Critic's Notebook

Prefuse 73

Scott Herren's recent work has drawn criticism for sounding too similar to his early breakthrough recordings (particularly Vocal Studies + Uprock Narratives). He often uses the same melodies -- a soft, melodic arpeggio of keys -- on all of his recordings, a tendency that frequently appears on Security Screenings, his...
Carbonatix Pre-Player Loader

Audio By Carbonatix

Advertising Can't Do It Alone

The challenges facing local news organizations are very real. That's why reader support matters more than ever. If you believe independent journalism matters, make a contribution today and help us reach our summer fundraising goal of $15,000 by August 9.

$15,000

Scott Herren’s recent work has drawn criticism for sounding too similar to his early breakthrough recordings (particularly Vocal Studies + Uprock Narratives). He often uses the same melodies — a soft, melodic arpeggio of keys — on all of his recordings, a tendency that frequently appears on Security Screenings, his latest effort as Prefuse 73, also. Herren is too good a producer to make a truly bad album. The chopped loops of Prodigy’s diatribe on Mobb Deep’s The Infamous through “Weight Watching,” and the quirky bounce beat jumping underneath “With Dirt and Two Texts: Later Version With Love,” are proof of his superior technical abilities. But nearly all of Security Screenings‘ tracks use a similar melodic scheme, buffing away at any legitimate innovations in his work. Only a few of the tracks — the noisy sound mashing of “No Origin” in particular — point toward a fresh, unexplored direction in his work.

Never miss another concert announcement

Sign up for our free music newsletter. We’ve got the latest on the artists you love.

Loading latest posts...