By Melissa Fossum
By Lauren Wise
By New Times
By Amanda Savage
By Jason P. Woodbury
By Troy Farah
By New Times
As a much-needed alternative to what's expected to be another annual celebration of the utterly banal -- Hootie and the Blowfish are the "big" attraction at the Tempe event this year -- Modified impresario Scott Tennent has announced dates for the second annual Modifest. The 2000 version of the multi-evening, year-end concert series is set for December 28 through 30 at -- where else? -- Modified. During the rest of the year, the downtown performance space -- which does not serve alcohol -- doubles as both performance venue and art gallery.
"I mean, nobody's going to want to be at a non-alcohol venue on New Year's Eve," says Tennent. "But we wanted to set up [Modifest] more as a way to celebrate the end of the year with a nice little burst of shows and bands."
Though the complete lineup has not been finalized, 5 Speed will be headlining the first night of the festival, with Reuben's Accomplice members Chris Corak and Jeff Bufano doing the honors the following evening with a special acoustic performance. Fightshy brings down the curtain on the proceedings with a closing slot on December 30.
Tennent also confirms the possibility that Modifest will double as a CD release party for the long-awaited compilation disc Not One Light Red: A Modified Document. The 17-track offering features a number of rare and hard-to-find cuts from the Valley's finest indie bands. The highlight of the collection is "So Proud of You," an unreleased number from Go Big Casino, the orchestral-pop side project of Jimmy Eat World front man Jim Adkins.
Reuben's Accomplice also checks in with a track for the comp called "Leave the City." The song is an exclusive and will not be available on the band's forthcoming long player, I Blame the Scenery. According to Reuben's producer Jamal Ruhe, the disc is in the final stages of mixing and editing and will likely be out early next year -- though, he adds, pending manufacturing issues, the disc may be available earlier, perhaps in time for the Modifest shows.
As for Not One Light Red, the disc packaging incorporates the spirit of Modified's art and music amalgam by using the work of local artists. Included are paintings and illustrations by Brent Bond, Joe Betterly, Lisa Williamson and Sergio Aguirre, who created the album's cover.
More information on Modifest, as well as the compilation disc, can be found online at www.modified.org.
Holiday Blues: Though blues music sprang from the rich oral traditions and history of African-American culture in the rural South, two of the Valley's preeminent proponents of the genre -- Hans Olson and Chuck Hall -- are among its most pigmentally challenged. Regardless of skin tone, or lack thereof, few can doubt the sincerity and pedigree of these two local institutions.
Olson, who celebrated his 30th year in the Valley in '99, recently announced the formation of Sun Club Records and released a compilation disc titled The Best of Hans Olson Volume 1.
Meanwhile, Hall, who first rose to prominence as a member of '80s Valley faves Texas Red and the Heartbreakers (who reunited for a Rhythm Room show in August), has remained a strong staple on the local blues circuit. Hall's latest disc, CHB III, released last year, is still available online from www.chuckhallband.com. The year 2000 has proved to be an especially memorable one for the Texas native and 15-year Phoenix resident. In addition to the Heartbreakers reunion, Hall was honored with an induction into the Arizona Blues Hall of Fame in March.
Now, fans of both men will have an opportunity to catch each performing weekly at Scottsdale's The Blue Note. The club will be hosting the two local icons throughout the month of December. Hall is scheduled to appear every Tuesday with his longtime backing combo the Brick Wall, while Olson will perform his "Best of Blues, Folk and Rock" revue every Wednesday. Showtimes for both are 9 p.m.
Happy Anniversary: It's rare that a band's freshman album propels them to the upper echelons of indie-rock stardom; indie rock, by definition, is an arena in which artists can indulge in albums' worth of pedestrian efforts before growing up and into their muse. Some bands, however, do the reverse. Take Karate, for instance. The group's 1996 self-titled debut release was a work of genius, but the band's subsequent efforts have proved mediocre, at best. Fans of the Anniversary -- and by extension, acolytes of lush, harmonic pop -- can only pray to the indie-rock gods that the band will not follow in Karate's footsteps.
The Anniversary's debut, Designing a Nervous Breakdown, was released just over a year ago to instant acclaim by the fawning, bespectacled, corduroy-wearing set (we're attempting to avoid the term "emo" here). Though the record certainly stands on its own merits as a sundry collection of delicately arranged, beautifully harmonized compositions, the Anniversary also had an ace in the hole in the form of well-known comrades and fellow Kansas City natives the Get Up Kids.