By Melissa Fossum
By Lauren Wise
By New Times
By Amanda Savage
By Jason P. Woodbury
By Troy Farah
By New Times
Everlast is coming to town on December 9. He is playing Toby Keith's I Love This Bar & Grill. First of all, these two sentences put together . . . pretty hilarious. The fact that Toby Keith has a bar and grill is funny, and calling it "I Love This Bar & Grill" (after his song of the same name, minus the grill part) is fucking hilarious. Then, finding out that Everlast (of House of Pain fame) is playing there with Scott Russo and Big B got me ROFL-ing.
Then I stopped to wonder: Who are Scott Russo and Big B anyway?
Then I laughed again.
1065 N. Dobson Road
Mesa, AZ 85201
Category: Bars and Clubs
It got me thinking about how, in 1992, I would have beaten up your mom for the chance to see House of Pain play anywhere. Even Garth Brooks Thunder Rolls Bowling Alley Lounge. I was huge into that shit, dog! I would even tape Yo! MTV Raps — both the Dr. Dre/Ed Lover and Fab Five Freddy versions. So I have a point of reference when I say what I am about to say. Which is this: In the entire history of time, there have only ever been two good white rappers.
Everlast, sadly, isn't one of them. Go download "Jump Around," take nostalgia out of the equation, and tell me it's not a shitty song. If you have been unfortunate enough to hear any songs from Everlast's more recent rap project, La Coka Nostra, you will wish it were half as good as "Jump Around."
But, obviously, Everlast is not all about the raps. In fact, his parallel musical careers are a genius move, if you ask me. On one hand, he has morphed into a redneck-esque, bluesy singer dude. On the other, he still sorta raps on the side. Good for him: It was his only real choice if he wanted to maintain a career in the music industry. White rappers very quickly wear out their novelty, and if they want to stay commercially viable, it's essential they branch out. So Everlast is part bluesman.
The only time you could argue that Everlast's rap/blues streams merged into one river was in 1998, when he had a huge sing-rap hit with "What It's Like." It's not coincidence he hit biggest when he somehow merged all his energies into one undeniably memorable thing. The song was all about how heart attacks are so terrible — or something like that — and it established a blueprint Kid Rock has used to (somehow) maintain a music career.
Of course, Kid Rock is now a kind-of country singer. Which is the point.
Why are all the white rappers, including Everlast and Kid Rock, forced to explore other genres while Snoop Dogg, Dr. Dre, and Jay Z stay relevant doing the exact same shit well into their old age? It's because white rappers are novelties. To prove my point, let's take a look at the more notable white rappers through the history of rap music.
The first part of this story is one big paragraph: The first, and one of the best, are The Beastie Boys, but they were a punk band that Rick Rubin and Russell Simmons molded into a novelty. It's only by the saving grace of their talent that they are not has-beens. But they really are not nearly as good at rapping as they are at just making awesome songs. Then comes 3rd Bass: not very good, and where are they now? Vanilla Ice is the epitome of white rap absurdity, the very reason I am even writing this. He came along in 1990 and set the gold standard. Even though he became a joke within months, he started a revolution. For the next 20 years, we have seen countless white rappers thrown into the public to make money and fools of themselves. Ever heard of The Young Black Teenagers? All white — and terrible! N2Deep? I am pretty sure one of them was white, and with lyrics like "I said honky straight going donkey," they owe us an explanation and an apology. Throw in Insane Clown Posse and countless others, and the '90s were pretty bad for white rappers.
Then, in 1999, Eminem came along and changed everything.
Just kidding. He really only changed things for himself. He didn't start a revolution, charging forward with a flag that white rappers have been carrying since. Rather, he became the exception that proves the rule. Eminem is an anomaly, and even though he is one of the best rappers ever, he is still a novelty. That's how terrible it is for white rappers. Just about the only really good one to ever come along is still a novelty, because he is so good. Hilarious!
As far as I am concerned there is only one good white rapper who isn't a novelty: Mike Skinner, a.k.a. The Streets. The Brit's first couple of albums, Original Pirate Material and A Grand Don't Come for Free, are some of best albums of the past 10 years. If you have heard them, I am sure you agree. If you have not heard them, acquire them now!