A Lament: Action Movies Don’t Have to Suck

Remember how action movies used to be? The good old-fashioned American (but often European-accented) ones from the ’80s and ’90s, the type paid tribute to (but not necessarily re-created) in the Expendables movies? No offense to your Iron Men and your Jason Bournes, but I miss movies like Die Hard,…

David Cronenberg’s Vision of the Cosmopolis

One of the most interesting things about Cosmopolis, writer/director David Cronenberg’s extraordinary adaptation of Don DeLillo’s novel by the same name, is that it’s based on the first script Cronenberg has both written and shot since 1999’s eXistenZ. Additionally, Cronenberg’s adaptation of Cosmopolis marks the first time he has adapted…

Premium Rush‘s David Koepp Discusses Filming in NYC

David Koepp writes, and now directs, superior B-movies. This is an admirable and tough-to-master skill given how few major movie studios are willing to take chances on films with lower budgets that don’t employ a found-footage gimmick or generally look like they were made on an aglet-less shoestring budget. So…

Weekly Freebie: West Wind Glendale 9 Drive-In

See also: Scottsdale 6 Drive-in Theater Closes; is Featured in Upcoming Exhibition by William LeGoullon The drive-in movie is a quickly dwindling pastime in Arizona. Since the early 40’s, Arizona has seen the openings and closings of nearly 50 outdoor theaters, including the Rodeo Drive-In and the DeAnza Drive-In. Today,…

Celeste and Jesse Forever Suffers from a Scattered Narrative

In Celeste and Jesse Forever, the titular, newly separated female protagonist’s un-flamboyant queer co-worker (Elijah Wood) tells her “it’s time get your fuck on,” and then apologizes: “Sorry, I was trying to be your saucy gay friend.” Co-written by and starring Parks and Rec’s Rashida Jones, Forever is a notably…

Rashida Jones Steps Out on Her Own

In terms of looks, charisma, and talent, Rashida Jones should have been a star a long time ago. But in terms of what she’s ready to offer Hollywood (and what Hollywood finally might be ready to let her accomplish), her belated ascent seems well-timed. Bittersweet breakup comedy Celeste and Jesse…

Surveying Whitney Houston’s Checkered Film Career

In anticipation of the remake of the 1976 girl-group melodrama Sparkle — Whitney Houston’s posthumous film appearance and her return to movies after a 15-year absence — we look back at the handful of celluloid performances by the woman once known as ” the Voice.” Houston’s pipes certainly get a…

2 Days in New York‘s Julie Delpy Rocks the Big Apple

“My son is sick right now, covered in zits. It’s not contagious — I mean, it’s contagious, but don’t worry: Grownups don’t catch it. It’s called mouth-foot-and-butt disease or something.” Julie Delpy materializes on the patio of Hollywood’s Chateau Marmont on a wave of nervous energy. Hair pinned up away…

Disney’s Timothy Green Jerks Tears, Rates Jeers

“It’s a hard world to be different in,” says Cindy Green (Jennifer Garner) to her Pinterest/vision-board child Timothy (CJ Adams) while trying to explain why he must cover up the leaves that sprout on his legs. “Lots of people hate anything that’s different.” That hammer-to-nail, nutshelled life lesson is one…

Five Must-See Movies in August

See also: Ruby Sparks: Finally, the Fantasy Girlfriend Is Fiction See also: Scottsdale International Film Festival Announces 2012 Lineup Sometimes a movie screens for one night only, and other times it shows for weeks, even months. That’s why when it comes to Valley moviegoing, planning ahead is crucial. Planners that…

High Jinks and F-Bombs on The Campaign Trail

The Campaign begins with an on-screen quote attributed to Ross Perot: “War has rules. Mud wrestling has rules. Politics has no rules.” The Texas billionaire/private-campaign-financing pioneer dropped this truism not during his historic third-party run for the presidency in 1992, but in the midst of his far less-successful 1996 campaign…

The Bourne Legacy: So, Who’s the New Guy?

The Bourne films have more than just overstayed their welcome and outlasted the Ludlum books — they’ve been Van Halenized, with an abrupt change of frontman and a resulting dip in personality. The only big-ass popcorn franchise of the past decade not to have been spawned on computers, the series…

Ai Weiwei: Never Sorry: Even China Can’t Shut Up the Artist/Gadfly

Chinese artist, activist, and antagonist Ai Weiwei became a worldwide cause célèbre last April when he was arrested by authorities at the Beijing Airport, detained in an undisclosed location for nearly three months, and released after allegedly confessing to tax evasion. The Sundance-feted documentary Ai Weiwei: Never Sorry concludes shortly…

The Queen of Versailles: Time-Share Royalty’s Time Might Be Up

“I don’t want to give you lessons in self-denial and social responsibility,” an art dealer tells her billionaire boy client in Don DeLillo’s Cosmopolis, by way of refusing to entertain his demand to buy the Rothko Chapel. “Because I don’t believe for a second you’re as crude as you sound.”…

The Old, Good Total Recall

Just because it made loads of money, stars Arnold Schwarzenegger, and features a three-titted mutant doesn’t mean Total Recall isn’t ruggedly individualistic art. Just look at its outsider pedigree: Total Recall was loosely based on a 1966 short story from the flushed mind of Philip K. Dick, produced by the…

Ruby Sparks: Finally, the Fantasy Girlfriend Is Fiction

It’s one of the most cherished legends of the American indie: A socially retarded ugly duck, despite making no effort to regulate his glaring emotional hang-ups, is discovered as a swan by a clearly out-of-his-league girl who loves him just the way he is. Buffalo ’66 (1999) and Punch-Drunk Love…

Red Lights Fails to Inspire Faith

Red Lights aspires to be a genre movie of ideas. Like a great number of films dealing with supernatural and extraterrestrial phenomena, it’s a thriller in which suspense depends on keeping both viewer and protagonist teetering, in the face of the unexplained, between rational agnosticism and faithful credulity. By the…

I Wish: Hoping for a Family Reunion on the High-Speed Rail

Japan’s Hirokazu Koreeda always has been an astute, patient observer of human behavior, but between 2004’s Nobody Knows — about four kids abandoned by their flaky mother — and his new film, I Wish, his greatest gift as a filmmaker seems to be his capacity to work with children. Koreeda…