It’s a four-channel video and sound installation meant to inspire greater connection between people and landforms, and it continues through Sunday, March 12.
Yazzie started by hiking and exploring regions where sacred mountains comprise geographic borders and cultural signifiers for the Navajo/Diné people.
“Each mountain carries with it: forms of symbolic and sacred power, protection, stories, female or male identities, and a color,” Yazzie shares in his artist statement for the show. Along the way, Yazzie documented his journey through videos, photographs, and audio recordings.
He’s manipulated some of the recordings and photographs, and left others as is. It’s a way of adding magical elements, Yazzie says. And it’s meant to leave people wondering about which parts of what they’re seeing might be real, and which manufactured. It’s an important question not only inside the gallery, but within culture at large, Yazzie says.
In addition to videos – one on each of four screens facing north, south, east, and west – he’s installed a wall filled with 40 still shots of his mountain excursions. Many capture natural elements encountered along the way. But gallery-goers who linger will also see visual artifacts, from fireworks to tiny bubble-like spheres, Yazzie created and superimposed into the actual mountain scenes he encountered.
"The photographs are really fragments of my life," he says.
But Yazzie included several additional elements – including a tent he used while camping in these sacred spaces, and a tower of painted rock forms that stands like a sentinel near the gallery’s entrance. It’s all designed to give gallery-goers the feeling of being in these sacred spaces, which have what Yazzie calls “a special place in our spiritual consciousness.”
co-founded the Museum of Walking with multidisciplinary artist Angela Ellsworth. Currently housed on ASU’s Tempe campus, the Museum of Walking promotes walking as an art practice. And it will be presenting an activity at the Heard Museum during First Friday’s opening reception for Yazzie’s show.
Yazzie’s previous work with the Heard Museum includes Fear of a Red Planet, a multi-panel mural he painted over the course of six months in 2000, which was removed last year as the museum undertook renovations to transform two smaller gallery spaces into one larger space. The public reveal of those changes, funded by the Virginia G. Piper Foundation, happens on February 10.
The mural, which was part of a National Endowment for the Arts initiative, features scenes of Navajo, Yaqui, and Colorado River people being displaced or assimilated during the boarding school period. Currently it’s on view just above the “Black White Blue Yellow” exhibition, on the second story of the Jacobson Gallery.
The recent work is all about connection, he says. "It's really a spiritual journey of trying to reconnect with sacred places."
The “Black White Blue Yellow” exhibition, which runs from February 3 to March 12 at the Heard Museum, is free with museum admission ($18/adults or free after 6 p.m. on First Friday).