What does it take for a woman to win the trust it takes to become an action director? For Anna Foerster, it took two decades, an expert’s knowledge of visual effects and cinematography and a directing gig on key episodes of a cult television show — Starz’s Outlander. Now she’s…
I shouldn’t have to explain why Fences, the August Wilson play set in the 1950s and now adapted for the screen, is important. If you’ve stepped anywhere near the theater — and I mean the playhouse here — you’ve read, seen, or heard about it. Wilson, who didn’t study theater…
In this, the harrowing year of 2016, I could jump into the Oscars talk. I could pick groundbreaking films that reminded me time and again that movies are alive and more vital than ever, like the heartbreaking Moonlight, the soul-stirring Queen of Katwe, the force-of-goodness 13th, the subtle and sweet…
Here’s a recurring nightmare I’ve had since seeing Nicolas Pesce’s The Eyes of My Mother: I’m parking my car — I don’t even have a car — on a desolate street in broad daylight. As I put change in the meter, a man walks close beside me, then closer and…
In the pantheon of American First Ladies, Jacqueline Kennedy was no Eleanor Roosevelt. She didn’t push for policy, didn’t relinquish her pillbox hat to walk among the needy, didn’t travel to foreign countries as an ambassador and certainly didn’t advise her husband on matters of war. Jackie Kennedy’s role was…
Watching Lucile Hadzihalilovic’s mesmerizing sci-fi arthouse stunner, Evolution, I thought of the paintings of surrealist Rene Magritte — a few in particular: The Collective Invention (1934) and The Human Condition diptych (1933, 1935). The former features a creature — the bottom limbs of a woman and the body of a…
Oh man, are we in a backlash on liberal, PC culture right now. I mean, if you can call electing the KKK’s and Nazi party’s greatest white hope to the highest office in the world a backlash. I can’t even count how many people — strangers, family, trolls — have…
Eventually, there will be so many films about a sullen or damaged man returning to his provincial town to face the demons of his past that Netflix will make a separate category for them. At their worst, these movies are navel-gazing vanity projects for their writers and directors (Cameron Crowe,…
Sure, teen comedies make stars of their leading ladies and fellas, but what about the authority figures? Eugene Levy’s nameless dad in American Pie is peripheral but memorable as a bumbly guiding force. Tina Fey’s Ms. Norbury in Mean Girls is a motherly but revelatory mess of a teacher. Harry…
Aisholpan Nurgaiv has never met this eagle she’s posing with — borrowed from a local animal wrangler — on a balcony at the London Hotel in West Hollywood. In 90-degree heat, she’s a 15-year-old girl sweating in her Mongolian winter clothes, including a hat made from the first fox she…
Writer/director Osgood Perkins has been peeking at my Shirley Jackson book collection, and he’s already read through my favorites: The Haunting of Hill House and We Have Always Lived in the Castle. Jackson, who penned chilling ghost stories and moral tales in the ‘40s, ’50s, and ’60s — like her…
When Sarah Waters published her gothic lesbian suspense novel Fingersmith in early 2002, the U.S. was beginning a relatively speedy transformation on the LGBT front, building to today’s legalized same-sex marriage and a presidential candidate’s full-throated support for expanded LGBT rights. Buoyed by that shift, Waters’ story of clandestine female lovers…
If I have to hear Ti West’s movies called “slow burns” one more time, I might set my laptop on fire right quick. West’s breakthrough hit, The House of the Devil, was a leisurely paced throwback to early ’80s Satanic panic — before the slasher, with plenty of obvious jump…
“As it always happens in the Chris Guest movies, we really don’t talk to each other before we get to set,” Jane Lynch says, explaining how she creates her menagerie of characters, specifically Gabby Monkhouse from Guest’s newest mockumentary, Mascots. “A couple months before, I got a call from Chris,…
When a quiet film is set outside of the big cities, it’s often called a “slice of life.” But that’s ultimately a condescending designation; to the millions of people residing on the prairies and in the small towns dotting the throughways, it is simply life, with a capital “L.” In…
I want to take a moment to apologize to Anne Hathaway. Ms. Hathaway, as you’ve grown from precocious princess (The Princess Diaries) and embattled intern (The Devil Wears Prada) to destitute prostitute (Les Misérables) and back again to Disney royalty (Alice Through the Looking Glass), I’ve sometimes judged you unfairly,…
There’s little in the way of setup or explanation for what the “bad batch” is or how the members of such a motley, unfortunate tribe of humans were banished to a desert wasteland in Ana Lily Amirpour’s post-apocalyptic action dramedy. Instead, Amirpour just lets the camera linger on a sign…
You know those kids who didn’t give a shit about fashion or football but piled onto beanbags in the basement every Friday to watch the freakiest low-budget camp horror comedies and psychedelic vintage animations on bootleg VHS procured via mail order from some dude they met at a rock show…
Over the last 10 days, the Toronto International Film Festival has screened hundreds of movies from all across the world. L.A. Weekly’s April Wolfe and Michael Nordine trekked to Canada in search of the best of the fest, from the Cannes holdovers and awards hopefuls to the world premieres and…
We’ve come a long way since American Psycho. And also not. When co-writer/director Mary Harron premiered her Bret Easton Ellis adaptation in 2000, the kneejerk assumption for audiences who’d only seen the trailer was that surely a man had made the ultra-bloody black comedy. The film was dismissed before it…
Writer/director Osgood Perkins has been peeking at my Shirley Jackson book collection, and he’s already read through my favorites: The Haunting of Hill House and We Have Always Lived in the Castle. His sophomore feature, I Am the Pretty Thing That Lives in the House, is a magical amalgam of…
Our critic April Wolfe is filing updates all week from the Toronto International Film Festival. Writer/director Ivan I. Tverdovsky may be a twentysomething male, but in his sophomore feature, he exhibits a direct pipeline into the psyche of a lonely, middle-aged woman. In Zoology, a lowly zoo worker suddenly sprouts…
