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Stone and Carell are Ace, but Battle of the Sexes Too Often Faults

In Battle of the Sexes, Jonathan Dayton and Valerie Faris’ film rehashing the most infamous tennis match in modern history, Billie Jean King (Emma Stone) must brawl with the coed United States Tennis Association for equal pay as she comes to terms with her attraction to women and what might be...
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Don’t Expect Naomi Watts’ Gypsy To Be Your New Erotic-Drama Addiction

Hollywood has many more outstanding actors than it does outstanding scripts. That’s the only way to explain Naomi Watts’ career, which launched stateside with a masterful twin performance in David Lynch’s Mulholland Drive. Even with a pair of Oscar nominations, though, the actress has spent years languishing in Nondescript Mom...
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The Trip to Spain Feasts Upon its Stars’ Fear of Obsolescence

Once more, into the Brie — or, in this case, the Manchego. For the third time, now, for Steve Coogan and Rob Brydon, it’s the feast as improv proving ground, the sumptuous meal as arena of competitive discernment: Who can better parse and parody the particularities of some beloved British...
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The Al Gore Sequel is More a Tragedy Than an Inconvenience

It’s hard to imagine a less promising film title than An Inconvenient Sequel. Maybe Another Imposition Upon Your Time? It’s clear, in the opening minutes, as we watch him shake off the slights and smears of his critics, that Al Gore is too savvily upbeat a technocrat to give the...
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Colossal Has a Big Idea, but It Quickly Shrinks

Two seemingly incongruous categories — the small-scale romantic doodle and the rampaging-creature feature — are brought together in Nacho Vigalondo’s Colossal, a film that never really fulfills the potential of its adventurous premise. This monster mash-up argues the opposite of what Humphrey Bogart declared in Casablanca: The problems of two...