Audio By Carbonatix
Artist: The RootsTitle: How I Got OverRelease date: June 22Label: Def Jam
As we inch closer to the midway point of 2010, the fine gentlemen over at one of Up on the Sun’s favorite blogs, Electric Mustache, have posted their top 10 records of the year. They’ve got two lists up there, one for each of the dudes running the site. I like that one of the guys has the Liars’ record and the Surfer Blood record on there. But Sleigh Bells? Whoa, that is one shitty band.
Anyway, those two listen to a lot of music. I wonder what they think of the new Roots record, How I Got Over. I think it’s pretty cool, and a lot better than what I’d expected — easily the best hip-hop record I’ve listened to this year.
This probably isn’t news to people familiar with The Roots (which doesn’t include me), but this is one whip-crackingly great rhythm section. I could listen to The Roots’ drummer play all day long — pretty badass. And though I don’t usually care about “socially conscious” popular music (generally, I think that if you’re all about your message, then your music’s going to suffer; that’s why there never has been and never will be a good Christian rock act), The Roots offer a pleasant alternative to the usual pablum we must all deal with in mainstream hip-hop.
I certainly love that The Roots are an actual band creating hip-hop. It sounds so much more interesting to me than does sampled and digitally rendered hip-hop, and I wonder why more hip-hop acts don’t do it the way The Roots do it. These guys are able to color their hip-hop with soul (both old-school and contemporary) and even some jazz to sound like the most dynamic hip-hop band going.
And they get extra credit for making the normally execrable Joanna Newsom sound pretty good, on the collaboration “Right On.”
The Roots – Right On (Feat. Joanna Newsome & STS) by ToastedRobots
Best song: “Dear God 2.0,” a collab with Monsters of FolkRotation: MediumI’d rather listen to: Sharon Jones and the Dap-KingsGrade: B+
“Nothing Not New” is a yearlong project in which New Times editorial operations manager Jay Bennett, a 41-year-old music fan and musician, will listen only to music released in 2010. Each Monday through Friday, he will listen to one new record (no best ofs, reissues, or concert recordings) and write about it. Why? Because in the words of his editor, Martin Cizmar, he suffers from “aesthetic atrophy,” a wasting away of one’s ability to embrace new and different music as one ages. Read more about this all-too-common ailment here.
The “Nothing Not New” Archives
June 21 — Danzig: Deth Red Sabaoth (D)
June 18 — The Chemical Brothers: Further (B+)June 17 — Eyes Set to Kill: Broken Frames (C)June 16 — Devo: Something for Everybody (B+)June 15 — The Gaslight Anthem: American Slang (C-)June 14 — Tom Petty and the Heartbreakers: Mojo (C)
June 11 — Odds ‘n’ Sods: The Dig, The Cringe, Delta Spirit, Stereo Total, and moreJune 10 — Gemma Ray: It’s a Shame About Gemma Ray (A-)June 9 — Ariel Pink’s Haunted Graffiti: Before Today (B)June 8 — Against Me!: White Crosses (C)June 7 — Blitzen Trapper: Destroyer of the Void (B-)
June 4 — The Melvins: The Bride Screamed Murder (B-)June 3 — Crystal Castles: Crystal Castles II (B-)June 2 — The Cool Kids: Tacklebox (B-)
May 27 — What Cheer? Brigade: We Blow You Suck (D)May 26 — Stone Tempe Pilots: Stone Temple Pilots (C)May 25 — Karen Elson: The Ghost Who Walks (C+)May 24 — Damien Jurado: Saint Bartlett (B)
May 21 — Woven Bones: In and Out and Back Again (B-)May 20 — Band of Horses: Infinite Arms (B-)May 19 — Sleigh Bells: Treats (D-)May 18 — The Black Keys: Brothers (B+) May 17 — LCD Soundsystem: This Is Happening (A-)
May 14 — Odds ‘n’ Sods: CocoRosie, Natalie Merchant, The Sadies, and moreMay 13 — Male Bonding: Nothing Hurts (B)May 12 — Flying Lotus: Cosmogramma (B-)May 11 — The Dead Weather: Sea of Cowards (A)May 10 — The National: High Violet (B+)
May 7 — Shapiro: Shapiro (C)May 6 — Gogol Bordello: Trans-Continental Hustle (C-)May 5 — Broken Social Scene: Forgiveness Rock Record (A-)May 4 — The New Pornographers: Together (B-)May 3 — The Hold Steady: Heaven Is Whenever (A-)
April 30 — Sharon Jones & the Dap-Kings: I Learned the Hard Way (A)April 29 — Hole: Nobody’s Daughter (D+)April 28 — Odds ‘n’ Sods: Toro y Moi, Merle Haggard, Freedy Johnston, and moreApril 27 — Unnatural Helpers: Cracked Love & Other Drugs (B+)April 26 — Harlan T. Bobo: Sucker (A-)
April 23 — Roky Erickson and Okkervil River: True Love Cast Out All Evil (A-)April 22 — Caribou: Swim (D)April 21 — The Apples in Stereo: Travellers in Space and Time (C-)April 20 — Jakob Dylan: Women + Country (D+)April 19 — Cornershop: Judy Sucks a Lemon for Breakfast (C)
April 16 — Frightened Rabbit: The Winter of Mixed Drinks (B+)April 15 — Coheed and Cambria: Year of the Black Rainbow (D-)April 14 — Foxy Shazam: Foxy Shazam (D, later changed to a B)April 13 — MGMT: Congratulations (B+)April 12 — Odds ‘n’ Sods: Robyn Hitchcock, RJD2, Scorpions, and More
April 9 — Murder by Death: Good Morning, Magpie (B-)April 8 — Harlem: Hippies (C+)April 7 — Slow Club: Yeah, So (B)April 6 — Black Francis: NonStopErotik (B+)April 5 — Growing: Pumps! (F)
April 2 — Holly Golightly and the Brokeoffs: Medicine County (B)April 1 — Dum Dum Girls: I Will Be (A-)March 31 — The Dillinger Escape Plan: Option Paralysis (B+)March 30 — Local Natives: Gorilla Manor (B)March 29 — The Bird and the Bee: Interpreting the Masters: Hall & Oates (C)
March 26 — Eddy Current Suppression Ring: Rush to Relax (C+)March 25 — Let’s Wrestle: In the Court of the Wrestling Let’s (B)March 24 — Goldfrapp: Head First (D)March 23 — She & Him: Volume 2 (A-)March 22 — Broken Bells: Broken Bells (C+)
March 19 — Locksley: Be In Love (B)March 18 — jj: jj no. 3 (C-)March 17 — Xiu Xiu: Dear God, I Hate Myself (D+)March 16 — Drive By Truckers: The Big To-Do (B-)March 15 — April Smith and the Great Picture Show: Songs for a Sinking Ship (C)
March 12 — The Morning Benders: Big Echo (C+)March 11 — Black Rebel Motorcycle Club: Beat the Devil’s Tattoos (B)March 10 — Acrassicauda: Only the Dead See the End of War (C-)March 9 — Titus Andronicus: The Monitor (B+)March 8 — Ted Leo and the Pharmacists: The Brutalist Bricks (A)
March 5 — Liars: Sisterworld (A-)March 4 — Gorillaz: Plastic Beach (A-)March 3 — Johnny Cash: American VI: Ain’t No Grave (B+)March 2 — High on Fire: Snakes for the Divine (C)March 1 — Joanna Newsom: Have One on Me (C)
Feb. 26 — Freeway & Jake One: The Stimulus Package (D)Feb. 25 — Past Lives: Tapestry of Webs (B-)Feb. 24 — Shout Out Louds: Work (B)Feb. 23 — Brian Jonestown Massacre: Who Killed Sgt. Pepper? (B+)Feb. 22 — Shearwater: The Golden Archipelago (D+)
Feb. 19 — The Strange Boys: Be Brave (B+)Feb. 18 — Tindersticks: Falling Down a Mountain (A)Feb. 17 — Lightspeed Champion: Life Is Sweet! Nice to Meet You (C-)Feb. 16 — Adam Green: Minor Love (B-)Feb. 15 — Juliana Hatfield: Peace & Love (B+)
Feb. 12 — Massive Attack: Heligoland (C-)Feb. 11 — The Watson Twins: Talking to You, Talking to Me (C-)Feb. 10 — Hot Chip: One Life Stand (B+)Feb. 9 — You Say Party! We Say Die!: XXXX (B+)Feb. 8 — Allison Moorer: Crows (B)
Feb. 5 — Joe Pug: Messenger (C)Feb. 4 — The Soft Pack: The Soft Pack (A)Feb. 3 — Polysics: Absolute Polysics (B-)Feb. 2 — Pierced Arrows: Descending Shadows (A-)Feb. 1 — The Brunettes: Paper Doll (B-)
Jan. 29 — Basia Bulat: Heart of My Own (C)Jan. 28 — Priestess: Prior to the Fire (B)Jan. 27 — The Magnetic Fields: Realism (B)Jan. 26 — Four Tet: There Is Love in You (D)Jan. 25 — Delphic: Acolyte (C+)
Jan. 22 — The Hot Rats: Turn Ons (B+)Jan. 21 — Los Campesinos!: Romance Is Boring (A-)Jan. 20 — Midlake: The Courage of Others (D-)Jan. 19 — Laura Veirs: July Flame (B+)Jan. 18 — Beach House: Teen Dream (C)
Jan. 15 — Charlotte Gainsbourg: IRM (B)Jan. 14 — OK Go: Of the Blue Colour of the Sky (D)Jan. 13 — Eels: End Times (A-)Jan. 12 — Spoon: Transference (B)Jan. 11 — Editors: In This Light and On This Evening (D+)
Jan. 8 — Surfer Blood: Astro Coast (B+)Jan. 7 — Yeasayer: Odd Blood (C-)Jan. 6 — Cold War Kids: Behave Yourself EP (B+)Jan. 5 — Vampire Weekend: Contra (D+)Jan. 4 — Texas Tornados: Está Bueno! (B)
