spanish. Recent projects include the mixtape Vibe Higher, a role on the USA Network show Queen of the South, and a spot on The Hamilton Mixtape. Smeared Lipstick Crew will join her at The Pressroom. The show starts at 7 p.m. Tickets are $23 to $35. Douglas Markowitz
JD SoutherFriday, June 7, and Saturday, June 8
Musical Instrument Museum
Many folks probably only learned about the great songwriter JD Souther because of his stint on the ABC prime-time drama Nashville, which is as unfortunate as his character's name, Watty White. His role as a revered Music Row insider on the hit show is only his second most interesting television appearance of late: In Showtime's documentary The History of The Eagles, Souther's artful contributions are well-detailed, as he's responsible for many of the wildly popular but polarizing California country-rock band's best-known hits.
His work includes the driving "How Long," the only listenable song on the Eagles' last album, The Road Out of Eden. In the early 1970s, Souther was a part of the Souther-Hillman-Furay Band. Along with his bandmates at the time, Chris Hillman (The Byrds and Flying Burrito Brothers) and Richie Furay (Buffalo Springfield), Souther helped define what is now known as alt-country by mixing sweet harmonies and arrangements that could waltz along or rock about. Indeed, Souther's music is what makes him worth knowing about — not the fact that he was once on a show with the cheerleader from Heroes. His performances at the MIM each start at 7:30 p.m. Tickets are $48.50 to $63.50. Kelly Dearmore
Rich the KidSaturday, June 8
The Van Buren
From challenging other rappers and local skaters to a game of Skate to being the CEO of his Rich Forever Music label, Rich the Kid does it all. Being in control of business is something the Queens-born rapper takes to heart, hence the title of last year’s The World Is Yours and this year’s follow-up The World Is Yours 2. After a having a big year in 2018, including the major successes of singles “New Freezer” and “Plug Walk," his 2019 is off to a great start with the release of tracks like “4 Phones” and “Tic Toc.” He’ll be at The Van Buren on June 8 with support from NLE Choppa, Yung Bino, and 83 Babies. Julio Lugo
JAUZSaturday, June 8
The Pool at Talking Stick Resort in Scottsdale
It’s a good time to be JAUZ. After all, DJ and producer Sam Vogel is fresh off a Coachella set that broke the EDM corner of the Internet with a remix of the kids’ song “Baby Shark.” (“I still have dust in my nose and throat, but I’ll get over it,” he says.) When he wasn’t actively on stage at the festival, he was canoodling with friends you know better as superstar producers.
For the record, Vogel was not particularly interested in doing a remix of “Baby Shark.” Fans had been asking; after all, it’s a popular song about sharks, his branding is all sharks everything, so, um, where is it? He refused outright, then acquiesced — sort of — by offering to do it under the condition that his fans retweet his offer 20,000 times.
Vogel’s genre-bending blend of trap, bass house, and dubstep has since launched him into the EDM stratosphere. He founded his own label-slash-collective, Bite This, in November 2017, releasing singles from rising British bass line producers Holy Goof and ATRIP, future house duo Loge21, and “digital renegade” duo Pixel Terror. He releases his own music on Bite This Too, including debut studio album The Wise and the Wicked, an ambitious pop-facing record peppered with bizarre monologues that err on the side of standard-issue stoner philosophizing and chronicle humanity’s return from some version of the apocalypse. Elle Carroll
DaBabySaturday, June 8
For those having trouble keeping up with the ever-shifting hip-hop landscape, DaBaby is definitely one to know. The rapper from Charlotte, North Carolina, has been making major waves this year and already boasts a rabid fan base that will undoubtedly be lit at his June 8 performance at The Pressroom.
The 27-year-old gained initial fame with his breakout hit “Baby on Baby,” filled with energetic rhymes and creative lyricism. He has been on the map for a few years, linking up with South Coast label CEO Arnold Taylor in 2016, who connected him with Interscope executives this year. DaBaby inked a deal with the major label in January and quickly has become a force to be reckoned with.
His debut album, named for his first major hit, was released this past March to critical acclaim. It earned an impressive 7.7 on Pitchfork’s notorious album review chart, and its 13 tracks reveal an ascendant raw talent.
Many will argue that a good test of an artist’s rap chops is freestyling, a skill DaBaby effortlessly checks off his list. Last month, he stopped by Power 106 in Los Angeles to fire off a freestyle with the musical group The L.A. Leakers, in which he floated over the beat to the hit “Act Up” by Miami's City Girls. Off the cuff, he delivered impeccable bars that showed off not only his lyrical ability but also his charming and lighthearted personality. Anna Hopkins