"We want to do psychological thrillers; we wanna do dramas," Taylor says. "We don't want our company to be pigeon-holed as a machine to create bad horror films. We want to do it all. We want to do it our way."

What might "our way" entail?

"Me and Clown have been threatening to get into the movie industry for quite some time," Taylor laughs. "That's really the only way to put it. We're just really big fans of the movies and art, and movies that stir something in you. He's the budding director and I'm the guy who is the fanatic, interested in the story and where it goes and character development."

Heavy metal and horror have a share a storied history. Both are extreme, the kind of platforms that appeal to the misfits and the adventurous. The dual art forms have indirectly and directly influenced each other drastically over the decades. Yeah, there's a heavy metal in horror movies, but what do you know about horror movies in heavy metal? There's a ton of songs based on splatter-fests. After all, your favorite hardass musicians is probably a horror fan.

A couple cases in point? " Red Rum" by Lizzy Borden (The Shining, obviously); "He's Back (The Man Behind The Mask)" by Alice Cooper (Friday the 13th Part VI: Jason Lives); "Dream Warriors" by Dokken (A Nightmare on Elm Street 3: Dream Warriors); "Godzilla" by Blue Oyster Cult; "Why Was I Born (Freddy's Dead)" by Iggy Pop; "Rosemary's Baby" by Fantomas; "Texas Chainsaw Massacre" by the Ramones. We easily could keep going.

In recent decades, Rob Zombie's defined the connection, with music and films that interest and crisscross. "House of 1,000 Corpses", "Run Rabbit Run", "Little Pig," and "Pussy Liquor" (House of 1,000 Corpses), The Devil's Rejects, Halloween, and The Haunted World of El Superbeasto.

Even one of the bands birthed heavy metal is named for a horror flick: Black Sabbath was originally named Earth, but then they discovered that there was another English group (current American drone band Earth does not seem to have the same problem). In 1963, a cinema across the street from the band's practice space was showing the Boris Karloff's 1963 film Black Sabbath. The band was intrigued as to why so many people stood in line to see it, which inspired the lyrics for the song "Black Sabbath." Coupled with the devil's interval, the musical tritone that gives metal its dark and unsettling sound, Black Sabbath's image went into an entirely new (and darker) direction.

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Heavy metal and horror have a common past, one that has wavered between weak and strong. And now, it truly seems that that genre might be saved from redundancy by music's redheaded stepchild. Maybe it's just a blip in the life cycle of unique horror, or maybe it's because there really is a resurgence of the bloody disgusting, masked stalker too-brutal-to-care, thrash metal during stabbings, twisted-and-turning storyline. Either way, I'm hoping that that classic, raw, no-need-for-expensive production movies make a comeback, lead by people like Taylor and Crahan.

"We decided that it was time to put our money where our mouth is, and start to put movies out there as well," Taylor says. "It's not just sitting back and being a critic, but it's helping create something and put it out in the world to shake things up a bit, and that's what we plan to do."

Slipknot is scheduled to perform Friday, July 6, at Ashley Furniture HomeStore Pavilion.