Critic's Notebook

Pinback

Pinback's most recent album, Summer in Abaddon, is more than a year and a half old, but it speaks volumes about the state of indie rock -- and how a bit of subtlety and ingenuity can still raise eyebrows. Whereas its counterparts pile distortion onto heaps of four-chord guitar, Pinback...
Carbonatix Pre-Player Loader

Audio By Carbonatix

Independent Journalism in Phoenix Needs You

We need to raise $15,000 by August 9 to support the reporting our community depends on. Reader support keeps us independent and is playing a larger role in funding local journalism and shaping what comes next. If you believe independent local journalism matters, make a contribution today.

$15,000

Pinback’s most recent album, Summer in Abaddon, is more than a year and a half old, but it speaks volumes about the state of indie rock — and how a bit of subtlety and ingenuity can still raise eyebrows. Whereas its counterparts pile distortion onto heaps of four-chord guitar, Pinback — Armistead Burwell Smith IV, Rob Crow and a squad of rotating musicians — utilizes complex song structures and clandestine melodies to create a three-dimensional sound that’s as impressive in the shadows as it is in the light. But though the arrangements are lush and thick, this isn’t atmospheric music — it’s rock that never lost its individuality.

Never miss another concert announcement

Sign up for our free music newsletter. We’ve got the latest on the artists you love.

Loading latest posts...