Our critic April Wolfe is filing updates all week from the Toronto International Film Festival. When a quiet film is set outside of the big cities — New York, L.A., Chicago — it’s often called a “slice of life.” But that’s ultimately a condescending designation; to the millions of people…

What’s constant in Katherine Dieckmann’s films – Motherhood (2009), Diggers (2006) and A Good Baby (2000) – is an attention to characters and place. Many of us in the world of film reside in the big coastal cities, but a good number come from somewhere else, smaller towns with subtle…

What happens when a director takes his own life before he’s able to see his work open in theaters? In the case of Marcin Wrona and Demon, his mesmerizing Polish art-horror film, Olga Szymanska, Wrona’s producing partner and wife, has pressed on. She has traveled with the film, watching the…

The techniques of verbatim theater go back decades, to at least the 1950s, when young German theater troupes would re-enact complicated court cases word for word onstage. Even earlier, in the United States, the WPA paid for a form of this performance with its Living Newspapers, in which theater artists…

Tension and release is the driving principle of a tearjerker, where every good fortune is countered by something worse. And as dismissive as critics often are of the genre, it’s actually quite difficult for a director to make people cry en masse and genuinely feel things. Derek Cianfrance’s foreboding melodrama…

Nepotism is occasionally a positive, and not just for the direct beneficiary. Ridley Scott gave us Alien, with heroine Ripley and a memorable cast of ne’er-do-wells and villains with defined personalities. And now Scott’s son, Luke, who’s been shadowing his dad on his last few big-budget films, has delivered unto…

Just like there’s a bizarro internet where Donald Trump is celebrated as a warm, loving, generous, successful businessman who really wants to earn a Purple Heart, I wonder if there’s also a bizarro, ravenous audience awaiting a feature-film re-enactment of Donald and Melania’s epic first date. (He literally tricked his…

Don’t let the uptick in big-cast movies fool you: Ensemble films are difficult to make. When a script gets a projected budget in creative development, “ensemble” adds dollar signs and story challenges. Each actor needs to get a moment in the star circle, and each is competing for top billing…

Michael German went undercover with white supremacists for a year and with right-wing militants for another eight months, and now he wants to set some things straight. “One of the things I learned working undercover is that the studies that the FBI or even academia had on these groups were…

In contemporary film, it’s typical for an African American character to be the sole person of color in the story, only existing to reveal hidden racism or make white people uncomfortable with themselves. Black characters rarely get to talk to other black characters. Last year, Manohla Dargis suggested a new…

Hey. Do you guys remember puppet comedian Jeff Dunham, whose downtrodden Mexican “on a steeeek” character José Jalapeño delighted many a middle-class white American in the ’90s? Well, imagine he blazed up a joint with Bill Maher, wrote a manifesto on atheism and then made a multimillion-dollar animated feature film…

Baseball is boring. And I’m saying this as someone who loves and plays the game, as someone who’s watched all of Ken Burns’ Baseball and as someone who agrees with Red Barber that “Baseball is dull only to dull minds” — we’re all gonna be a little dull in a…

Ben Kingsley has spoken many words of wisdom in his lifetime, few more insightful than when he told the Observer earlier this summer that, when a male actor is directed by a woman, he “is almost given permission to be vulnerable.” In Alice Winocour’s new feature, Disorder, which lays bare…

Patricia Rozema is what you might call a “working director.” Her first credit was Second Assistant Director on three episodes of the acclaimed children’s series, Sharon, Lois & Bram’s Elephant Show in 1984, and since then she’s written, directed and produced art-house shorts, film-industry docs, a music-and-dance film (Yo-Yo Ma…

Allison Janney is deflecting questions about herself to proclaim the talent and intelligence of her Tallulah co-star Ellen Page, whom she already step-mothered onscreen in 2007’s Juno, when she suddenly interrupts herself. “Oh my god,” she says. “I’ve been talking since six this morning. I’m bleary-eyed from all the conversations…

Writer Keith Gessen once said that Philip Roth wasn’t a misogynist and didn’t hate women because he spent all his time “thinking about fucking them.” But he did concede that Roth probably thought “women were a foreign country.” In James Schamus’ debut feature Indignation, an adaptation of a late Roth…

In Patricia Rozema’s quiet, sci-fi-lite thriller Into the Forest, the power goes out pretty quickly, but the film itself is electric. Nell (Ellen Page) studies for the SAT and chats with her boyfriend on a futuristic floating computer screen, while her sister Eva (Evan Rachel Wood) twists her body into…

Does it matter that Freddy Krueger was a pedophilic middle-school janitor who died in a blazing fire when parents sought revenge? No. And unless you’re a horror-film obsessive, you probably don’t even know how he morphed into a pizza-faced Where’s Waldo with knife fingers — what matters is he lives…

To understand what Absolutely Fabulous (first a TV show and now a movie) means to Brits, you’d have to go back to the TV premiere in 1992. Margaret Thatcher had their economy in a stranglehold until her departure as Prime Minister two years earlier, and when every sensible citizen was…

Is it possible to sustain a feature in a single interior location with the premise that three outlaws on the run may or may not rape the three women of the house, two of whom are already being molested by their father? I mean, you could. But why the hell…

Bob Mazur, in his bestselling memoir, sounds like any of us when we shift careers, writing that he wanted something that “kept my interest, that didn’t box me into the same boring routine.” The only difference is that Mazur didn’t break the box quitting an ad job to launch a…

Alex Gibney will be ready if the power grids fail. “We have a place in Maine now,” the director says. “We just installed solar panels. We can fish. We have water. With a little bit of Sterno, we’ll probably be okay.” After a long career dredging up the dark side…