Critic's Notebook

Todd Rundgren

A Todd Rundgren performance could include just about anything from the multi-instrumentalist's 41-year career: the '60s garage rock of his old band Nazz, his early '70s power pop solo work, his mid-'70s Zappa-esque experimental stage, his '80s New Wave dabbling, his '90s phase of bossa nova, concept albums, and interpretive...
Carbonatix Pre-Player Loader

Audio By Carbonatix

Keep Phoenix New Times Free

We’re aiming to raise $10,000 by April 26. Your support ensures New Times can continue watching out for you and our community. No paywall. Always accessible. Daily online and weekly in print.

$10,000

A Todd Rundgren performance could include just about anything from the multi-instrumentalist’s 41-year career: the ’60s garage rock of his old band Nazz, his early ’70s power pop solo work, his mid-’70s Zappa-esque experimental stage, his ’80s New Wave dabbling, his ’90s phase of bossa nova, concept albums, and interpretive song snippets, or the “rock” sounds of his latest album, Arena. His set could also include a number of his solo hits from throughout the years, like “We Gotta Get You a Woman” (1970), “I Saw the Light” (1972), or “Hello It’s Me” (1973). Of course, he could just “Bang the Drum All Day” and we’d be happy.

Loading latest posts...