Opposites attract in Chris & Don: A Love Story

A glint in his eye and a grin on his lips, artist Don Bachardy looks into the camera and explains the dynamic of his three-decade relationship with the late literary icon Christopher Isherwood as if it were a fairy tale. “His role,” says Bachardy, “could be described as that of…

Hamlet 2 is tragically not half as funny as it thinks it is

In its final 10 minutes, Hamlet 2 is little more than chaos, noise, and nonsense, and those are 10 perfectly enjoyable minutes. It’s hard to knock any sequence that climaxes with a musical number titled “Rock Me, Sexy Jesus,” done up nice and Grease-y. Problem is, the 80 or so…

Does American Teen reinforce high school stereotypes?

Notwithstanding all the pundit-driven hot air about the horrors of being young in today’s America, I’m willing to buy the argument that it’s getting harder to survive those years, if only because there’s so much more for the poor dears to worry about — more information, more technology, more stuff…

Nine hours shorter, Brideshead Revisited gets back to the source

Making notes in 1949 for a review of Evelyn Waugh’s Brideshead Revisited, George Orwell wrote, “Waugh is about as good a novelist as one can be . . . while holding untenable opinions.” That’s a nice way of saying that Waugh, a world-class satirist of everyone from the rich down,…

WIth a new sequel, The Mummy franchise has seen better days

I was 13 when Stephen Sommers’ 1999 remake-in-name-only of The Mummy came out. It was just about the ideal age. Sommers is definitely some kind of junk-addled auteur, and if The Mummy didn’t achieve its obvious goal of topping Raiders of the Lost Ark, it was close enough, as far…

Will Ferrell doesn’t wanna grow up in Step Brothers

I haven’t seen much at the movies in the past two years that has given me as much unbridled comic pleasure as the sight of Will Ferrell as the win-at-any-cost NASCAR driver Ricky Bobby, calling on Jesus, Tom Cruise, and Oprah Winfrey to put out the psychosomatic flames engulfing his…

Mamma Mia! drains the fun out of ABBA

I’ve always enjoyed ABBA — not in that post-hoc, so-bad-it’s-good way, but innocently, the way I like Phil Spector. To this day, howling along in my car to that echoing, cascading, multiply overdubbed wall of sound makes me feel like a member of some dippy but joyous cathedral choir. So…

Center of the Earth plays like a promo for 3D filmmaking

At the top, let’s be clear about one thing: Journey to the Center of the Earth is more a demo reel than a narrative feature. It’s a decent, if overly familiar and yawningly obvious compendium of look-at-me moments intended to show off the latest and greatest in stereo 3D filmmaking,…

Hancock squanders potential greatness with lame humor and a half-baked hero

The Sixth Sense, starring Bruce Willis as a dead man, was writer-director M. Night Shyamalan’s breakthrough, but its follow-up, Unbreakable, starring Bruce Willis as the walking dead reborn as a superhero, was the filmmaker’s masterpiece. It remains the most quietly influential of all recent superhero movies, the unacknowledged template for…

Kitt Kittredge: An American Girl dolls up the Great Depression

In Kit Kittredge, all it takes to cure the Depression is a little Miss Sunshine. To my 10-year-old daughter, the term “American Girl” means “that store my meanie of a mom — unlike all the other, higher-quality moms — won’t let me go near.” Why should I? She hates dolls,…