If the Navy is looking for splashy recruiting tools, it could do worse than Stealth, a zillion-dollar action movie stuffed with futuristic jet fighters, glamorous carrier pilots, and an overload of explosive, mostly digital derring-do. Here is Top Gun revised and updated, complete with a new array of enemies –…

It should come as no surprise that the hero and heroine of the new Michael Bay action extravaganza are clones. Exact copies of other people. You don’t get to be a Hollywood hitmeister like Bay — 200 Zillion Tickets Sold! — without indulging in formulas, and the characters Star Wars…

Roald Dahl’s inner child was evidently a contrary lad — precocious, dark-minded, contemptuous of adult supervision, and fueled by a sense of justice that often proceeded via cruel whim. In Dahl’s twisty children’s stories, villains throw kids out of windows, beautiful women turn out to be hideous witches in disguise,…

If you’re trying to navigate the gulf between the absolutist view inside Fortress Bush and the relativist politics of Western Europe, you need go no further than Brothers, a provocative new drama from Denmark. Superficially, it’s an intimate and rather self-contained film, but director Susanne Bier (Open Hearts, The One…

The consequences of marital discord in Mr. & Mrs. Smith go way beyond sleeping on the couch or maintaining icy silence at the breakfast table. Thanks to a cartoonish premise by British screenwriter Simon Kinberg — and the dictates of the summer-movie marketplace — the battling Smiths of the title…

Layer Cake, the new British crime drama from first-time director Matthew Vaughn, is a block of granite struggling to liberate the statue inside it. Vaughn (producer of Snatch and Lock, Stock and Two Smoking Barrels) has plenty of dark threat and compelling visual style, but his ambitious trip into the…

Alex Gibney’s Enron: The Smartest Guys in the Room is a thoroughly professional, frequently spectacular piece of muckraking. But any American who hopes to watch this portrait of unfettered corporate greed, cynical power-lust, and outrageous deception without going postal about an hour into the thing would do well to bring…

Jane Fonda comes from a good Hollywood family and used to be a pretty fair actress herself. Klute, They Shoot Horses, Don’t They?, and Coming Home were three of the better films of their time. So, after getting a look at herself in her first movie in 15 years, La…

Whatever you do, don’t accuse Ridley Scott of turning his back on a fight. Doesn’t matter if it’s slimy-fanged space aliens attacking Sigourney Weaver, Roman slaves in tough against hungry lions down at the Colosseum, or American GIs going at it with Somali insurgents. Sir Ridley is always happy to…

Agent Fox Mulder, the coolly instinctual sleuth of The X-Files, got pretty good at unraveling paranormal mysteries. If only the actor who played him were as adept at solving the riddle of his movie career. David Duchovny’s new vanity project, House of D, is the tortured tale of a 13-year-old…

When the great playwright Arthur Miller died in February, many admirers took stock again of his most enduring creation, Willy Loman. A delusional idealist who finds himself failed and felled by the American dream, the tragic hero of Death of a Salesman has for half a century been the most…

If nothing else, give Dana Brown credit for enthusiasm. A documentary filmmaker in name only, he is really the camera- and microphone-equipped president of several booster clubs — among them what might be called the International Society of Beach Bums and, thanks to his latest exercise in hero worship, the…

Give Dan Harris, the writer/director of Imaginary Heroes, plenty of credit for boldness and ambition. Not many kids fresh out of Columbia University would have the wherewithal to tackle a complex family-crisis drama with four or five different kinds of trouble running through it and half a dozen crucial minor…

Rated R.

Some people think they’re a new art form; others see them as adolescent time-killers. Whatever they are, video games don’t make good models for feature films (mostly because their interactive essence is lost), and their clumsy transfer to the big screen continues to invite all kinds of speculation — not…

The grim little green-walled apartment where Walter finds himself after his release has the look of a jail cell — with one apparent easement. What seems to be the only window in the place faces a school playground across the street. When Walter looks outside, he often sees kids running…

Nobody messes with Samuel L. Jackson — at least not at the movies. He’s Shaft reinvented, the coolest cop on the street. He’s Mace Windu, the only swashbuckler in the Star Wars galaxy who gets to swing a purple light saber. Best of all, he’s Jules Winnfield, the ultra-hip hit…

Clint Eastwood began digging into the third act of his career — the one that reveals the mature, deep-thinking artist . . . with a little jazz piano on the side — a dozen years ago, with the discomfiting anti-Western Unforgiven. Since then, he’s hardly come up for air or…

By all accounts, the only living creatures who’ve never taken in a stage production of Andrew Lloyd Webber’s The Phantom of the Opera are Osama bin Laden and Uncle Elmer’s deaf hound dog Bart — which means that everyone else on the planet has an opinion about how Joel Schumacher’s…

Mike Nichols’ new film Closer is a boiling pot of lust, mistrust and double-dealing that might well be taken for outright soap opera — or, in quite a few places, soft-core porn — were it not for the sophisticated gleam of its well-heeled London desperadoes and the vicious dazzle of…

The Czech drama Zelary brings to mind Bertolt Brecht’s pointed observation that “war is like love; it always finds a way.” In this instance, war creates the atmosphere in which an unlikely love flourishes, then overwhelms that love. Only a fool would try to improve on Brecht, but after absorbing…