The Bombay-born film producer Ismail Merchant, who died in May at age 68 after abdominal surgery, collaborated with director James Ivory on a dozen elegantly furnished period pieces over the last quarter-century, including The Remains of the Day, starring Anthony Hopkins as a repressed English butler, three E.M. Forster adaptations…
The gifted Irish novelist and filmmaker Neil Jordan (The Crying Game, Michael Collins) says that his overriding concern is “how individuals work with what they’ve been given.” Case in point: Jordan’s new feature, Breakfast on Pluto. This bittersweet, gender-bending drama takes a page from Candide — its beleaguered hero, too,…
Social conservatives may have put the brakes on gay marriage, but there isn’t much they can do about gay movies, which arrived like some biblical flood in the last months of 2005. Along with Capote, a vivid portrait of the most celebrated gay writer of the 1960s, Ang Lee’s romantic…
Amid Hollywood’s zillion-dollar explosions and computer-enhanced trickery, plenty of quieter, better films sneaked into theaters virtually unnoticed this past year. Following are our reviewers’ favorite overlooked movies of 2005. Some of them never made it to local screens, but many have since made it to the video store: Balzac and…
War is hell, but it can also be high drama. In boots-on-the-ground documentaries like Gunner Palace and Occupation: Dreamland, we got a discomfiting look at the brutal realities and moral ambiguities of America’s war in Iraq, where the death toll rises along with the administration’s rhetoric. “I want some answers,”…
When your movie critics’ tastes range from Jane Austen to Rob Zombie, there’s bound to be some turbulence come award time. Perhaps not surprisingly, determining the year’s best films is something of an imprecise science here: Our top movie was anything but a unanimous pick among the five critics –…
The Jerry Lewis chromosome is running amok again inside Jim Carrey, and if you don’t feel like getting clubbed half to death with a slapstick, stay away from Fun With Dick and Jane. On the other hand, if Carrey’s tireless antics — slithering onto nightclub tables, speaking in tongues, and…
It’s not hard to predict how Ang Lee’s controversial Brokeback Mountain will play in John Wayne country. This romantic tragedy about a pair of lean, wind-burned cowpokes who secretly live to poke each other flies in the face of everything that most people in Casper or Riverton or Laramie think…
Most movies intend to entertain or inform us, or maybe take our minds momentarily off personal problems — that bullet-riddled body in the trunk, say, or Aunt Edna’s arrest for shoplifting doughnuts. Presumably, no picture really means to make an airtight case against children. But after sitting through the witless,…
Moviegoers with a taste for nasty villains will get all they can handle from the heavy in Swedish director Mikael Håfström’s Derailed. Philippe LaRoche — played with obvious relish by a craggy-faced Vincent Cassel — is not the kind of effete Frenchman you find reading poetry in the corner bistro…
It’s been 85 years since Douglas Fairbanks slashed his way into the top tax bracket as the masked hero Zorro, and Hollywood still can find no reason to shut down the franchise. Technically speaking, The Legend of Zorro, starring Antonio Banderas as the guy with the sword and Catherine Zeta-Jones…
When we first see the protagonist of North Country, a working-class heroine portrayed by a deglamorized Charlize Theron, she’s sporting a black eye and a slight limp, the results of an encounter with her abusive husband. We soon learn that Josey Aimes is only now beginning to take her lumps…
Anyone vaguely familiar with the rules of golf knows that you may not improve your lie, ground your club in a sand trap, or — most grievous of all — subtract strokes from your score. This last one apparently never occurred to the makers of a new movie with the…
Like hundreds of creative Southerners before them, Phil Morrison and Angus MacLachlan have Thomas Wolfe in their bones. The media notes for Morrison’s first feature, Junebug, don’t mention Wolfe, and the 37-year-old NYU Film School graduate makes a point of distinguishing between literary inspiration and what he, like Paul Schrader,…
By conservative estimate, Tim Burton stands to rake in half a billion dollars at the box office this year, thanks to a childlike chocolate maker in mauve rubber gloves and, now, to a lively dead girl with marriage on her mind and the timid schlub who falls under her spell…
The questing hero of Hans Petter Moland’s The Beautiful Country is a slender, big-eyed young man named Binh (California-educated Damien Nguyen), who has little going for him but his obsession. Ostracized in his homeland because he’s the offspring of a Vietnamese mother and an American G.I. father — bui doi,…
Surfers, skateboarders and desert racers have all had their moment at the movies recently. Now the motocross crowd gets its turn. Supercross: The Movie, which provides a glimpse at what its makers call “the second-fastest-growing motor sport in the U.S., behind only NASCAR,” is anything but a dramatic masterpiece. But…
The British indie filmmaker Sally Potter, a former dancer, lyricist and performance artist, clearly has a taste for adventure. In 1992, that led her to Orlando, a screen adaptation of the experimental Virginia Woolf novel about an Elizabethan nobleman who hangs around for 400 years, eventually morphing into a hip…
Matthew Parkhill’s Dot the I is the kind of tricked-up mental exercise that may intrigue the most impressionable film school students and a philosophy major here and there. But anyone who’s gotten through sophomore year without declaring him the next great thinker of the Western Hemisphere is more likely to…
The old John Wayne-Dean Martin hayburner The Sons of Katie Elder wasn’t a very good movie the first time around — Dino and a cowboy hat go together about as well as Sinatra and bib overalls — and John Singleton’s jokey, urbanized rehash isn’t likely to snow the Oscar voters,…
The contentedly independent filmmaker Jim Jarmusch has brought his restless energy to a series of surreal road movies that move nicely along on the strength of rare characters, quirky humor, and a willing embrace of chance adventure. These quest stories for hipsters have transported Jarmusch’s fiercely loyal audience from New…
So little time, so much trouble. In the 24-hour period that’s dissected in Heights, the first feature from Harvard/Cambridge/USC Film School-educated Chris Terrio, an aspiring Manhattan photographer named Isabel (Elizabeth Banks) gets cold feet about her upcoming marriage to a dull but pleasant lawyer named Jonathan (James Marsden); a needy…
